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Pretty much all of the dialog between Martin Lawrence and Will Smith was ad-libbed. The original script can be found here: http://www.imsdb.com/scripts/Bad-Boys.html, as Don Simpson and Jerry Buckheimer thought it would be better and more funny. See more...

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Bad Boys (1995) - 33 mistakes

Directed by Michael Bay, starring Joe Pantoliano, Martin Lawrence, Tchéky Karyo, Téa Leoni, Theresa Randle, Will Smith (add more)

Genres: Action, Comedy, Crime, Thriller

Mistakes
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Continuity: When the two female characters enter the fancy hotel room, they make a point to say they will only be there for a couple of minutes. It is daylight when they go in. The visit is cut short (the one that's supposed to be a few minutes long) because of a gun battle in which one of the women dies and the other escapes. The escaped one gets out through the roof into an evening's sky. There's still light visible, but for a visit that lasts all of 4 minutes, it's far too quick a change.

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Continuity: Just as Mike saves Marcus from being hit by the taxi, there is a blue bumper attached / missing / attached / missing from the taxi.

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Continuity: Before Eddie Dominguez is shot sitting in the chair, the bad guy in the green suit is on the left of the large guy, but when the big guy pulls the trigger the man in green is on his right side.

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Continuity: When Marcus meets Julie Mott she attacks him with a bat. He takes the bat off her and moves to leave. The next shot of Julie Mott sitting on the floor shows the bat in the foreground. Cut back to Marcus still holding the bat and he asks her, "Look lady, you ain't got no more bats, do you?"

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Continuity: When Marcus and his wife walk up the stairs in the house, they are having a heated discussion and his wife (off camera) shouts down "and you don't even have your wedding ring on." At this point his wedding ring IS on his finger, then in the next shot the ring is NOT on his finger and Marcus attempts to put it back on.

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Continuity: When Marcus is talking to his wife in bed about having some early morning sex, she gets up and he is leaning on his side. She tells him the kids will be coming any minute and when they do come bursting through the door, Marcus is now under the covers on his back. Given that we heard them approaching, there's no time for him to move.

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Continuity: When Will and Martin are in Martin's car, just after they find the dead guy, watch the microphone hanging from the rear view mirror. Depending on the camera shot, it changes position.

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Continuity: In the final car chase - in the close-ups - we see Marcus turning the steering wheel quite far from side to side. With the speed they are going that would make the car slalom severely - and probably go out of control. At that speed only very small movements of the steering wheel are necessary (and safe).

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Visible crew/equipment: At the end of the car chase scene between the Porsche and the AC Cobra on the runway, a shadow of the camera as well as the boom can be seen just as the Porsche drives between the concrete blocks. This can be seen at normal speed but is best viewed in slow motion.

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Audio problem: When the bad guys attack the main girl's house, one is heard to be pumping his shotgun between shots. The gun is a SPAS-12, and the pump-action is only used when firing non-lethal rounds; otherwise it fires semi-automatically.

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Continuity: When Marcus Burnett drops Julie Mott off at Mike Lowery's apartment it's dark outside. When he leaves shortly after, there is daylight outside.

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Other: In the Ether truck chase, Marcus is driving and turning the wheel excessively, however the truck remains on a straight path.

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Continuity: The kegs of ether in the truck have hazardous material labels applied to them. These are diamond shaped labels that indicate the class of material in the container. Throughout the chase scene they alternate between Flammable Liquid labels (solid red) and Flammable Solid labels (half red, half white).

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Other: At the very end of the movie Mike has the bad guy down on the ground and he's got his gun in the guys face, we see a shot looking straight up the gun barrel with Smith's eyes over the top of it. If you look at the barrel of the weapon there is a little point of light at the back of the barrel. This is caused by sunlight shining through the firing pin hole in the back of the chamber showing that the gun has no round in the chamber.

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Continuity: In the party scene, when Fouche shoots Eddie Dominguez, his collar goes from being buttoned all the way to the neck and then being opened as the scene goes back and forth between shots.

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Continuity: In the scene at the beginning of the film, when the villain of the piece shoots Julie's friend, he proceeds to turn the gun on Eddie and shoot him in the leg. After Eddie reels back in pain and falls into the chair, a conversation begins. Throughout the course of this conversation, the drool that flew from Eddie's mouth and landed on his right lapel, disappears and then reappears.

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Other: In the scene where Mike returns to his apartment for the first time since Julie was living there, as they walk towards the elevator Chet says "Hey Mr Lowrey" to Mike then says "Hey Mr Lowrey" to Marcus although Marcus never told him that he was taking Mike's identity.

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Continuity: After Mike has killed the bad guy at the end, the distance of the bad guy's hand from the gun changes instantly.

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Revealing: In the mad taxi sequence, there is a shot of the taxi with sparks shooting out. If you look closely you can see the device that made the sparks.

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Visible crew/equipment: When Julie rings Mike and ends up speaking to Marcus, Julie's microphone wire can be seen running along her jumper.

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