Question: When the Phantom takes Christine's engagement ring at the Masquerade ball, does she ever get it back, or is it the same ring he has proposed to her with?
New this week Answer: The ring that Phantom gives to Christine is a different one. In the stage production, the Phantom never takes the ring.
Question: Why are the Phantom's footsteps walking distance when he runs to the statue? Also, when did he learn to climb so swiftly?
Answer: Not everyone runs in big strides. The phantom has also had most of his life to master climbing, sneaking, hiding, etc. To see and take what he wants from the theatre without being seen, in his youth he had little to do except explore and learn everything about the place and the fastest ways to get where he wants to go.
Question: The first time Christine goes to the Phantom's lair, why does she pass out when she sees herself with a wedding dress? At least it looks like one.
Answer: I believe it was the shock of seeing her exact likeness in a wedding dress, and the first overwhelming realization of the Phantom's obsession with her. That, in combination with the dank, dark and humid environment, a lifetime of heavily corseted dresses, and a wan and frail constitution, all conspired to Christine's loss of consciousness.
Question: After Christine chooses Raoul at the end of the movie, does the Phantom keep living in the opera house?
Answer: It is revealed in the sequel, Love Never Dies, that when the Phantom disappears he makes his way to Coney Island with Meg and Madame Giry. However, he does stay in Paris for a short amount of time (but it isn't known where) because on the night before Christine's wedding, she finds the Phantom and they make love, but then he flees because he felt ashamed of what he did. This is explained in "Beneath a Moonless Sky."
Question: When the scene with the song "Why So Silent" takes place, how long has it been since anyone last saw/heard from the Phantom?
Answer: As said in Masquerade, "Three months of relief, of delight, of Elysian peace."
Question: How did the Phantom get his white mask to stick to his face?
Answer: He has spirit gum (glue safe for human skin application) allowing the mask to stick to his face.
Question: Who is the old lady at the auction with Raoul? I thought it was Madame Giry because that is what the announcer called her but the age doesn't make sense so I thought that it might be her daughter, Meg. Anyone have the answer?
Answer: It is Meg. If she didn't marry then she would have kept her maiden name of Giry. Mme Giry was about 20 years older than Raoul so that would have made her in her 90's.
Question: When Christine wakes up from her faint/sleep and starts singing "I Remember", she walks over to where the Phantom is sitting and is gently touching his face as he enjoys the feeling of intimacy. Soon after that though, she suddenly takes off his mask (to his horror). Did she walk over to him planning to do that all along, pretending to be interested in getting closer to him just so she could see what was under the mask? She doesn't seem to me like such a premeditated type, but it also doesn't seem credible that she was interested in getting closer to him and decided that suddenly unmasking him was a way to get even closer to him.
Answer: She was planning to. She sang "who was that shape in the shadows, whose is the face in the mask"
Question: A thought occurred to me and my mum after we had seen the film at the cinema. Mme. Giry and the Phantom are friends, and probably grew up seeing a lot of each other, and there is never any mention of Meg's father of Mme. Giry's husband. Is it possible the Phantom could be Meg's father?
Answer: This is very common to think among the questions I have heard. In the 2004 film during "Down once more/Track down this murderer" the Phantom says: "That fate which condemns me to wallow in blood, has also declined me the joys of the flesh." He is a virgin. Also, in the original story, the two were not friends at all. Giry did his bidding because he led her to believe, through a note given to her, that he could make Meg some form of royalty or the next big thing. Madame Giry and Meg were both actually very intolerable beings, Meg constantly treating Christine like dirt and being her biggest bully (even more than Carlotta) It is likely the phantom never even lifted a finger to try and assist Meg because of that.
Question: When Christine is taken into the Phantom's lair for the second time - after the chandelier crash - and Raoul comes to save her, they all sing an overlapping reprise of The Point of No Return. The Phantom sings The Point of No Return, Christine sings Angel of Music, but what does Raoul sing? Is it a new tune or a particular song from the movie?
