The Wolfman

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The Wolfman (2010) is a lavish reboot of the original classic film that has nearly all of the ingredients for a hit-great cast, scenery and sets, costumes and music-but not the best screenplay and lacking in suspense and surprises. The practical effects actually outshine the CGI visuals, and the murky atmosphere doesn't hide Joe Johnston's directorial pacing or the script's inability to make the characters more compelling. In short, it's a movie that could and should have been better, but the various parts just didn't add up to more than some gory, snarling whole with an odd, emotional disconnect.

Erik M.

Other mistake: When Lawrence is looking at his wound in the mirror, it has slightly healed. Later, when Sir John visits Lawrence in the asylum, he shows the bite mark he got from the feral child to Lawrence. Since Sir John is also a werewolf, the bite mark should not be there.

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Dr. Hoenneger: Now, we are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother's self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That his father is literally a monster. [Turns to Lawrence.] But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

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Trivia: Makeup artist Rick Baker has a cameo appearance in this film. He's the man who whistles to his comrades who are approaching the gypsy camp then a few seconds later, gets killed by the werewolf.

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Question: When John is telling Lawrence about the argument with Ben, John says that Ben would have taken Gwen away from him. Does this mean that John was secretly in love with Gwen?

Answer: Of course, probably not real love, but he wanted to possess her.

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