John Preston: You're an offender!
Reading Room Proprietor: I'm not!
John Preston: No? Then why are you so scared of me?
Towards the end of the movie, Preston is in a white suit. This suit was derived from another white suit, worn by Bruce Lee in the film "the Chinese Connection", during the funeral scene. See more...
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Continuity: In the scene where John Preston finds the room with the snow-globe and the record player, he is shown removing and dropping his gloves as he walks the hall touching the wall, prior to discovering the room. As he is shown entering the room, he is also shown removing the gloves that he had just moments ago discarded.
Continuity: In the final rampage through the corridor, Preston shoots through the door, killing the guards on his side but also those in the room - we see them falling to one side. But when the corridor guards fall through the doors, in shots from Preston's point of view the guards are visible standing just inside the door before being knocked down.
Continuity: The photo of Cleric Partridge with Mary O'Brien is crumpled and folded when we first see it in the morgue and when Cleric Preston shows it to O'Brien. However, when Preston is sitting at his desk and looking at the photo by himself, closeups of the photo show it as smooth without the signs of wear and tear seen previously.
Continuity: At the beginning of the film when the police arrive at the Resistance hideout we see the police pull up then take cover behind their cars, G36 rifles at the ready. A lone guy comes out and is immediately put down, as this happens you can see the windshields of the police cars are already shot up and cracked even though at this point the Resistance people have yet to return fire.
Revealing: There is a shot right after the first time the clerics are entering the city from the nethers that you see an APC patrolling the wall road above the entrance. In that shot two shadows are being cast on the road. As the CGI APC passes through them they simply don't cast a shadow on it as they should.
Continuity: In the opening action sequence, one of the sense-offenders slams wide the front doors of the hideout and begins firing at the police. The camera cuts to the police, who immediately open fire; when we cut back to the sense-offender being riddled by bullets, the hideout doors are securely closed behind him.
Continuity: When you see cleric Preston's wife walking to the incinerator, if you look very closely, you see that they are not the same person, one is a look-alike. [Director Kurt Wimmer reveals the reason for this during one of the commentary tracks (still a mistake, but here's why). The incinerator scene was shot first. When it came to shooting the house arrest scene (which occurs earlier in the film, but was shot later) the actress was nowhere to be found, hence the use of a lookalike.]
Continuity: In the scene after the destruction of the "TV center", Preston is looking out through a window over the city's explosions taking place. In one shot his right hand is shown holding the red piece of fabric he got from Mary O'Brian. In a scene before that, when he destroyed the "TV center", his right hand was bloody. He could have gone to wash it in between, but that seems unlikely, since his neck wound is still not taken care of.
Revealing: In the final encounter Preston takes on eight Clerics with Samurai swords. Watch him stab the last one and you can see the blade go under the man's arm. The shot changes and the flaw is just as apparent when Preston takes up the sword again, the stabbed Cleric is holding the blade for him.