The Phantom of the Opera

Continuity mistake: When the young phantom is murdering the carnival man, young Mme Giry walks though the gap in the tent, and turns so all you can see of her is her eye and the side of her face. In the next shot of her, her whole body is inside the tent.

Continuity mistake: In the gypsy fair scene the Phantom has a dirty back. In the next scene when he's running away with the Dancing Mistress to go under the Opera House, his back is clean.

Continuity mistake: Toward the end of the scene "Little Lotte," when Christine says, "No Raoul, wait," we see Raoul close the door and exit. Instantly after he shuts it we see the outside of the door, but Raoul is nowhere to be seen. There is no way that he could have already gone because there is no shot between the time when he closes the door and when we see the outside of her dressing room, where he should be at least for a second. We know that this is most certainly the outside of the door because we see the Phantom's hand and Madame Giry moments later.

Continuity mistake: During "Masquerade", during the shots with the people dancing on the stairs in unison with their fans, you can see Christine and Raoul smiling. Behind them is a man with a wig shaped as an afro next to a large plant. The next shot you see the couple, he is gone, then you see him again in the following shot of Christine and Raoul.

Continuity mistake: When Raul is being hanged, he has a booger under his nose. In the next shot, it's gone.

Continuity mistake: When Meg finds Christine in the room with all of the candles after her "Think Of Me" performance, she puts her hand on Christine's shoulder, then removes it. In the next shot from behind Christine, Meg proceeds to remove her hand again.

The Phantom of the Opera mistake picture

Deliberate mistake: As Christine approaches the Phantom in his lair (just after he has abducted her), we see that she is wearing very dark black eye-shadow. Back in the dressing room after coming off stage, as she talks to Raoul, we saw her face in close up and she was not wearing any eye-shadow at all, even though the Phantom leads her through the mirror just after she has managed to slip on a robe over her undergarments and she has not yet changed to go out to supper (Raoul says she is to be ready in 2 minutes). Her hair becomes 'bigger' and wilder, too. The change in her appearance is a reference to her descending (voluntarily, I might add - he didn't drag her through that mirror) into the Phantom's dark existence and to her sexual awakening. (00:28:45 - 00:37:10)

More mistakes in The Phantom of the Opera

Christine Daae: Angel of Music, you've deceived me. I gave you my mind blindly.

More quotes from The Phantom of the Opera

Trivia: In one of the 1919 flashback scenes, Raoul looks out of the car window at a Swarovski jewelry store. The Swarovski crystal company made the chandelier for the film, valued at over $1.3 million.

More trivia for The Phantom of the Opera

Question: Who is the old man in the wheelchair who puts the music box with the monkey on Christine's grave at the end?I thought it might be Raoul but the box belonged to the phantom and he hated the phantom.

Answer: It is Raoul. He gets the music box because Christine obviously loved it, shown by the fact that she had obviously described and remembered it in such great detail many years after last seeing it. He buys it for her as a gift of love, even though she has died.

mandy gasson

Answer: It's also a symbol that Raoul recognized Christine still loved the phantom. Possibly more than him. The love triangle is complete as neither man truly had her. Raoul spent his life with her but she loved the phantom. The phantom missed out on spending life with her but got her love.

Answer: It's Raoul. When the auctioneer sells him the music box, he addresses him by his title, The Vicomte de Chagny.

More questions & answers from The Phantom of the Opera

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