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The short interchange between Colin and the caterer at Peter and Juliet's wedding was originally a scene that was cut from the final version of Four Weddings and a Funeral. Richard Curtis liked the dialogue so much that he injected it into Love Actually. See more...
Love Actually (2003) - 54 mistakes
Directed by Richard Curtis, starring Alan Rickman, Andrew Lincoln, Bill Nighy, Billy Bob Thornton, Colin Firth, Emma Thompson, Hugh Grant, Keira Knightley, Kris Marshall, Laura Linney, Liam Neeson, Martin Freeman, Martine McCutcheon, Rowan Atkinson (add more)
Continuity: Juliet arrives at Mark's flat and brings banoffee pie with her, wanting to see the wedding video. She slips the video into the VCR and places the open pastry box on top of the TV stand. As she takes her jacket off the pastry box is gone, yet in the next shot of the TV the box is right next to the remote, which then changes position in the last shot when the remote disappears. The TV is in the center of the stand in some shots, but to the left of the stand in other shots. The video cassettes, etc., change/alter their position within these shots as well.
Continuity: During the final scenes in the airport, as Juliet and Peter run toward Jamie and Aurelia, in the first shot passing on Juliet's right is a bearded man in a suit jacket. In the next shot as Juliet kisses Aurelia the same man just walks through the doorway and starts to pass Juliet. Then in the next shot he enters once again walking behind Jamie. There are others in the terminal whose positions also differ in consecutive shots.
Continuity: When Mark is at Juliet's door letting her read the big cards he wrote for her, there is a shot where he shows her the photos of supermodels, he hopes to date on the card, then in the second shot of the card, when he is about to change cards, the photo at the top of the card is taken out and the ones at the bottom change position.
Continuity: After opening her gift from Harry, Karen excuses herself and goes to their bedroom. In the two close-ups the oval photograph of Harry and her is beside the stereo, albeit their position differs a bit and the Joni Mitchell CD is lying on the stereo, but in the wide shot of Karen the photograph is gone and the CD is positioned quite differently.
Continuity: After Sarah has called at Harry's office, Harry prepares to open his office door to see her out. The camera cuts back to Sarah for a moment, then back to the camera angle on Harry as she walks to the door. In that short space of time, the sliding cupboard doors have changed their configuration, and the blinds in the upper left of the frame have partially closed.
Continuity: Sarah walks into Harry's office, sits down and much of her hair is tucked behind her ears in the side shot. In the next few front shots her hair is first draped straight down, then tucked a bit, and when she stands up in the side shot her hair is positioned as the first side shot, all without her ever touching her hair.
Continuity: When Colin speaks with Nancy at Juliet and Peter's wedding reception he puts the 'dead baby finger' hors d'oeuvre into his mouth in the first shot, but when he spits it back out into his fingers in the next shot, not having chewed or swallowed any, the hors d'oeuvre is quite a bit smaller.
Continuity: At the end of the film in the airport, Colin returns with Harriet. They meet Tony there, and you can see Harriet's sister Carla come round the corridor. Then Harriet turns to introduce Carla, and you can see her blonde hair and arm come onto the screen. But in the next shot, it shows Carla walking towards them, much much further away from where she just was.






