Adjusted for inflation, GWTW is the world's highest grossing movie ($1.5 billion in 2009 dollars). See more...
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Continuity: In the scene showing guests arriving at the Wilkes' barbecue, you see buggies and carriages driving through the front gates and up the drive toward the Wilkes' home. The carriages clearly create shadows on the ground, but not on the stone pillars of the gates. This is because when the movie was filmed, there were no actual gates. The gates were later "painted" into the frame. Proving someone forgot to "paint" shadows onto the pillars.
Continuity: The shadow scene in which Scarlett and Melanie care for the wounded in the Atlanta hospital was filmed with two doubles. Since Leigh and de Havilland were standing at the wrong angle to cast the shadows, two stand-ins were positioned in front of the high-intensity light. The shadows of the doubles were reflected on the wall behind the stars, and the result was a stunning visual effect. Yet upon a closer look, the gestures of the stand-ins are not totally synchronised with the movements of the stars.
Continuity: When Scarlett is attacked in the woods on a bridge while on her way to the lumber mill the buggy very nearly goes off of the bridge backwards. Then Scarlett faints, but when the camera returns to the full shot of the buggy, suddenly it is squarely in the middle of the bridge and in no danger at all of falling over the edge.
Other: The credits for the Tarleton brothers in the opening credits have the twins switched with their actors. George Reeves doesn't play Brent, he plays Stuart. You know this because in the opening scene the two boys are talking about the party and asking Scarlett for dances, and George Reeves points at his brother and calls him "Brent."
Continuity: During the burning of Atlanta scene, Rhett and Scarlett are escaping in a wagon. The horse stops, spooked by the fire, so Rhett throws Scarlett's shawl over the horse's eyes. The mistake is that as soon as Rhett grabs the reins, the horse throws off the shawl, and suddenly no longer is afraid of the fire.
Continuity: While our protagonists flee from the burning Atlanta the carriage stops. A bearded soldier walks by carrying another man. A few moments later the camera focuses on a young man who collapses and is being picked up by exactly the same guy who was carrying him already. The mistake wouldn't be as pronounced if it weren't been one of the few instances where action by extras is highlighted.