Continuity: When Prot takes his sunglasses off for his "return" (because he would supposedly no longer need them due to the lower light levels on K-Pax), he places them on the nightstand upside-down, with the earpiece flush to the table. Two subsequent shots (including an elaborate effects shot) show the sunglasses right-side-up.
Other: When we first see Jeff Bridge's character on the elevated subway, the car is jostling around in obvious motion. However, the scenary visible through the rear door window of the train is clarly not moving in response to the train. The city background is not moving farther away. The scene quickly changes angle and the background now begins to "move" in relation to the progression of the train car.
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