Seinfeld

Seinfeld (1990)

9 mistakes in The Robbery

(14 votes)

The Robbery - S1-E2

Continuity mistake: During the initial conversation when the camera is on Elaine there's a chair prominently featured in the background, with a jacket on the back. The chair turns around between shots - in particular, when Jerry proudly proclaims himself "Master Packer" it is positioned at the desk instead of facing towards the camera. (00:01:10)

Sammo

The Robbery - S1-E2

Continuity mistake: George is chatting with Elaine as he is waiting for Jerry. Elaine splits an Oreo cookie. When he mentions her "price range", she is not seen fully but her left hand is in frame and she brings it up. When George turns around to address Jerry though, it's her right hand to be raised. (00:03:20)

Sammo

The Robbery - S1-E2

Continuity mistake: George sits down at the diners' table with Jerry after his bathroom (and mirror) break. When Jerry asks him "So what are you getting?" he is holding the menu in a different way between front view and reverse. (00:18:40)

Sammo

The Robbery - S1-E2

Character mistake: At the end of the episode, the waitress introduces her next door neighbour, a hot redhead. After saying her line, she leaves, and George says "Nice to meet you..." and is stuck shaking hands with Carol, who he already met before and invited him to the party to begin with. (00:21:45)

Sammo

The Jimmy - S6-E19

Jimmy: Oh yeah, Jimmy's ready. Check Jimmy out. Jimmy's got some new moves. [Slips and falls from the water.] Jimmy's down.

Bishop73

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Trivia: No matter who the characters in Seinfeld call, they never have to look up the phone number in the phone book. They have the phone numbers to every restaurant, hotel, and business memorised.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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