Answer: He sings the tune from All I Ask of You.
Question: I've got a question about "The Point of no Return" scene. Is Christine just cleverly acting her role or does she mean what she is singing - "these shameless words"? Raoul is suspecting the second and the Phantom is, to some extent deceived, but what about Christine? The question is presumably open to interpretations, but it would be nice to know your opinion.
Answer: I believe that to some extent, Christine truly believes what she is saying to the Phantom. After all, in the sequel "Love Never Dies," it is revealed that she did have an affair and a child with the Phantom. However, I think she also realizes what her life would be like with the Phantom, and that isn't necessarily what she wants, so she chooses to be with Raoul.
Question: Why does Christine unmask the phantom at the end of singing "Past the Point of No Return"?
Answer: Because at that point, as unlikely as it seems, pretty much everybody else thought that was still Piangi (whom the Phantom killed just before replacing him). Since Christine has been used as a lure, she had to show the others that he was there.
Question: The last few seconds in the movie - the rose with the ring lying beside Christine's grave - turns back to colour. I can't figure out the message behind. Can anyone help?
Answer: The rose tied with the black ribbon and the ring were left by the Phantom. The rose symbolizes the love the Phantom and Christine had for each other, and its turning to red shows that this love still exists beyond death.
Question: This question might sound odd, but how has La Carlotta become so successful if a lot of people don't like her voice very much (as seen when she sings "Think of Me" before Christine tries)?
Answer: The fact that the "in the know" people don't like her doesn't mean that she doesn't have a huge public and make a killing at the box office. On top of that, she was their "Diva." She may not have necessarily had many fans (in some versions they comment that there were no refunds, with Christine singing). Therefore, it can be assumed that given that she was the Diva if she didn't get her way, things would be bad on their end. Likely why her husband (who also did not sing well, due to his deep accent) was another main role in all the operas. They may have also thought there was nobody else who could handle the main roles. It takes a strong person to take on so many lines. And you need to project your voice, which heaven knows she had a loud one.
Question: The Phantom refers to himself as Christine's "angel of music" in the song called "The Mirror". How did he know that Christine thought her father would send her an angel? Did he know her father?
Answer: As shown in the movie, Christine has spent time praying in the chapel as a child. It would not be unexpected for a child of such a young age to literally speak to her dead father in such situations, mentioning his promise in the process, thus allowing the Phantom to hear about it. In the book, though, it is understood that Mr. Daaé and the Phantom knew each other. By sending his daughter to the Opéra populaire after his death, he might have wanted the Phantom to look over her.
Question: What does the Phantom mean when he refers to Raoul as a "slave of fashion" (in the scene before the "Phantom of the Opera" song)?
Answer: Simply that he thinks Raoul is a fop that looks much nicer on the outside than he probably is on the inside. He's jealous and believes Raoul is using Christine.
Question: Madame Giry has history with the Phantom but she still seems to be frightened by him and wont let Meg go to his lair. Would the Phantom actually harm either of them?
Answer: Mme Giry is afraid of him because while she is his friend and his willing means of communication with the outside world, she knows full well of what he's capable. But unless she betrayed him, it's unlikely he'd harm her as she's the only friend he's ever known. And he would have no more reason to hurt Meg than he would anyone else: if she doesn't get in the way of his plans, she's safe. If her mother prevents her from going to the lair, it only because of the violence that will take place there momentarily.
Question: Why did the Phantom always ask for Box 5 to be open for him? I know he wanted to watch the play from it, but if someone wanted to find him (after the trouble he causes to make Christine the star of the plays), they would know exactly where to look for him during any play.
Answer: In Gaston Leroux's novel, box 5 has in its wall a secret passageway with special acoustic properties that allows him to watch shows without being seen while remaining hidden. That is why he picked that box and no one ever sees him in it. Legend even has it that a column in box 5 of the actual Opéra Garnier rings hollow when you knock on it.