Continuity: During the chase where Larry's Charger knocks a police car in the river, the '69 Charger becomes a '68 Charger in one shot, as seen from the front. The '68 has a different grille than the '69 models.

Continuity: While at the pool hall, Mary indicates that the sign in the window describes Larry perfectly. A close-up shows it reads 'Out To Lunch', but the next wide shot shows it reads 'We're Closed'.

Continuity: The very first shot of the Dodge Charger shows it parked at the flea market. The car is shown with a crushed front valance, a rusty metal framework added below and behind the valance, and a base-model grille. When the car starts and drives away, the valance is perfect, the rusty frame is gone, and the grille now has an 'R/T' emblem. Two different cars were filmed on different days and the shots don't match up.

Visible crew/equipment: When Deke is changing the tire on the Charger, you can see the camera man and light rigging reflected in the door of the car as the camera pans to Mary laying down on the trunk.

Visible crew/equipment: As the Charger approaches the bar/pool hall, a side shot of Larry driving shows a duplicate of his car reflected in the side of his door mirror. The film's budget was so small, there were no 'camera trucks' and such, so the extra two Chargers they had doubled as camera platforms when needed.

Visible crew/equipment: As the Charger races toward the railroad tracks, the view from above and behind the car shows a cable is pulling the car forward. The cable runs under the tracks (note the discolored pavement that crosses the tracks), then the cable emerges on the other side and turns left around a horizontal pulley. The cable disappears to the left where an off-screen truck is driving further to the left, pulling the car.

Revealing: When the Charger hits the red truck, the truck turns over with the assistance of a 'pipe cannon' (note the sudden eruption of white smoke from under the truck). This device is like a large gun, pointed down that fires a cylindrical wooden 'bullet' at the ground, and the pressure behind it forces one side of the truck upward, causing the flip. Evidence of its use is seen when the passing cop drives away and in the street is a perfectly circular 'dent' in the asphalt with a burn mark surrounding it.

Continuity: As the Impala approaches the drawbridge, the sun is on the right side of the car for most shots, but when the camera is behind the car looking at its tail, the sun is on the car's left side.

Continuity: At the end of an argument, Mary turns to bite Larry's shoulder. As she turns, the view out the side and rear of the car is of a wire fence surrounding an open, golden field. But the moment of her actually biting Larry has a totally black background- possibly shot while the car was stationary with a tarp behind it.

Visible crew/equipment: After the billboard crash, Larry is shown from his left side as he drives. In his glasses there is a reflection showing the two large lights attached to the vehicle in front of his car that are lighting him.

Continuity: In most shots, Larry is wearing tan driving gloves, but in several shots from the back seat looking forward, the stunt driver has bare hands. This is most obvious during the chase that ends with a police car crashing through a billboard.

Continuity: As the '69 Charger turns onto a dirt siding to avoid a police car that approaches from the left, a side shot of the car shows it is suddenly a '68 Charger driving alongside the police car. The round tail lights are quite obvious, as are the missing square side marker lights of a '69 model.

Continuity: After trying to ditch Mary at the general store, the blue Impala is chased by two cops in a patrol car. Shots looking rearward from the Charger's backseat at the police car show only two of its headlights are on, but shots showing Larry's face show the police car over his shoulder with all four lights on. This goes back and forth for several shots.

Revealing: When the helicopter is chasing the charger, in several shots, only the driver is visible in the charger when there should be three people.

Revealing: When the helicopter lands in the field due to lack of fuel, you can tell by the disturbed ground that the helicopter has landed there several times.

Continuity: As the Charger emerges from the groves after repairs, it is spotted by the cop in the modified police car. The close-up of the cop beginning to smile shows that the insignia on the car door has only black outlines on the white door, yet all the shots after show it is properly filled in with gold.

Continuity: When the Charger pulls into the bar/pool hall's parking lot, the sun is on the side of the building that the Charger is driving past. The shot changes to watch the car approaching from the road and now this same side of the building is in heavy shadow.

Continuity: At the end of the chase between the Charger and the 'hot rod' police car, they speed into an intersection and turn left. Just before the police car is struck by a gray station wagon, the Charger can be seen leaving the road surface, headed into the trees and grass while braking hard (the stunt driver took the turn too fast and overshot it). The shot changes and the Charger is seen speeding away on the pavement without having had time to turn around, to get back on the road nor to return to high speed.

Continuity: While shooting pool, Deke lines up a shot into a side pocket where Larry stands. On the table, there is a ball to our right of the pocket, and nothing is between the ball and the pocket. When the shot changes during the ensuing argument, there's a gray object on the table between the ball and the pocket.

Continuity: When Deke picks Larry up at the start of the film, Deke's sun visor is missing. Moments later, it is in place.