Question: The last few seconds in the movie - the rose with the ring lying beside Christine's grave - turns back to colour. I can't figure out the message behind. Can anyone help?
Answer: The rose tied with the black ribbon and the ring were left by the Phantom. The rose symbolizes the love the Phantom and Christine had for each other, and its turning to red shows that this love still exists beyond death.
Question: Why does Christine choose Raoul instead of the Phantom?
Answer: This is a very short, but very complex question about which dissertations are written. Here is my best attempt at a brief summary. Christine lives as a sheltered child-like woman in a highly patriarchal Victorian society. She is torn between two loves. There is Raoul, who represents safety, light, and a sort of romantic, adolescent view of what true love should mean. Then there is Erik, the Phantom, with whom Christine has had a long time bond. He has been to her like a guardian angel. He gave her music. He comforted her when her father died. And yet, as his role turns from that of protector and teacher to one of lustful suitor, he comes to represent darkness, passion, lust, obsession, and danger. He is unstable, driven to madness by a world of light he can never know. He is also, let's not forget, homicidal. Christine ultimately makes the only choice society makes available to her - the safe and sane choice. From the ending of the film, we learn that Christine remained wife to Raoul, but it is unclear how happily her life turned out. She probably always shared a connection to Erik, who possessed for her a depth of love she could never know from any other man. Andrew Lloyd Weber wrote a sequel to "The Phantom of the Opera" called "Love Never Dies." In it, we learn that the Phantom did, indeed, remain in Christine's life. I won't provide spoilers here, but more information about "Love Never Dies" can be found at: http://en.wikipedia.org/wiki/Love_Never_Dies_ (musical).
Question: Toward the end of the movie, why does Christine kiss the Phantom if she has decided to be with Raoul? Does this mean she had changed her mind to be with the Phantom after all?
Answer: It can be seen in so many different ways. Christine kissed Eric (the phantom) with passion and she even touched the deformed side of his face with tenderness! She truly wanted to kiss him at that moment. In the movie it didn't seem forced. She was probably heartbroken seeing not only Raul being threatened in that way, but Eric being tortured by his own hate and despair. She came towards him wanting not just to release Raul but to release him from his darkness and his feeling of hate and despair for the world and himself, showing that he can be loved, that she does love him and that he can love too, in her heart he is still her angel, she cannot help but do as her heart told her. And in her heart she felt the need to show him that he was not alone and to kiss him. She didn't kiss him because she wanted to stay with him but definitely not just to save Raul, what there was between the phantom and Christine will always be special, that connection... And when the phantom finally realizes that he has been loved in that way, even with his haunted face, her kiss made him more human, he truly realizes how much he loves Christine and so, because he loves her too much he lets her go, not wanting to force her anymore, also knowing that a life with him and his marked sad fate will be torture for her, and he cannot bear to see her unhappy even if that means that he will be unhappy and incomplete forever! Her kindness and love disarmed him and shed warmth to his heart, which was why he let them go and in the end was crying.
Question: If the Phantom is so in love with Christine why does he just let her go? We know that he is prepared to kill (and has) for her so it can't be that his moral compass prevents him from forcing her to love him. Seems to be slightly counter productive considering the fact that Christine actually consents to being with him.
Answer: It is often said that the biggest gift you can give someone that you love is their freedom. That is why the Phantom lets her go.
Question: Why did the Phantom always ask for Box 5 to be open for him? I know he wanted to watch the play from it, but if someone wanted to find him (after the trouble he causes to make Christine the star of the plays), they would know exactly where to look for him during any play.
Answer: In Gaston Leroux's novel, box 5 has in its wall a secret passageway with special acoustic properties that allows him to watch shows without being seen while remaining hidden. That is why he picked that box and no one ever sees him in it. Legend even has it that a column in box 5 of the actual Opéra Garnier rings hollow when you knock on it.
Question: After Christine chooses Raoul at the end of the movie, does the Phantom keep living in the opera house?
Answer: It is revealed in the sequel, Love Never Dies, that when the Phantom disappears he makes his way to Coney Island with Meg and Madame Giry. However, he does stay in Paris for a short amount of time (but it isn't known where) because on the night before Christine's wedding, she finds the Phantom and they make love, but then he flees because he felt ashamed of what he did. This is explained in "Beneath a Moonless Sky."
Question: The Phantom refers to himself as Christine's "angel of music" in the song called "The Mirror". How did he know that Christine thought her father would send her an angel? Did he know her father?
Answer: As shown in the movie, Christine has spent time praying in the chapel as a child. It would not be unexpected for a child of such a young age to literally speak to her dead father in such situations, mentioning his promise in the process, thus allowing the Phantom to hear about it. In the book, though, it is understood that Mr. Daaé and the Phantom knew each other. By sending his daughter to the Opéra populaire after his death, he might have wanted the Phantom to look over her.
Question: When the phantom disappears at the end why does he leave his mask behind? I mean does he get a new one or does he now live without it?
