Continuity: At the very beginning of the movie when Andre and Firmin first arrive in their coach in front of the opera house, you can see one footman (wearing red) running to meet them from some distance to escort them inside. The camera angle changes and now, that fotman turned into two, standing and even waiting at the coach. (Timecode)

Deliberate "mistake": As Christine approaches the Phantom in his lair (just after he has abducted her), we see that she is wearing very dark black eye-shadow. Back in the dressing room after coming off stage, as she talks to Raoul, we saw her face in close up and she was not wearing any eye-shadow at all, even though the Phantom leads her through the mirror just after she has managed to slip on a robe over her undergarments and she has not yet changed to go out to supper (Raoul says she is to be ready in 2 minutes). Her hair becomes 'bigger' and wilder, too. The change in her appearance is a reference to her descending (voluntarily, I might add - he didn't drag her through that mirror) into the Phantom's dark existence and to her sexual awakening. (Timecode)

Continuity: When the Phantom in "Music of the Night" goes to show Christine the wax figure of herself there is a tall lit candle behind him. When she faints he moves in front of it to catch her and when he then moves away the candle is out - the only way the flame could of have been put out was if Christine's hair had smothered it (which would of course have set her hair alight). (Timecode)

Continuity: After Christine removes the Phantom's mask for the first time, he looks at himself in a mirror: his 'bad side' (the right one) shows no sign of deformity. (Timecode) Submitted by Sereenie

Visible crew/equipment: As Raoul's car is leaving the Opera House, a crewmember is reflected in its windshield. (Timecode) Submitted by Sereenie

Continuity: When Buquet hangs over the scene, you can see Meg screaming along with three other dancers. Four shots later, Meg is still screaming, but the two girls who were to her right (on the left of the screen) are still dancing, as if they haven't seen Buquet yet. (Timecode) Submitted by Sereenie

Continuity: As Christine and Raoul race up the stairs of the Opera House, her hair is loose. By the time they come out onto the rooftop, it's partially pulled back in an elaborate fashion. She's never off screen long enough to have done that. (Timecode)

Continuity: While running to the rooftop, Christine always leads Raoul. She is the first to get up the stairs, and there's no room for him to pass her without her stopping her frantic pace (which she shows no sign of doing), yet somehow ends up only rushing out the door after Raoul does. (Timecode) Submitted by Sereenie

Deliberate "mistake": On the rooftop scene after Raoul and Christine have left the Phantom, he bends down to pick up a rose, then runs to the statue and climbs up, and finishes his song. There are footprints in the snow all the way to the base of the statue. The footprints are a definite error, as they are next to each other instead of spaced apart which would have occurred if a person was running. And the footprints were not made by Christine and Raoul, they are in the wrong place for where they were standing. (Timecode)

Continuity: During the Masquerade, there is a close-up of two of the dancers, who sing "But who can name the face?" while standing next to each other, without moving. Next shot, they are several feet apart and the lady is dancing towards where the male dancer is standing. (Timecode) Submitted by Sereenie

Deliberate "mistake": When the Phantom throws his score for 'Don Juan Triumphant' down the stairs, the portfolio only reads 'Don Juan.' (Timecode) Submitted by Sereenie

Visible crew/equipment: Just before Raoul jumps down the hole after the Masquerade, Patrick Wilson is obviously replaced by a stuntman who's not even trying to hide his face. He is the same stuntman used for the Phantom in the graveyard swordfight. (Timecode) Submitted by Sereenie

Continuity: In the graveyard, when Christine walks down the main alley, her arms are hanging by her sides, but in the next shot, she is holding her bouquet in front of her hips. (Timecode) Submitted by Sereenie

Visible crew/equipment: During the graveyard swordfight, the Phantom's stuntman sometimes visibly replaces Gerard Butler. He has thin and very arched eyebrows and the mask doesn't fit properly around the nose. He is the same stuntman used when Raoul jumps down the hole after the Masquerade. (Timecode) Submitted by Sereenie

Continuity: At the end of the first part of Don Juan Triumphant, Carlotta throws her right arm towards her back right, holding a fan. In the next shot, her right arm is at her side and her left arm is pointing forward to her left. (Timecode) Submitted by Sereenie

Continuity: When Christine reaches the centre of the stage during her first appearance in Don Juan Triumphant, her arms are at her sides and she holds the basket in her right hand. The next shot, she is holding the basket in front of her, with both hands. (Timecode) Submitted by Sereenie

Continuity: When Christine takes off the Phantom's mask during Don Juan, the appearance of his face suddenly gets drastically CG enhanced. (This occurs AFTER Christine has already removed the mask, as the two screenshots show.) (Timecode) Submitted by Sereenie

Continuity: The aspect of the Phantom's deformity undergoes a major change between when Christine takes his mask off on stage and the later parts of the movie. (Timecode) Submitted by Sereenie

Continuity: When Raoul is tied to the gate, the ropes across his chest change frequently. Sometimes there are 3 running parallel to each other, from his shoulder to the waist. Other times there is a big knot in the top rope. Still others there appear to be 2 ropes across with a third running straight down his chest between them. (Timecode) Submitted by Kristal

Revealing: During the second kiss, you can see behind Gerard Butler's neck (going from under his hair down to his back) the wire of the apparatus used to keep his lower right eyelid pulled down. (Timecode) Submitted by Sereenie