The Craft (1996) - 12 mistakes

Continuity: Before Bonnie's operation to remove her scars they can be seen across her back and down one arm, yet in at least two scenes before the operation she is seen wearing sleeveless or very short sleeved tops with no scars visible.

Other: When Nancy is walking on water after invoking the spirit, look closely - there are 2 shadows being cast on the water when she is really close to the shore, which would only happen when there are prop lights, not sunlight as we are made to believe.

Continuity: After Nancy slits Sarah's wrists, Sarah runs upstairs to her bathroom and grabs a cloth which she presses both of her wrists to. Eventually Sarah ends up lying on the floor on her back. The cloth is under her left wrist. In the very next shot the cloth is gone, and in the next shot the cloth is back.

Continuity: When Nancy, Bonnie, and Rochelle walk up to Sarah at the football field and invite her for coffee, Nancy is carrying a large black book with the spine out. The camera cuts to Sarah, and when it cuts back to Nancy, she is carrying the book flipped around with the spine in.

Visible crew/equipment: In the shot that shows Skeet Ulrich get out of the car to chase Robin Tunney, the guy is a stunt actor. OK all movies have stunt men but a) this guy looks nothing like the actor b) it's not even a stunt.

Continuity: All through the climactic last quarter of the movie, Sarah's socks change from below to above the knee and back and forth constantly.

Continuity: When Nancy (pretending to be Sarah) and Chris are on the bed kissing, Sarah bursts in. First Nancy has no lipstick on then it shows Sarah and then back to Chris and Nancy and she has had her lipstick re-applied.

Continuity: When Sarah confronts Chris at school, as she pushes the other guy aside, Chris is closing the door to his locker. In the next shot, the door is completely open, but in the following shot, it's almost closed before Chris pushes it shut.

Continuity: When Sarah and her Dad first enter their new house, it's pouring rain and the roof is leaking in a number of places, but the wooden floor has no puddles, only a few strategic but ineffective drips.

Continuity: The white cloth that Sarah presses against her cut and bleeding wrists never appears to have blood on it in any of the shots.

Continuity: When Sarah runs to hide in the school bathroom and slams the door shut, we see a gap between the door and the other side of the cubical wall, of about half an inch, enough to see Sarah. Yet when the shot zooms to the bolt sliding, there is no gap.

Other: When Sarah is in the magic shop with the owner and they see the glamour of the shop front exploding, both womens' clothes and hair blow around with the force of the explosion. A glamour is a visual trick and as there was no real blast, their clothes/hair shouldn't have moved.