Answer: The abandoned mask is a symbol of the Phantom's continuing presence, despite his apparent physical absence. He has already been publicly unmasked, both physically and, to an extent, psychologically. He has conceded that he has lost Christine to Raoul whom he has freed. He has abandoned his lair. All that was his facade, he has either given up or has been taken from him. The mask is the final symbolic gesture of that facade being relinquished, leaving behind further mystery regarding his whereabouts. Does he now live without it? I guess that's left unclear. However, I don't think it's beyond reason to assume he has, or has created more than one copy of the mask - if for no other reason than anything in pure white must be difficult to keep clean, what with the dust all over the opera house, the dirt of the streets, the humidity of his cavern, and the occasional splatter of blood to contend with.
Question: What does the Phantom mean when he refers to Raoul as a "slave of fashion" (in the scene before the "Phantom of the Opera" song)?
Answer: Simply that he thinks Raoul is a fop that looks much nicer on the outside than he probably is on the inside. He's jealous and believes Raoul is using Christine.
Question: During point of no return, the phantom has no disguise on. If everyone was after him, why didn't anyone stop the performance and capture the phantom?
Answer: During "Point of No Return, " the Phantom shares a stage with the very vulnerable Christine. He is still masked, though it is a mask other than his trademark white face covering. The Phantom is well known as a murderer and an escape artist. This is the the equivalent of a hostage situation. To rush the stage might risk lives, and everyone in the know is proceeding with caution. During the song, we do get glimpses of police moving about, and Raoul and others looking concerned, subtly signaling one another and considering their next move. The stage crew seems confused. The dancers go on with the show. And law enforcement officers await the right moment to advance. It also gives us the opportunity to enjoy a dramatic musical number that rushing the stage would interrupt.
Question: When Christine is taken into the Phantom's lair for the second time - after the chandelier crash - and Raoul comes to save her, they all sing an overlapping reprise of The Point of No Return. The Phantom sings The Point of No Return, Christine sings Angel of Music, but what does Raoul sing? Is it a new tune or a particular song from the movie?
Answer: He sings the tune from All I Ask of You.
Question: How is the woman at the beginning of the movie Meg Giry, as is stated in several answers here? They call her Madame Giry, if it were Meg they would call her Mademoiselle Giry, unless she was married, in which case she would be Madame with whatever surname she received upon marriage. So wouldn't it need to be Meg's mother, Madame Giry?
Answer: The honorific "Mademoiselle" is not an indication only of marital status, but it has a connotation of youth (and, ostensibly, virginity). Beyond a certain age, it would be considered inappropriate and possibly insulting or mocking to continue to use the term "Mademoiselle." "Madame" is generally adopted by women of a certain age, regardless of their marital status. It is not unlike "Señora" and "señorita" in Spanish. An interesting note - there is a currently a movement in France to remove "Mademoiselle" from French common usage, as it is considered by some sexist to classify women by age and/or marital status, when men in France are uniformly referred to only as "Monsieur."
Question: Why are the Phantom's footsteps walking distance when he runs to the statue? Also, when did he learn to climb so swiftly?
Answer: Not everyone runs in big strides. The phantom has also had most of his life to master climbing, sneaking, hiding, etc. To see and take what he wants from the theatre without being seen, in his youth he had little to do except explore and learn everything about the place and the fastest ways to get where he wants to go.
Question: When I was growing up in the 90's I saw a movie at some point that was pretty much a spin off of Phantom. A man taught a young girl how to sing at his house and I believe he forced her to live with him.anyone know which film I may be talking about?
Answer: Rigoletto (1993). You can find information here: http://www.imdb.com/title/tt0107961/
Question: When Christine wakes up from her faint/sleep and starts singing "I Remember", she walks over to where the Phantom is sitting and is gently touching his face as he enjoys the feeling of intimacy. Soon after that though, she suddenly takes off his mask (to his horror). Did she walk over to him planning to do that all along, pretending to be interested in getting closer to him just so she could see what was under the mask? She doesn't seem to me like such a premeditated type, but it also doesn't seem credible that she was interested in getting closer to him and decided that suddenly unmasking him was a way to get even closer to him.
Answer: She was planning to. She sang "who was that shape in the shadows, whose is the face in the mask"
Question: This question might sound odd, but how has La Carlotta become so successful if a lot of people don't like her voice very much (as seen when she sings "Think of Me" before Christine tries)?
Answer: The fact that the "in the know" people don't like her doesn't mean that she doesn't have a huge public and make a killing at the box office. On top of that, she was their "Diva." She may not have necessarily had many fans (in some versions they comment that there were no refunds, with Christine singing). Therefore, it can be assumed that given that she was the Diva if she didn't get her way, things would be bad on their end. Likely why her husband (who also did not sing well, due to his deep accent) was another main role in all the operas. They may have also thought there was nobody else who could handle the main roles. It takes a strong person to take on so many lines. And you need to project your voice, which heaven knows she had a loud one.
Question: I'm very confused about the opening scene with Raoul and Madame (Meg?) Giry at the auction. Which one is it? Meg or Madame Giry? At one point on the corrections page for this movie it says that it is indeed Meg, yet on the questions page it says that it is Madame Giry. Is there any absolute idea to who it is?
