The Tycoons - S5-E23
Visible crew/equipment: Just as Roy brings the victim with the heart wound into treatment 2, in the upper left corner we can see the moving shadow of the boom mic.
Visible crew/equipment: While the guys are sleeping at 12:47 am, the camera moves across the dorm, and just as the camera moves past the brick wall divider beside Roy's bed, it casts a moving shadow at the top.
Fair Fight - S6-E5
Visible crew/equipment: After Roy and Johnny get back to the station the other guys tell them to check the dog to see if he's sick, and when Roy checks Henry's pupils and Johnny checks his pulse, all the guys are standing behind Johnny and Roy., and we can see the shadows of crew movement in the kitchen at the top right corner of the screen.
Visible crew/equipment: When Station 51 is dispatched to the motorcycle accident, just as Engine 51 rolls out of the apparatus bay, the reflections of array lighting and two reflector screens are visible on the side of the engine.
Visible crew/equipment: At the scene of the motorcycle accident Johnny contacts Rampart, and when Dixie opens the door to the base station booth and walks in, the outlines of the lavalier mic transmitter and wire are visible on the back of her uniform.
Welcome to Santa Rosa County - S6-E10
Visible crew/equipment: When Sheriff Bittner, John, and Roy are driving to the lake after eating lunch together, the bar for the mounted camera is visible on the driver's door, which is only seen in the interior shots of the car.
Visible crew/equipment: After Johnny and Chet begin their arm wrestling, when dispatch drops the tones, there's movement at the front seats of Engine 51 where the camera is located, while Captain Stanley is at the radio base station and Mike is putting on his turnout.
Visible crew/equipment: When Charlie's at the station, complaining that every time one of the squads breaks down it's only crying out for mercy against the drivers, and that firemen are the worst thing to happen to the squads, we can see the reflection of the boom mic on the windshield of Squad 51.
Visible crew/equipment: After winning the semi-finals basketball game against 16, when Captain Stanley, John and Roy walk into the kitchen, Roy and Cap stand near the stove, and two tape marks are visible on the floor.
Visible crew/equipment: At World Picture Corp, after the rescue of the guy with the broken clavicle trapped up on the joists, Morton tells Roy to transport the patient as soon as possible. It cuts to a shot of Squad 51 following the ambulance to ER receiving, and as they drive through the underpass, it's from the POV of inside the squad. Some location lighting becomes visible on the right side, and the reflection of the cameraman's legs are visible on the windshield, as he's seated in the passenger seat. We know that one of the paramedics is in the ambulance, so there should only be a driver in the squad.
Visible crew/equipment: When Station 51 is dispatched to the traffic accident, while en route there's a shot from the POV of the top of Squad 51, and the reflection of the cameraman, who's wearing a yellow shirt, is visible on the lightbar's red dome and chrome surface.
Visible crew/equipment: At the apartment complex fire, when Truck 82 raises its ladder, we can see the second floor balcony behind the rig, and there is a crew member wearing a long sleeved blue shirt and white hat, standing in front of the corner apartment, where there should be smoke pouring out, but there is none. The reflection of the cameraman/crew member wearing a white hat also becomes visible in Truck 82's wing mirror.
Visible crew/equipment: At the site of the vehicle accident, the outlines of the lavalier mic and wire are visible on the back of Roy's shirt, particularly when he's with Eddie as his father's being taken in Copter 10 to Rampart.
Visible crew/equipment: After Engine 51 and Copter 10 are dispatched to the "traffic accident with injuries" Engine 51 is instructed to switch to frequency 3, and when Copter 10 takes off with Brackett, the moving shadow of the filming helicopter is visible near the shadow of Copter 10 chopper. (00:09:10)
Visible crew/equipment: After landing at the base camp, when Brackett and the others walk away from Copter 10 we hear the comment, "The coffee's lousy but the food's great," then we get a bird's-eye view of the base camp, and can see the moving shadow of the filming helicopter at the lower right corner of the screen. (00:06:20)
Visible crew/equipment: When all the guys are standing around the kitchen table, while Captain Stanley rips the paper so they can draw lots for using The Boat, the actor's tape mark is visible on the floor by Mike's foot.
Visible crew/equipment: At the start of the episode, in the closeup shot of Roy, Chet, and Johnny as they're talking about not catching any fish on their trip, there is a chrome spotlight on the roof of the Land Rover, and we can see the reflection of the camera mounted on the vehicle's hood.
Visible crew/equipment: After the two guys fill the fish tank with water, when they walk out of Brackett's office Dixie walks in, and as she comments that the tank is classy, the actor's tape mark is visible at her feet, in front of Brackett's desk.
Visible crew/equipment: When Roy and Johnny pull into the parking space near the car with the toddler inside, as the camera moves we see its moving reflection on the side of the car. Then when the woman says "Certainly something's wrong with him, he's unconscious," as the camera pulls back we can see its reflection in the car window. We can also see the reflection of the large location lighting when Johnny tries to unlock the door with a wire hanger.
Visible crew/equipment: When the attendants wheel the boy who can't breathe into the ER, then stop at the nurses' station so Morton can have a look at him, there are two white tape marks visible on the floor, one is below the base station's tape recorder, where a nurse first stands, and the other is at the side of the main desk, where that same nurse (behind Dixie) stands a moment later.
Answer: It is standard practice to wet down driveways so that they stand out in a long shot.
stiiggy