Dirty Mary Crazy Larry (1974) - 34 mistakes

Continuity: During the chase where Larry's Charger knocks a police car in the river, the '69 Charger becomes a '68 Charger in one shot, as seen from the front. The '68 has a different grille than the '69 models.

Visible crew/equipment: When Deke is changing the tire on the Charger, you can see the camera man and light rigging reflected in the door of the car as the camera pans to Mary laying down on the trunk.

Revealing: When the Charger hits the red truck, the truck turns over with the assistance of a 'pipe cannon' (note the sudden eruption of white smoke from under the truck). This device is like a large gun, pointed down that fires a cylindrical wooden 'bullet' at the ground, and the pressure behind it forces one side of the truck upward, causing the flip. Evidence of its use is seen when the passing cop drives away and in the street is a perfectly circular 'dent' in the asphalt with a burn mark surrounding it.

Continuity: At the end of an argument, Mary turns to bite Larry's shoulder. As she turns, the view out the side and rear of the car is of a wire fence surrounding an open, golden field. But the moment of her actually biting Larry has a totally black background- possibly shot while the car was stationary with a tarp behind it.

Continuity: In most shots, Larry is wearing tan driving gloves, but in several shots from the back seat looking forward, the stunt driver has bare hands. This is most obvious during the chase that ends with a police car crashing through a billboard.

Visible crew/equipment: After the billboard crash, Larry is shown from his left side as he drives. In his glasses there is a reflection showing the two large lights attached to the vehicle in front of his car that are lighting him.

Continuity: After trying to ditch Mary at the general store, the blue Impala is chased by two cops in a patrol car. Shots looking rearward from the Charger's backseat at the police car show only two of its headlights are on, but shots showing Larry's face show the police car over his shoulder with all four lights on. This goes back and forth for several shots.

Continuity: As the Impala approaches the drawbridge, the sun is on the right side of the car for most shots, but when the camera is behind the car looking at its tail, the sun is on the car's left side.

Continuity: In various scenes, an odd pattern of scratches appears and disappears from the top portion of the car's driver's-side door. These are due to the car's use as a 'camera platform' during some scenes (like filming Larry through his own window), and the camera mounts have made the scratches. It is obviously not collision damage. Because the camera isn't visible in these shots, this is a continuity error, not a visible equipment error.

Continuity: As the Charger emerges from the groves after repairs, it is spotted by the cop in the modified police car. The close-up of the cop beginning to smile shows that the insignia on the car door has only black outlines on the white door, yet all the shots after show it is properly filled in with gold.

Visible crew/equipment: As the Charger approaches the bar/pool hall, a side shot of Larry driving shows a duplicate of his car reflected in the side of his door mirror. The film's budget was so small, there were no 'camera trucks' and such, so the extra two Chargers they had doubled as camera platforms when needed.

Continuity: At the end of the chase between the Charger and the 'hot rod' police car, they speed into an intersection and turn left. Just before the police car is struck by a gray station wagon, the Charger can be seen leaving the road surface, headed into the trees and grass while braking hard (the stunt driver took the turn too fast and overshot it). The shot changes and the Charger is seen speeding away on the pavement without having had time to turn around, to get back on the road nor to return to high speed.

Continuity: When Deke picks Larry up at the start of the film, Deke's sun visor is missing. Moments later, it is in place.

Continuity: When the blue Impala is shown early in the film from the rear, it has a crooked rear license plate, intact tail lights and trim, a 'Chevrolet' emblem at the right side of the trunk lid, and a pair of square stickers (red, blue) at the right end of the rear bumper. As it enters the flea market, the stickers are gone and the trunklid is dented. As it approaches the drawbridge, the plate is straight, a piece of trim is missing, a tail light is broken, and the 'Chevrolet' emblem and stickers are gone, and the dented trunklid is fixed. From shot to shot, these conditions swap back and forth repeatedly.

Continuity: While making a sharp left turn, the Charger is struck in the left rear quarter panel by the 'hot rod' police car, deforming that panel severely. But as the Charger again turns left onto a dirt road to 'powder' the cop's face, the panel is undamaged. The shots that follow next show the damage is back for the remainder of the film.

Continuity: In some scenes the Charger has emblems on the rear roof pillars that say 'Charger' but in others, there are no emblems there. This is very obvious just before and after the crash with the red truck (before hitting, there are none; stopping, they are back; crawling away, they are gone again).

Continuity: As the '69 Charger turns onto a dirt siding to avoid a police car that approaches from the left, a side shot of the car shows it is suddenly a '68 Charger driving alongside the police car. The round tail lights are quite obvious, as are the missing square side marker lights of a '69 model.

Continuity: When the Charger emerges from the groves after repairs, it is chased by the 'Hot Rod' police car. Close-ups of the policeman show he is wearing black gloves, but shots from the Charger, looking rearward show a very obvious stuntman who is driving barehanded.

Continuity: When the Charger turns off the paved road onto a dirt siding, it does so to avoid the cop approaching from the left on the side street. As the cop reaches the end of that street, he turns left to race alongside the Charger which is higher up on the dirt path. In the shot from the rear when the cop is turning, we see that he is already beyond the telephone poles that stand between the paved and dirt roads. When the shot changes to running alongside the police car, looking upward at the Charger, a telephone pole magically passes between the cars. Obviously, they started this shot further back.

Visible crew/equipment: As the Charger races toward the railroad tracks, the view from above and behind the car shows a cable is pulling the car forward. The cable runs under the tracks (note the discolored pavement that crosses the tracks), then the cable emerges on the other side and turns left around a horizontal pulley. The cable disappears to the left where an off-screen truck is driving further to the left, pulling the car.