2001: A Space Odyssey

2001: A Space Odyssey (1968)

64 corrected entries

(17 votes)

Corrected entry: Counter to a previous claim of factual error . In various scenes on both the Discovery spaceship and the Pod, angular momentum CAN be preserved without rotating the whole Discovery ship, as was claimed, if there were unseen counter-motions (as in a possible "sub floor" rotating in the opposite direction as the visible floor). The same principle can explain how the pod rotates without any visible thrust from, for example, gas jets. Rotation can be all mechanically achieved, with motors, and all angular momentum is preserved as the ship avoids appearing to rotate against the background stars. What we see is all plausibly accurate according to Newtonian Mechanics.

Correction: Good point, but this is a section for posting mistakes, not non-mistakes. If you are claiming that a previous post for a factual error is incorrect you would need to correct that submission, not post the correction as a mistake.

BocaDavie

Corrected entry: In the famous scene where the ape throws a bone into the sky, in one shot the bone at first revolves anti-clockwise and then in the next shot, just before the jump cut to the shot of the spaceship, it now revolves clockwise.

Correction: As the background changes dramatically, it's obvious this is shot from the other side.

johnrosa

Corrected entry: In the beginning of the film where we see the ape-men, it looks as if they are wearing Converse All-Star type gym shoes that have been painted to look like feet. Perhaps the rocky terrain was too hard on the costumed actors' feet.

Correction: No shot clearly indicates this suggestion. A more specific scene description or timecode is needed to verify this claim as the 'Dawn of Man" sequence is 20 minutes long.

johnrosa

Corrected entry: At the beginning of the TMA-1 excavation scene, studio lights can be seen reflecting off the tops of the astronauts' helmets (note the position of the sun low on the horizon versus the camera's perspective).

Correction: Those are the reflections of the construction lights positioned to light the excavation, which are in shot, as they are intended to be.

Corrected entry: Dave Bowman parks the pod next to the emergency airlock and blows the door off by detonating the explosive bolts. Since the pod was full of air, the door ought to have been ejected into the airlock and become a rather hazardous projectile. But in the scene it's nowhere to be found. What became of it?

Correction: The explosive bolts are along one side of the door. It is blown sideways into the recess in the wall of the pod it is designed to close into during normal use. The fact that there was air inside the air lock makes absolutely no difference to this.

Corrected entry: Dave exited the ship for an EVA to replace the 'flawed' AE35 unit. Unfortunately, Dave would've received five times the lethal dose of radiation during that brief jaunt. This is typical when in that proximity to Jupiter. Even though Dr. Floyd says "they can't be exposed to that radiation for any longer than four minutes", they'd still die from it within a few weeks of that brief exposure.

Nicki

Correction: Despite its attempts at authenticity, 2001 is still a science fiction film, and in its reality, Poole's space suit and helmet are made of some futuristic material that provides protection from radiation.

Corrected entry: On the moon shuttle after Dr. Floyd, Dr. Halvorsen, and Bill look at pictures and eat their sandwiches, Bill serves coffee with no regard for the weak gravity. Very dangerous.

Nicki

Correction: There's nothing dangerous about it. Under one sixth gravity the coffee would behave almost the same as it would on earth. For someone used to such gravity conditions it would pose no danger at all. It's only in orbit under 'zero-gravity' that liquids are dangerous.

Corrected entry: 2001 is the only space-based film that correctly portrays 'space' as a soundless vacuum. No whooshes, no THX explosions...

Correction: Actually, this is a common misconception. There are at least two other space movies which accurately omit sound effects in the vacuum of space: Destination Moon and Moon Zero Two.

Corrected entry: When David Bowman is travelling through the space portal, many streaks of light can be seen passing him on both sides yet when we see David Bowman himself, the streaks are reflected in his helmet and they don't seem to be moving at all.

Correction: The reflections in the helmet are of the instruments inside the pod, which we see again after the pod has stopped in the room.

Corrected entry: In the scene where Bowman is attempting to force entry into the Discovery by using the pod's robotic arm to manually open the exterior door, the error is that the force needed to turn the door opener in a weightless environment should have twisted the pod in the opposite direction as it wasn't physically locked to the mother ship anywhere else by the other arm.

Correction: We see the arm opening the hatch in close ups. We don't see the rest of the pod. As the pod is not spinning, there must be something keeping it stable such as the pod's thrusters firing or a powerful gyroscope.

Grumpy Scot

Corrected entry: When they try to hide from HAL, Dave comments that there is a malfunction in the "C" pod. HAL should protest because it doesn’t detect anything wrong, but it doesn’t say anything.

