Buffy The Vampire Slayer

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: When the Scoobys are in the cafeteria in the beginning, Xander asks what the "green stuff" is in a wideshot, and it cuts to a closeup of Buffy. In both shots, you can see two extras in the background doing the exact same thing twice - walking from screen-left to screen-right, while one of them distinctly lifts their tray up for a moment. The extras were probably just told to repeat the same actions in different takes to populate the background, leading to this odd mistake.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Deliberate mistake: When Buffy and Giles are searching the funeral home, we see three shots of Buffy and Giles opening up different mortuary-cabinet doors, shot from the point of view of the cabinet. The problem? You can tell they're opening and closing the same door over and over again. The background is exactly the same, and all they've done is slightly re-arrange the stuff behind them, and had the actors come in from different angles to create the illusion they're opening different doors. It's SUPER obvious.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: The second time we see the van going to Sunnydale, the creepy guy is delivering a weird sermon. At one point, we see him reflected in the driver's mirror, and he is gesturing with his right hand, which is up around his abdomen/chest area. It then cuts and suddenly his hand is down by his side.

TedStixon

Never Kill A Boy On The First Date - S1-E5

Continuity mistake: The second time we see the van going towards Sunnydale, the creepy religious zealot guy puts his arm on the seat behind the mother and child. It then cuts to a closeup of them, and we cannot see the creep's arm behind them. It cuts back to a wideshot, and suddenly his arm is behind them again.

TedStixon

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Answer: She has superpowers, ergo fast movement. The reason she outruns him so easily in "Touched" is that she stops trying to actually fight him and just dodges instead.

Shay

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