Answer: This keeps going back and forth with arguments on both sides. I'll present them both and readers can make up their own minds! 1. It is Madame Giry. Andrew Lloyd Webber and Joel Schumacher said it was her. If you look really closely you can see the appearance is the same, just wrinkled. Besides, Raoul and Meg barely interacted so to make it that Madame Giry and Raoul are seeing each other again makes it more powerful. 2. It is Meg because Madame Giry would be dead, considering the fact that she and the Phantom were about the same age. Considering the fact that Meg and Christine were the best-est of friends, she would know why Raoul was bidding higher than Meg was. The monkey was yet another symbol of love between the Phantom and Christine and the monkey was a dear artifact for Raoul and Christine. Since Raoul was older during that scene, so would be Meg, when, they too, were about the same age.
Question: When the scene with the song "Why So Silent" takes place, how long has it been since anyone last saw/heard from the Phantom?
Answer: As said in Masquerade, "Three months of relief, of delight, of Elysian peace."
Question: The first time Christine goes to the Phantom's lair, why does she pass out when she sees herself with a wedding dress? At least it looks like one.
Answer: I believe it was the shock of seeing her exact likeness in a wedding dress, and the first overwhelming realization of the Phantom's obsession with her. That, in combination with the dank, dark and humid environment, a lifetime of heavily corseted dresses, and a wan and frail constitution, all conspired to Christine's loss of consciousness.
Question: In the extras DVD of the deluxe boxset, there are a few videos of Michael Crawford and Sarah Brightman performing the opera (and from what I can tell the video looks from around the time or the original stage show). But it looks to be very much done for the camera (rather than just a recording of the show being performed live). Was the whole opera done in this way, using the original cast? And was it released? I can't find any reference to it at all on IMDB. If it has been released, where can I find it?
Answer: In 1986-1987, before the show actually premiered, a few songs featuring Sarah Brightman were released to promote it, including the signature theme, featuring both her and Steve Harley (and not, as is often assumed, Michael Crawford). Although the song is from the stage musical, the lyrics used were not the definitive ones and the accompanying video was specially recorded for promotion purposes and was not from the actual show.
Question: I just wanted to know, in the prima dona song the lyrics say something like "a chorus girl who's gone and slept with her patron". Are they just making an assumption that they slept together or did they actually do it because in this point of the film she had only just come back from the phantom's lair and had only been in the same room as him in one scene.
Answer: They assume Christine spent the night with Raoul. After all, they'd left him in her dressing room right before she disappeared.
Question: Who is the old man in the wheelchair who puts the music box with the monkey on Christine's grave at the end?I thought it might be Raoul but the box belonged to the phantom and he hated the phantom.
Answer: It is Raoul. He gets the music box because Christine obviously loved it, shown by the fact that she had obviously described and remembered it in such great detail many years after last seeing it. He buys it for her as a gift of love, even though she has died.
Question: In the movie and in most of the live shows Christine is brunette but I have heard that in the original book she is blonde. Is that true and if so, do you know where in the book they say it?
Answer: In the English translation I've read (I have not read the original French version); in chapter V, The Enchanted Violin, when the old man is telling the story, it reads "Raoul looked at Christine's blue eyes and golden hair". It should be noted that Christine is Swedish and black hair is uncommon among the Swedes.
Question: At the Masquerade Ball, why is Raoul wearing the same jacket twice, with one arm out?
Answer: Consider that the event is a masquerade ball, where everyone's attire is meant to be intricate to the point of being "overdesigned." Look carefully. In Raoul's case, he is wearing a dark navy blue, uniform style form-fitting jacket with horizontal gold braiding flanked by gold buttons, shoulder epaulets and a standing collar. What you see draping his left side is a matching short jacket over the shoulder, which is emblematic of a classic hero in art and literature. The short jacket is sewn on as a design element, of course - not just draped there, as it would fall. So one arm isn't exactly "out." You see the sleeve and the braiding of the short draped jacket dangling behind him when he and Christine are dancing. There is also a shirt underneath it all with more of the same gold braiding design.
Question: This might be an irrelevant question, because I can't remember if this happened in the movie or not, but in the book the Phantom asks Madame Giry for a foot stool - why did he want one?
Answer: The Phantom's frequent request for a footstool in box 5, which he demanded be left empty - not sold to patrons, does come from the book (chapter 4, pages 11-14), and is not mentioned in the movie. It's never made quite clear precisely the purpose of the footstool. According to Mme. Giry, "I brought the footstool. Of course, it wasn't for himself he wanted it, but for his lady! But I never heard her nor saw her." She did find evidence of her, however. One night, a lady's fan was left behind. She also mentioned that the Phantom would leave a gratuity for her services. There is never a clear identity given of "his lady." I presume it may have been used for a young Christine Daae to stand on, so she could better see over the rail of the box to the Opera on stage below when Erik brought her. But if that's true, it is still unclear why nobody ever saw her, and why she had never seen the Phantom.