Correction: HAL is already suspicious of the pilots, obvious from the fact that he reads their lips through the window of the pod. Perhaps he ignores this lie in order to learn of their plans.

Corrected entry: When Bowman leaves Discovery to retrieve the AE-35 Unit, he asks HAL to prepare the "B Pod" and HAL powers up and rotates the middle of three pods. Later, when Bowman asks Poole to help him with a problematic transmitter in "C-pod", they go to the pod bay and enter the middle pod which must still be B-pod as no two pods have left the ship and returned to shuffle their positions. (01:12:30 - 01:22:40)

johnrosa

Correction: This could be a character mistake. And it makes sense in the context of the film. It's the exact kind of thing that would make HAL paranoid if Dave and Frank entered a different pod that they mentioned earlier. It's kind of a counterpart to HAL incorrectly identifying the sequence of moves to checkmate in the Chess game he was playing with Frank.

Floyd1977

Corrected entry: When all the apes are gathering around the big block at the beginning of the film, look carefully at the sky. The clouds never move, not even slowly. (00:11:55 - 00:13:55)

OL1V3R666

Correction: It's not that they NEVER move; they just don't appear to move within the few minutes we are watching, which is perfectly natural.

johnrosa

Corrected entry: When Frank Poole and HAL are playing chess, HAL states his move as (in what is called "Descriptive Notation") "Queen to Bishop Three". This is not true, the move he makes is "Queen to Bishop Six".

Correction: This mistake is intentional, meant for the astute viewer to notice that something isn't quite right with HAL.

Floyd1977

Correction: While many viewers complained that the film was confusing and even boring, the critical reviews of "2001: A Space Odyssey" were mixed, with more than half praising Stanley Kubrick's monumental cinematic achievement as a landmark in filmmaking. Even the negative reviews acknowledged the movie's towering technical genius, while mainly deriding the flat dialogue, character development and puzzling final scenes. Negative reviews notwithstanding, the movie played continuously in theatres across the USA for over a hundred weeks straight and won numerous awards (including an Academy Award for visual effects, Bafta Awards for best cinematography, sound and art direction, and science fiction's Hugo Award for best dramatic presentation, among other awards) in 1969. Thus, it was far from being a "critical bomb," as asserted. Produced at a cost of $10.5 Million (a monster budget in the late 1960s and the most expensive movie Metro Goldwyn Mayer had ever produced up to that point), the film made back about $9 Million upon its release but went on to gross over $58 Million domestically and $12 Million internationally during its theatrical run, for a worldwide boxoffice of over $70 Million (or about seven times its production budget). Again, this was far from being the "financial bomb" you suggest.

Charles Austin Miller

Corrected entry: When Bowman is getting ready to leave Discovery to retrieve the allegedly-faulty AE-35 Unit, he instructs HAL to "open the pod doors (plural), HAL" when he should be well aware it has only one door. He is not asking HAL to open the pod bay doors. (01:12:40)

johnrosa

Correction: Each pod has two doors - an inner and an outer door.

Corrected entry: When Dave goes to retrieve lifeless Frank the computer screen to his right which is supposed to show continuously updated data, twice displays a jagged line like those found near the end of a reel of a motion picture film.

Correction: Those things in films are there to tell the projectionist that the reel is about to end. The first tells him to expect a projector swap, and the second means "switch projectors." Whatever you see is DEFINITELY not projector switch signals, as the little mini-movies on screens would not have them. I just looked at the scene seven times and I don't see it. Either I missed it or it's an image compression artifact. What color was the screen background, and was it the front or rear right screen? Where on the screen was it? If it was a purple background, those are numbers flashing onscreen.

Faye_Kane

Corrected entry: When Astronaut Poole goes on the EVA to retrieve the AE-35 unit from Discovery's antenna, the scene shows the Pod coming directly over the top of the sphere. However, the view from inside the Pod has it off to the side of the spaceship.

mschiavi

Correction: There is a time interval during which the window is not seen, during that time, Bowman maneuvers the pod to the side of the ship.

Faye_Kane

Corrected entry: Early in this chapter of the film, we see Discovery has three EVA Pods (from HAL's view, left to right they are C-pod, B-pod and A-pod). When Poole is killed, we see he was using the center pod. Bowman then goes after Poole with A-pod. This leaves behind the C-pod. Bowman gets back aboard Discovery by blowing explosive bolts to release his pod's door. After Bowman deactivates HAL, we can presume he recovers the now-damaged A-pod he ejected from. It can only be placed in either the right or center pod locations, and as we learn in 2010, it is found sitting in its original right-side location. So to leave Discovery for the last time, Bowman must use the C-pod which is on the left, yet is shown emerging from the center doorway B-pod originally launched from. (01:32:50 - 01:59:45)

johnrosa

Correction: Bowman must have made an EVA during the time he was alone on board, and opened the middle door on returning to the podbay. Mistakes are definite mistakes, not ones for which there is a reasonable explanation.

