Revealing: During the bar-fight, the bartender flies back and hits a table, and you can blatantly see the table is a breakaway prop, because there are no screws/nails or anything holding the top on. (You can see it easily just after the top gets knocked off.).

Other: When the priest is having "gasoline" poured over his body, you can easily tell it is really just water. The liquid is clear, and not tinted yellow, and he doesn't react realistically (as if the strong fumes are burning his eyes and nostrils).

Continuity: When Jimmy's trailer explodes, in the first shot, the air is full of sparks and debris. Then the camera cuts, and almost all the debris in the air is gone, and the building is simply on fire.

Revealing: In the wideshot of Death/Satan impaled on the rocks at the end, you can tell the image onscreen is using a split-screen effect, as both sides of the picture wobble slightly in different directions, independent of each other.

Deliberate "mistake": When Lola frees Luc Crash in the beginning of the movie, he hits a guard, making him flip forward and fly through the air, even though this is impossible and it has nothing to do with magic or any other elements used in the story.

Continuity: When the car explodes in the beginning, in the first shot it is actually exploding, but in the next shot, you can tell it is simply on fire, and not exploding as in the previous shot.

Revealing: In the beginning, when the miners and Indians are fighting, you can tell they are all pulling punches and trying not to really hurt each other. Some of them even visibly miss punches and kicks by large distances.

Revealing: War manages to pick up his gun out of a barrel of burning materials, without getting physically or even visibly effected. The gun does not even have any sign of being in the fire, no smoke, no burn marks or anything.

Continuity: When Jimmy and War are fighting with the burning sticks, in several shots the sticks go from being on fire, to put out, to partially on fire, etc.

Continuity: We see Jimmy paint the iconic "Crow" black makeup on his face, (around his eyes) but if you look he does not yet have the white makeup on. In the next shot he has both the white and black makeup on, which makes no sense, as the white would cover the black and he would have to reapply it.

Deliberate "mistake": When the tribe does the ceremonial dance to bring the crow back to life, you can see the same shot of the bird leaping up twice.

Revealing: When the refrigerator is pushed into the pond at the dump site, it is floating around the the flammable water. When it is set ablaze, it is perfectly still, as if it is on some sort of platform, not floating around like it should be.

Continuity: When Jimmy first awakens, after he crawls out of the water, his body is in a different position and much further away from the water in the next shot.

Continuity: The necklaces that Luc throws onto Jimmy at the end disappear after the first few shots.

Other: When Jimmy jumps over Pestilence, you can see he is right above him, yet Pestilence is pointing his gun forward, not upwards as he should be doing.

Revealing: When there is the flash-montage of single-frame images at the bad-guy's hideout, you can tell many images are being repeated, and if you go through frame-by-frame, you can see some of them are actually behind the scenes photos of the cast interacting with the director/crew. (Smiling at the director off-camera, etc.).

Continuity: Lola's hands are stained with wet, dripping blood at the end of the movie for no apparent reason, as nothing happened to bloody them up before that.

Revealing: When Jimmy breaks Pestilence's neck, it is very obvious he really isn't doing so, because he just bends the neck slightly to the side, in a very safe position.

Continuity: When Luc says "Tonight, Satan is gonna walk in my shoes." Lola is facing him then turns away, but in the next shot she is suddenly facing him again.

Other: Jimmy walks away from his trailer to find Lily quite a distance, yet when they sneak behind a building, you can see the graffiti the kids drew on the side of Jimmy's house right behind them, as though Jimmy has walked in a giant circle for no reason.