Other: When Costigan drags a handcuffed Sullivan into the elevator, Costigan slams Sullivan against the wall and his left arm is visible and not in handcuffs.
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Colin Sullivan: I'm going to need the identity of your undercovers.
Dignam: Blow me, alright? But not literally, though. Unfortunately, there's no promotion involved for you.
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This was Martin Scorsese's first film to win Best Picture. And his first Oscar for best Director. Martin also said that this was the first movie he ever made with a plot. See more...
The Departed (2006) - 65 mistakes
Directed by Martin Scorsese, starring Jack Nicholson, Leonardo DiCaprio, Mark Wahlberg, Martin Sheen, Matt Damon (add more)
Continuity: When Costigan is with Madolyn in her office, the tissues in the tissue box change consistently between shots.
Revealing: ***SPOILER*** When Costello is killed, a blood-pack is noticeable under his shirt.
Continuity: In the scene after Queenan dies, when Sullivan picks up his phone to contact Costigan, he presses the "talk" button and a smudge of blood is left. In subsequent shots, there's no trace of blood on the "talk" button.
Continuity: At Billy's mother's funeral, the signature of Frank Costello on the flowers changes between shots.
Continuity: When Ellerby attacks the guy for not installing the cameras in the right place, he knocks off a map from the board. A second later Ellerby is still going after him, and the map is fixed.
Continuity: While Costigan is having coffee with Madolyn, a coffee cup suddenly appears in his hands close to his mouth, and the toothpick that was in his mouth a second ago vanishes.
Revealing: When Costello's hooligans drive away from 344 Wash after the shoot-out, Queenan's body on the ground is quite obviously a dummy.
Continuity: When Costello and French encounter the cops, the first shot shows the cops' car turning their lights on. In a new shot a second afterwards the lights on the middle and right side cars are out and they are turning them on again. On yet another new angle, the lights on the car on the left turn from off and on again in a split second.
Visible crew/equipment: When the song starts, right before the main title, we have a dolly shot of Billy in jail. It starts from a red wall and moves towards him. If you look closely at the wall, you can see the subtle shadow of the camera and the rest of the equipment as it moves.
Continuity: During the final shootout between the baddies and the cops, the pilot window of the grey GM is destroyed but appears perfect a second later.
Continuity: After the beach scene, Costello is preaching young Sullivan on loaded guns. His cigarette disappears from his lips between shots.
Continuity: When young Sullivan is at Mass, a priest is swinging the smoking incense burning. In the next shot the smoke is gone, and he is away, arriving with the burner and repeating the previous movement.
Revealing: When Costello's men drive off, after throwing Queenan off the top of the building, the undercover FBI are firing at the van. One back window is shot out, then in the next shot of the van the other window is shot out and then the same one is shot again so the one window is shot out twice in the same scene.
Continuity: When Costello's bad guys are pulling up in the van to the building where Queenan and Costigan are talking, you can see the wet tire marks where the van stops before it gets there.
Continuity: The top layer on their dessert changes when Sullivan and Madolyn are in the restaurant. Between shots, the top piece changes back and forth between flat and curved.
Audio problem: When Colin answers Costello's phone, we hear the girl ask, "Where the hell are you?" but her mouth actually asks, "Where the f*** are you?"
Continuity: Before French dies he starts to cough and there's suddenly less bullet holes in the windshield than in the previous shot.
Continuity: While Queenan is talking to Costello out on the street, watch the people behind him. First there's no one, then we have a shot of a woman and a huge line of kids passing next to her. Then back to Costello and the woman, who hasn't moved, is now miraculously visible behind him. To add to the mess, the kids have vanished.
Continuity: When Queenan is interviewing Costigan, the metal thing and the papers around it keep changing positions depending on the angle.
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