Faye_Kane

I believe that the last pod departure in the movie from the "wrong door", the center one, was not a mistake but one of Kubrick's subtle visual clues. My interpretation is that it meant the whole end of the movie was Bowman's dream before dying when he was stranded at Jupiter.

Corrected entry: Towards the end of the movie where there are deep space shots of the planets, the spaceship and the sun, there is one shot where the sun is in the middle of several planetary objects. The objects closer to the viewer show crescent as they should due to the suns orientation to the planetary objects. On the far side of the sun however, the planetary objects also show crescent but shouldn't. They should show FULL or nearly full.

Correction: Those aren't planets. What we're being shown is Jupiter and its many moons. As such. all the objects you see on the screen are near the camera and being seen from the dark side. Which means they shouldn't be lit any more than a crescent shape.

Garlonuss

2001: A Space Odyssey mistake picture

Continuity mistake: When Dave gets his supper, the order of the slop from right to left is yellow, light brown, light brown, dark brown. Later when he's eating, the order is yellow, orange brown, dark brown, light brown. (00:59:00 - 00:59:50)

????

More mistakes in 2001: A Space Odyssey

Dave Bowman: Open the pod bay doors, HAL.
HAL: I'm sorry Dave, I'm afraid I can't do that.

More quotes from 2001: A Space Odyssey

Trivia: The leopard lying on a dead zebra was actually lying on a dead horse painted to look like a zebra. The cat wasn't too happy with that scene.

Larry Koehn

More trivia for 2001: A Space Odyssey

Question: I don't understand the significance of the monolith or the starbaby. Can someone explain it to me?

Answer: As author Arthur C. Clarke explained it, the first Monolith (the one seen at the beginning of the film and then buried on the Moon) was a space probe from an incomprehensibly more advanced alien intelligence that resided inside a star elsewhere in the cosmos. The Monolith's objective was to seek out lifeforms that had potential and "tweak" their neural evolution, causing them to evolve toward intelligence. In the case of Mankind on Earth, once the modification was made, the Monolith probe retreated to the Moon and waited 4 million years for Mankind to reach it. When Mankind reached the Moon, the Monolith sent a signal to the next phase of the experiment, which was another Monolith in orbit of Jupiter. When Mankind reached the Jupiter Monolith in a matter of months, the Monolith acted as an interdimensional portal to the other side of the universe, transporting the evolved human specimen to its creator (that resided within a star). The creator intelligence found the specimen (Dave Bowman) to be of acceptable quality and rapidly evolved him to the next level, a Star Child. The Star Child is a "godly" evolution of Mankind. The Star Child chooses to instantaneously return to its home planet (Earth), where it stops a nuclear war.

Charles Austin Miller

Answer: The monolith is a monitor placed by the aliens to track the progress of developing civilizations. When humanity found the monolith on the Moon, that signaled a certain level of technological advancement. The starbaby is the evolution of the astronaut, as the symbol of humanity, from "Earth-bound" to a true child of the universe, turning his back on the Earth and looking toward the stars.

scwilliam

In both the Arthur C. Clarke story and in the movie, the Star Child does not "turn his back on Earth"; quite the contrary, as soon as Bowman transforms into the Star Child, his first impulse is to instantaneously return to Earth, which he does just in time to stop a nuclear war. In essence, Bowman becomes the guardian of Earth.

Charles Austin Miller

Answer: In 3001: The Final Odyssey, Clarke makes clear what many already suspected: The Monolith was malfunctioning by the time it tweaked human evolution. It increased human aggression in order to assure human survival, but this was a hasty move, which saddled humanity with a never ending series of destructive conflicts. Kubrick also hinted at this in a later movie. The Monolith appears in Full Metal Jacket, presumably inspiring the soldiers in the Vietnamese War to solve their problems by killing, just as it had inspired the fighting hominids millions of years before.

The monolith from 2001 does not appear in Full Metal Jacket. There is a tall burning building in the background during Cowboy's death scene but it takes a hell of a stretch of the imagination to see it as a monolith. It's just a ruined building. Kubrick himself confirmed this in an interview with Rolling Stone magazine - it's combination of coincidence and wishful thinking.

More questions & answers from 2001: A Space Odyssey

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