Audio problem: As the shark is towing the Orca, Hooper, Brody and Quint are at the stern cleats with the water splashing up in their faces. Their shouting does not match their mouth movements. Particularly when Hooper shouts, "It's impossible! It's impossible!" he is sticking his tongue way out, making it rather difficult to shout anything at all. (Time) Submitted by Rikki

Continuity: When Michael and his two friends are sitting in their boat, in the pond, in the first close-up they sit on the white wrinkled up sail, but in the next wideshot two of them sit on the spread out blue tarp. (Time) Submitted by Rikki

Continuity: When Quint finishes off his beer and squeezes the can with his hand, Hooper's equipment is visible just behind Quint. Then Brody accidentally unties the cage bars. When he falls back into Hooper's equipment, now it is closer to the door and the lines securing them are entirely different. (Time) Submitted by Rikki

Continuity: On the Fourth of July, Sean (the youngest Brody kid) is wearing a white t-shirt with orange around the collar, and green shorts. But after Michael goes into shock and Sean is seen crying, he's suddenly wearing darker shorts and a plain white shirt with no orange. Later at the hospital, he has his orange and white shirt and green shorts on again. (Time)

Continuity: When Quint and Hooper show their scars and as Quint talks about the U.S.S. Indianapolis, the leftover food on the plate keeps changing between shots, as does the position of cutlery, etc. Hooper's position on the seat (note the window behind him) changes between shots as well. (Time) Submitted by Rikki

Continuity: After Quint states that it's a 25-footer, he rushes below deck and when he comes up with the harpoon case, the gauges on the panel to his left are visible. When he answers the call from Amity Point light station, there is a new large black knob attached the corner of the panel, that was not there before. The paper mess at the top of the panel differs as well. (Time) Submitted by Rikki

Continuity: When Quint stands beside the stove at his place, the stove is positioned a particular way in front of the wall. When he gives Hooper the rope, the stove is farther down against the wall and the wall behind the stove differs (note the panels), as do the roll shades on these windows. (Time) Submitted by Rikki

Continuity: During numerous close-ups on the bridge deck, such as when Brody is behind the wheel, as Hooper shouts, "Our injectors got scored from the salt water in the fuel," the three large gauges over the steering column are seen. The center gauge has a wide shiny chrome trim, and a partial black face with a silver center. However, in the extreme close-up of the gauge panel, it is an entirely different style RPM gauge, and it now has a blackish rusty trim, and a solid black face. (Time) Submitted by Rikki

Visible crew/equipment: After spotting the shark, which Quint declares is a twenty five footer, Brody asks, "How do we handle this?" and the crew's swaying vessel is visible in the reflection on the starboard windows. (Time) Submitted by Rikki

Continuity: When Hooper pulls the tooth from the hull of Ben Gardner's boat, he wears his watch and ring on his left wrist and hand. However, in the close-up as he drops the flashlight, knife and tooth, he wears them on his right side. (Time) Submitted by Rikki

Visible crew/equipment: When the three guys first see the shark, it shows a shot of the shark swimming past and there are shadows of equipment and about three crew members just watching the action. It's not eqiupment from the Orca because nothing is there that looks similar to this shadow.

Continuity: When Chrissie goes swimming at the start of the film, we see the moon in the distance. However, when we see Chrissie from the shark's point of view under the water, the moon is directly above Chrissie.

Continuity: During the scene where Quint, Hooper and Chief Brody are in the cabin at night and Quint tells the story of the USS Indianapolis, he puts his cap on the table, seconds later is disappears then later reappears. (Time)

Continuity: After the cleats are ripped off, the size, shape and characteristics of the exposed area of wood underneath significantly changes in some of the following shots. (Time) Submitted by Rikki

Revealing: The ropes from the two barrels attached to 'Bruce' the shark are tied to the stern cleats, but then Bruce pulls on the ropes and starts to drag the boat sideways and nearly submerges the stern of the boat. As the boat is being pulled sideways by the ropes, they are both shown to have quite a bit of looseness, or slack in them. How can the boat be pulled like that if the ropes are not taut? (Time)

Continuity: After Brody says, "You're gonna need a bigger boat." he and Quint go out on deck and there is a long rope tying the open cabin door to the rigging at the rail. However, when Hooper jumps down from the bridge deck the rope is gone. (Time) Submitted by Rikki

Continuity: At his home, after Brody uncorks the bottle of wine he begins to peel the top label. In the following shots the top label changes, as well as the position of his hands, depending on camera angle as Hooper and Brody speak. (Time) Submitted by Rikki

Continuity: When Ellen speaks with Brody at the beach, while worrying about the shark, Michael and other kids get up, and head toward the water. In the next shot, Michael, who wears very distinctive green and orange swimming trunks, jumps into the water (holding a football), and gets his hair and body entirely soaked. Next three shots Harry (and his 'bad hat') sits down and speaks with Brody. In the next shot Michael, with dry hair, passes Mrs. Kintner and is still running towards the water with Sean. (Time) Submitted by Rikki

Continuity: As the shark bursts through the port side windows, the remaining port side wall and window frame around it keeps changing between shots - from an entirely broken frame to a partial intact frame, and so forth. (Time) Submitted by Rikki

Continuity: When Brody is in the flooded cabin as it tips, at the start of the shot where the shark makes its smashing entrance, we actually hear Brody's loud footsteps on wood, as we see his waist and legs run from aft to forward in the cabin; though in the previous shots Brody is more than waist level in the water, already standing towards the bow. (Time) Submitted by Rikki