Die Hard
Die Hard mistake picture

Other mistake: When Bruce is looking on the touch-screen computer to find out where his wife is, he touches the name GENNARO, but when it changes colour it also corrects the spelling of his wife's name to GENNERO. (00:09:25)

Die Hard mistake picture

Other mistake: In the shot where we see all the terrorists (except Karl and Theo, who are upstairs) walking into the building from downstairs, they are about to walk through a doorway when the camera cuts out. Watch the terrorist on the left (he's the one who guards the door) - the way he's walking he's going to smack straight into the wall! The shot cuts a fraction of a second before he does, but that's not a remotely normal walk/position - it's clearly just because it makes for a cool looking shot. (00:18:15)

Other mistake: Powell says he has a desk job, but he is driving a cruiser. Cruisers are for cops on patrol. A cruiser would not be issued for a cop at a desk, especially not one who's on his way home, as Al says he is.

Other mistake: Near the start of the film, when John goes to meet his wife at the office block, there is a party going on and a small orchestra playing. When Gruber and his gang enter, the orchestra are still there. Gruber locks down the building, and takes the guests hostage. Where does the orchestra go after that? They are never seen again, even when the hostages are taken to the roof.

Other mistake: After Powell frantically radios in his distress call, other police cars converge on the street in front of Nakatomi Plaza, blocking off both sides of the street. But when McClane grapples down the building using the firehose, you can see traffic on the street below and none of them are police.

jbrbbt

Other mistake: In the computer room shoot-out the bad guys shoot out all the glass room dividers in a hail of bullets, but the glass windows on the exterior of the building (behind the dividers and in the path of the bullets) stay intact; they don't even get scratched.

Other mistake: When John is on the roof being shot at, he shoots the lock off a door before charging through it. We see a close up of the door as it's shot, and there's a blood smear already on it. He then goes through it shoulder first, which is what would leave a smear like that - must be from an earlier take.

Other mistake: All of the lights on one of the Christmas trees stay on throughout the movie, even though the power was cut, and only emergency lighting supposedly was left on.

wizard_of_gore

Other mistake: When the terrorists shoot the armoured vehicle from high up in the building, the angle at which the rocket launcher is fired seen from inside the building is simply wrong for a target that is virtually directly below them. The angle shown would have hit much further away. This is true for both shots but more obvious for the second one.

tw_stuart

Other mistake: McClane's undershirt is white for the beginning of the movie, but when he emerges from the air conditioning ducts, it is now a dark colored shirt (it looks very dark green) with a lot of stains on it. If this is supposed to represent the same shirt, just very dirty, it could not have come from the A/C duct work, for it was all brand new and the interior shots showed it all to be spotlessly clean. The change in appearance is far too abrupt to be possible.

Continuity mistake: When Hans takes Holly hostage, as she is sitting on the floor talking to Hans, as the camera goes from him to her, each time Holly's shirt is unbuttoned and open more so her bra and boobs are revealed.

Pjpodemski

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John McClane: A hundred million terrorists in the world and I gotta kill one with feet smaller than my sister.

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Question: On the some versions (TV), when Al walks in the lobby to check it out, right before he gets to the elevators and then leaves, the camera pans to the left and you see a terrorist with a machine gun waiting for him. On other versions (VHS) you don't see this terrorist. Why? NOTE: I've seen both on the same TV set.

Answer: The most likely reason is that the two versions have been "panned and scanned" differently. In the original theater version, both things are on screen at the same time at opposite sides of the screen. In one version, the person who did the TV P&S (not someone associated with the making of the film) chose to move the view from one side of the original picture to the other, showing the terrorist, while the person who did the VHS P&S stayed focused on one side of the frame, only showing Al.

Myridon

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