Batman Begins (2005) - 41 mistakes

Continuity: When Batman is chased by the cops while he is trying to save Rachel, he reaches the roof of a parking lot and stops. A cop orders him to switch off the engine of his vehicle and get out. Later when Batman is chased inside a tunnel, we see a cop asking on his radio what the Batmobile looks like. The Batmobile then zooms past him and he says "never mind". The only problem is that it's the same cop both times, so he knew full well what the Batmobile looks like when it stopped in front of him initially. Probably caused by the order of those sequences being switched in editing, but still a mistake.

Factual error: The bat signal at the end of the film defies physics. The spotlight is a few feet across and is projecting the signal onto clouds far above. To do this, the light beam should get wider as it climbs up (like a flashlight's beam aimed at the ceiling). Yet the shot of the clouds shows rays of light getting wider as they go downward, like sun rays through the clouds. For this to exist, there's either a bat signal floating far above and through the clouds, or the one on the roof needs to be several miles wide, focusing a beam that narrows as it climbs.

Continuity: When the Tumbler leaps toward the steeply-angled rooftop (the shingled roof with dormers), beyond it is a tall office building on the opposite side of a highway that is running perpendicular to the Tumbler's direction of travel (and parallel to the face of the office building). In order to leap onto this highway, the Tumbler will need to make a hard left or right turn, as going straight will take it across the highway into the face of the office building. But as the Tumbler reaches the end of the angled roof, suddenly the office building has moved far to the left, and the highway is now nearly in line with the Tumbler's direction, running into the distance next to the office building, and passes along the left side of the shingled roof, making it easy for the Tumbler to leap easily onto the roadway.

Continuity: When Bruce is thrown off the truck when released from prison, you can see his bag in the background as he rolls at least 5 feet away to his right. When the angle changes and he's getting up, the bag is right in front of him, if not slightly to his left.

Continuity: When the burning log falls on Bruce, it lands near his feet. Camera cuts and it's now by his neck.

Continuity: After the big explosion, Bruce is shown holding Ducard at the edge of the cliff. Bruce's body is over the edge, only his arm remains on the ice to anchor them. But as he lifts Ducard to safety, Bruce's body is suddenly on the ice, only his right arm is over the edge.

Revealing: Near the end of the scene, when Bruce and Fox are in the tumbler Fox says "We never could get the damn bridge to work, but this baby works just fine" then Bruce turns the wheel to the left but the tumbler turns right.

Continuity: Before Alfred knocks down the man outside the burning mansion, there are several shots from the inside of the building. In one of them, there's a burning table with a globe on. When Alfred and Bruce escape, they enter the room with the piano, and the same table is seen again. There are lots of flames around the table, but the table itself is no longer on fire.

Audio problem: During Bruce's birthday party, the guests sing "Happy Birthday", but the song does not match their lips.

Deliberate "mistake": When Batman flees from Gordon after their first meeting, he leaps across an alley and catches himself on the railing on a fire escape. This fire escape fails, dropping him (as well as the clothing left to dry on the railing). Batman grabs the next railing and again, this second fire escape collapses. Exactly the same as the first, with the same clothing falling off. When he climbs onto the 'third' fire escape, we see he's only come down one level, not two. The scene was artificially lengthened by using two perspectives of the same stunt.

Revealing: When the Batmobile is in the parking lot, there are skid marks under the Batmobile revealing the previous takes.

Continuity: When Batman drives over the cop car, using his batmobile for the first time, he knocks the light bar off. Camera cuts and now the light bar is back on the car.

Continuity: During the board meeting at Wayne Enterprises, before Bruce shows up, as Earle says, "I think after twenty years we can allow ourselves to…", he's walking towards his chair. As the shot ends, he's about two meters away from the chair, but in the next shot where he continues "…stop thinking about what Thomas Wayne would have done", he's already reached the chair and sits down.

Continuity: After Bruce and Rachel kiss, as Rachel says, "He never came back at all", her hand is touching his face, but in the next shot, her hand is gone from his face.

Continuity: When Thomas Wayne dies, in his last two close-ups, there's a crack in the asphalt under his head, as well as another one on his left, that weren't there in the previous wideshot.

Audio problem: After Bruce and Rachel kiss, Rachel says, "But maybe he's still out there somewhere". Her head is seen from behind, but you can see from the motion of her jaw that her mouth is moving before the words are heard.

Continuity: When Bruce is pinned down under the burning log, the position and amount of flames on the log keeps changing, including some consecutive shots. The amount and position of the debris by his head also changes several times.

Continuity: When Thomas Wayne carries Bruce into the mansion, in the first shot, Bruce's legs are pointing outwards. In the next shot, they're hanging downwards.

Continuity: When Bruce and Rachel kiss, in the third shot, the fingers of Rachel's left hand can be seen on Bruce's neck, but in the previous shot, her hand was nowhere near his neck.

Visible crew/equipment: During the first board meeting at Wayne Enterprises, in two close-ups of Mr. Earle, spots of bright green light from the movie camera is reflected in his glasses. The same thing happens when he opens the door and sees Bruce. There is no such light shining in either room.