Revealing: When the Major first meets Basil, the same shot is used twice of the Major twitching.

Audio problem: In the first scene when Basil is trying to repair his car, when he tries to start the engine, the engine sounds are totally out of sync with Basil turning the ignition key.

Visible crew/equipment: Just after Basil gets the duck from Andre, he tells Manuel to get the trolley. Basil then walks into the door, and the duck goes flying. You can briefly see the arm of the crewman holding the door closed. A few seconds later, Manuel comes through the door and stands on the duck. For about 5 seconds you can see the crewman's face.

Revealing: When Basil is out of the car and shouting at it after its final breakdown, you can see a crew member reflected in the right hand side of the windscreen giving John Cleese cues. It's not Cleese himself, as the reflection remains after he runs out of shot to get the tree branch, and the reflection doesn't mimic every action performed on screen.

Continuity: After Basil takes the guests' orders, he goes into the kitchen from the bar to sort out their starters. Then he and Manuel take the starters into the dining room, where the guests are sitting. However, to get from the bar to the dining room, they would have to have gone past the door to the kitchen, which was open throughout the kitchen scene, yet at no point did we see the guests walking past.

Continuity: When Basil goes to fetch the branch to give the car a thrashing after it breaks down, the car manages to move onto the pavement all by itself.

Audio problem: When Basil impersonates the duck, the sound effect used continues when his mouth is closed.

Continuity: When Manuel fetches Basil from outside, Basil enters the building first in the exterior shots, but Manuel gets to reception first in the interior ones.

Continuity: Throughout this episode it keeps switching between day and night. When Basil's second dinner guests arrive, you can see darkness through the hotel entrance, yet when he leads them into the bar it is daylight through the bar windows. This episode is supposed to take place during the evening, yet when Basil collects the duck from Andre, it is broad daylight.

Visible crew/equipment: At the end, the stage lights can be seen in the silver lid.

Continuity: When Basil's car breaks down for the final time after reversing away from the van, watch closely on the garden path of the house right next to the car. The garden gate is open, and you can see it swing shut (look at the black shape just above the hedge) just as Basil says "One, two three." The gate was shut when he first reversed around the corner, but was open again after the shot cuts back to the car (after it's moved to the right along the pavement).

Continuity: There appears to be a very obvious splice edit in this episode. When Basil manages to get Kurt off him after being pinned to the kitchen table, he pushes Kurt against the wall knocking him out. Before this Basil is lying flat on the table and we never see him get up to a standing position beforehand.

Continuity: When Basil is driving home the second time, he is turning into a street where a van is parked. When he turns the street is dry. In the next scene where he is backing away from the van, the street is all wet.

Visible crew/equipment: At the start of the episode, when Basil follows Manuel into the hotel, the shadow of a crew member holding a boom mic can be seen bottom right as the camera follows them across the terrain.

Visible crew/equipment: When Basil runs to change the menu and Sybil says "why?" you can see a shadow of the boom on the pigeon holes at the side.