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DuPont: The gun katas. Through analysis of thousands of recorded gunfights, the Cleric has determined that the geometric distribution of antagonists in any gun battle is a statistically predictable element. The gun kata treats the gun as a total weapon, each fluid position representing a maximum kill zone, inflicting maximum damage on the maximum number of opponents while keeping the defender clear of the statistically traditional trajectories of return fire. By the rote mastery of this art, your firing efficiency will rise by no less than 120%. The difference of a 63% increase to lethal proficiency makes the master of the gun katas an adversary not to be taken lightly.
Mistakes
In the pistol whipping scene, we see Preston deploying a set of "studs" from his pistols. However, in a later shot, where we see the pistol butt's closing reflection on a visor, the studs aren't out. See more...
Trivia
Director/writer Kurt Wimmer appears three times in the film. The first is in the opening sequence as the silhouetted Cleric performing gunkata movements during Father's voice-over. The second time is as the voice of the Tetragrammaton officer who tells Cleric Preston that they have a warrant for his wife's arrest (in Preston's flashback dream sequence). The third time is as the Resistance member who is shoved up against a column and executed by the police during the warehouse raid (he's the one who holds up his hand in front of his face in a futile attempt to protect himself). See more...
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Equilibrium
Continuity: In the final rampage through the corridor, Preston shoots through the door, killing the guards on his side but also those in the room - we see them falling to one side. But when the corridor guards fall through the doors, in shots from Preston's point of view the guards are visible standing just inside the door before being knocked down.
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