Question: Why does Christine choose Raul instead of the Phantom?
Answer: This is a very short, but very complex question about which dissertations are written. Here is my best attempt at a brief summary. Christine lives as a sheltered child-like woman in a highly patriarchal Victorian society. She is torn between two loves. There is Raoul, who represents safety, light, and a sort of romantic, adolescent view of what true love should mean. Then there is Erik, the Phantom, with whom Christine has had a long time bond. He has been to her like a guardian angel. He gave her music. He comforted her when her father died. And yet, as his role turns from that of protector and teacher to one of lustful suitor, he comes to represent darkness, passion, lust, obsession, and danger. He is unstable, driven to madness by a world of light he can never know. He is also, let's not forget, homicidal. Christine ultimately makes the only choice society makes available to her - the safe and sane choice. From the ending of the film, we learn that Christine remained wife to Raoul, but it is unclear how happily her life turned out. She probably always shared a connection to Erik, who possessed for her a depth of love she could never know from any other man. Andrew Lloyd Weber wrote a sequel to "The Phantom of the Opera" called "Love Never Dies." In it, we learn that the Phantom did, indeed, remain in Christine's life. I won't provide spoilers here, but more information about "Love Never Dies" can be found at: http://en.wikipedia.org/wiki/Love_Never_Dies_ (musical).
Question: After Christine chooses Raoul at the end of the movie, does the Phantom keep living in the opera house?
Answer: It is revealed in the sequel, Love Never Dies, that when the Phantom disappears he makes his way to Coney Island with Meg and Madame Giry. However, he does stay in Paris for a short amount of time (but it isn't known where) because on the night before Christine's wedding, she finds the Phantom and they make love, but then he flees because he felt ashamed of what he did. This is explained in "Beneath a Moonless Sky."
Question: The last few seconds in the movie - the rose with the ring lying beside Christine's grave - turns back to colour. I can't figure out the message behind. Can anyone help?
Answer: The rose tied with the black ribbon and the ring were left by the Phantom. The rose symbolizes the love the Phantom and Christine had for each other, and its turning to red shows that this love still exists beyond death.
Question: The Phantom refers to himself as Christine's "angel of music" in the song called "The Mirror". How did he know that Christine thought her father would send her an angel? Did he know her father?
Answer: As shown in the movie, Christine has spent time praying in the chapel as a child. It would not be unexpected for a child of such a young age to literally speak to her dead father in such situations, mentioning his promise in the process, thus allowing the Phantom to hear about it. In the book, though, it is understood that Mr. Daaé and the Phantom knew each other. By sending his daughter to the Opéra populaire after his death, he might have wanted the Phantom to look over her.
Question: Why are the Phantom's footsteps walking distance when he runs to the statue? Also, when did he learn to climb so swiftly?
Answer: Not everyone runs in big strides. The phantom has also had most of his life to master climbing, sneaking, hiding, etc. To see and take what he wants from the theatre without being seen, in his youth he had little to do except explore and learn everything about the place and the fastest ways to get where he wants to go.
Question: What does the Phantom mean when he refers to Raoul as a "slave of fashion" (in the scene before the "Phantom of the Opera" song)?
Answer: Simply that he thinks Raoul is a fop that looks much nicer on the outside than he probably is on the inside. He's jealous and believes Raoul is using Christine.
Question: How is the woman at the beginning of the movie Meg Giry, as is stated in several answers here? They call her Madame Giry, if it were Meg they would call her Mademoiselle Giry, unless she was married, in which case she would be Madame with whatever surname she received upon marriage. So wouldn't it need to be Meg's mother, Madame Giry?
Answer: The honorific "Mademoiselle" is not an indication only of marital status, but it has a connotation of youth (and, ostensibly, virginity). Beyond a certain age, it would be considered inappropriate and possibly insulting or mocking to continue to use the term "Mademoiselle." "Madame" is generally adopted by women of a certain age, regardless of their marital status. It is not unlike "Señora" and "señorita" in Spanish. An interesting note - there is a currently a movement in France to remove "Mademoiselle" from French common usage, as it is considered by some sexist to classify women by age and/or marital status, when men in France are uniformly referred to only as "Monsieur."
Question: The first time Christine goes to the Phantom's lair, why does she pass out when she sees herself with a wedding dress? At least it looks like one.
Answer: I believe it was the shock of seeing her exact likeness in a wedding dress, and the first overwhelming realization of the Phantom's obsession with her. That, in combination with the dank, dark and humid environment, a lifetime of heavily corseted dresses, and a wan and frail constitution, all conspired to Christine's loss of consciousness.
Question: When the scene with the song "Why So Silent" takes place, how long has it been since anyone last saw/heard from the Phantom?
Answer: As said in Masquerade, "Three months of relief, of delight, of Elysian peace."
Question: Who is the old lady at the auction with Raoul? I thought it was Madame Giry because that is what the announcer called her but the age doesn't make sense so I thought that it might be her daughter, Meg. Anyone have the answer?
Answer: It is Meg. If she didn't marry then she would have kept her maiden name of Giry. Mme Giry was about 20 years older than Raoul so that would have made her in her 90's.
Question: When Christine wakes up from her faint/sleep and starts singing "I Remember", she walks over to where the Phantom is sitting and is gently touching his face as he enjoys the feeling of intimacy. Soon after that though, she suddenly takes off his mask (to his horror). Did she walk over to him planning to do that all along, pretending to be interested in getting closer to him just so she could see what was under the mask? She doesn't seem to me like such a premeditated type, but it also doesn't seem credible that she was interested in getting closer to him and decided that suddenly unmasking him was a way to get even closer to him.
Answer: She was planning to. She sang "who was that shape in the shadows, whose is the face in the mask"
Question: When Christine is taken into the Phantom's lair for the second time - after the chandelier crash - and Raoul comes to save her, they all sing an overlapping reprise of The Point of No Return. The Phantom sings The Point of No Return, Christine sings Angel of Music, but what does Raoul sing? Is it a new tune or a particular song from the movie?
Answer: He sings the tune from All I Ask of You.
Question: This question might sound odd, but how has La Carlotta become so successful if a lot of people don't like her voice very much (as seen when she sings "Think of Me" before Christine tries)?
Answer: The fact that the "in the know" people don't like her doesn't mean that she doesn't have a huge public and make a killing at the box office. On top of that, she was their "Diva." She may not have necessarily had many fans (in some versions they comment that there were no refunds, with Christine singing). Therefore, it can be assumed that given that she was the Diva if she didn't get her way, things would be bad on their end. Likely why her husband (who also did not sing well, due to his deep accent) was another main role in all the operas. They may have also thought there was nobody else who could handle the main roles. It takes a strong person to take on so many lines. And you need to project your voice, which heaven knows she had a loud one.
Question: Why did the Phantom always ask for Box 5 to be open for him? I know he wanted to watch the play from it, but if someone wanted to find him (after the trouble he causes to make Christine the star of the plays), they would know exactly where to look for him during any play.
Answer: In Gaston Leroux's novel, box 5 has in its wall a secret passageway with special acoustic properties that allows him to watch shows without being seen while remaining hidden. That is why he picked that box and no one ever sees him in it. Legend even has it that a column in box 5 of the actual Opéra Garnier rings hollow when you knock on it.
Question: I just wanted to know, in the prima dona song the lyrics say something like "a chorus girl who's gone and slept with her patron". Are they just making an assumption that they slept together or did they actually do it because in this point of the film she had only just come back from the phantom's lair and had only been in the same room as him in one scene.
Answer: They assume Christine spent the night with Raoul. After all, they'd left him in her dressing room right before she disappeared.