Question: How did Soze end up in the police station after he escaped the boat in the first place? If he had vanished after the bombing, he wouldn't have to make up the stories and he wouldn't have been identified by Kujan.
Answer: Soze ended up back under arrest and for some questioning as 'Verbal Kint'. He never really vanished, he's just playing two parts/people. He really vanishes off the scene by the end of the movie after he tricks Kujan.
With the exception of what's known to have happened on the dock, the entire story is a lie told by Verbal Kint to Agent Kujon. Kujon realises this after Kint leaves the office but not in time to catch up. The entire movie is about a habitual liar making up a story about what happened on the dock. He may be Keyser Soze or an alter-ego variant but even Keysers rep is subject to question as it was told by the same liar. Verbal himself said about Keaton, "He was a grounded guy, a cop. If you think the husband did it then you're right." He was telling on himself as sociopaths will do when they think they're smarter than everyone around them.
Question: When shaving their chests by the end of the movie, Mills and Somerset are joking and then Mills gets serious, says "You know...?" and then stops. What do you think he was going to say? Maybe he was going to be nice to Somerset, but then refrained himself?
Answer: I've seen se7en hundreds of times, and I've always wondered what Mills was trying to say to Somerset, and here's my take. If you've noticed, the recurring theme between the two was their conflicting views on how they see the world around them. Somerset is the grizzled, experienced detective who has been through the ringer, so he's views are more pessimistic in nature. Which I can sympathize with. Mills being the rookie detective that he is, was the optimistic, "I'll be the hero" kind of guy. So much so that Somerset called him out for being too Naive, and that he can't be like that. So getting back to the question at hand. During the chest shaving scene, I believe Mills was about to tell Somerset that his dark pessimistic view of the world around them makes sense. Mills wanted to say that Somerset was right, which he wasn't able to bring himself to do.
Answer: I've always wondered this question as well. I think he was gonna say something along the line of "you know I haven't talked to my wife all day And that's very weird." Especially since Somerset just said be prepared for anything while transporting Doe. Speculation at best though.
When Mills and Somerset enter the station building just before John Doe gives himself up the female desk sergeant tells Mills his wife had phoned this puts Mills' wife into the mind of the viewer. When Mills says to Somerset during the chest shaving scene 'if I keep coming home late my wifes gonna think something up' is placing Traci again in the mind of the viewer. Then Mills says 'You know?' prompts the question what has happened to Traci.
Answer: Since he stands for wrath in the plot, in the said scene he was probably going to acknowledge his short-tempered nature. He doesn't and therefore he looses a chance of confession. What say?
Could be right. He certainly has explosive episodes of anger throughout the film. He may, just for an instant believe himself to be wrath. I think he ignores the thought because he is always optimistic, caring and believes in good. Therefore, due to these virtues he cannot be wrath. Somerset, the calmer, more laid back character is the pessimist who sees evil everywhere. One would think he would be angry at the world. Maybe he was like Mills when he was younger.
Answer: I've also seen Seven hundreds of times. I've spent hours breaking down each and every scene inside my own head and I still have a hard time fathoming how insanely perfect the relationship Andrew Kevin Walker created between Mills and Somerset. Somerset's ability to pick up on the smallest comments Mills makes helps reinvigorate his passion for being a detective at a point in his career where he has all but given up hope for the world around him. Mills shows moments of vulnerability many times during the film but maybe not more so than the chest shaving scene. Personally I don't think his statement of "you know?" has any literal reference to anything physically happening in the story. I think he's merely gathering the courage to thank Somerset for his help, guidance and mentorship over the course of the past Seven days. I think he stops because he feels simply saying "thank you" will make him appear weak in front of a man he's no yet ready to open up to.
Question: In the scene right before the big bank heist, a detective comes into the situation room informing the team that a CI Hugh Benny had a tip about Neil McCauley looking at Far East National Bank. How the heck did Waingro (working for Benny and VanZandt) even know about this score? McCauley hadn't even discussed it with Kelso when Waingro took down the armored car.
Answer: Waingro helped Van Zandt track down Trejo. Waingro then tortured Trejo and threatened his family if he didn't give up McCauley. With his back to the wall, Trejo gave Waingro and Hugh Benny the details of the bank heist, but Waingro killed Trejo's family anyway and beat Trejo almost to death. Benny then gives the tip to the police on Van Zandt's order.
I wonder how Trejo was tracked, I don't remember his name being revealed during Waingro's time with the crew, or any other information.
Well, we never see the crew prior to their first heist. Trejo could have given Waingro his name during the planning of that heist.
Waingro met this crew only once. How would he know who Trejo is or where he lives? Right before the heist, Trejo is asked to mislead police away from the heist.
Question: Sam and Nicky both refer to "back home" but they do not explain where it is . I thought it was Kansas City because that is where the bosses are, but it's revealed that they are only there because "its as close as they could get to Vegas without being arrested". Does anyone know where in America Sam and Nicky are originally from?
Answer: Frank Rosenthal (the basis for Sam Rothstein) and Tony Spilotro (the basis for Nicky Santoro) were both from Chicago, so that is likely "back home".
Question: I always wondered about this. As a cop, McClane knew about weapons. While handing over the machine gun to Zeus, he explained how it worked. But he did not tell Zeus to switch the safety catch off. How on earth could McClane forget to tell something crucial like that? Zeus isn't even pissed about it later on, while it could have cost him his life.
Answer: And Zeus mentions about brothers knowing how to shoot guns.
He said it was racist to assume that brothers know how to shoot guns. He admitted he didn't know how to use that model.
Chosen answer: A simple omission, in the heat of the moment he forgot to mention it. He may have thought, since he just took the gun off an enemy, that the safety was already off.
McClane probably did that intentionally as Zeus didn't know much about guns. In fact, you hear McClane say "Don't be a hero, you find him, you come get me."
Of all the possible answers, this is definitely not the one. There's no way he handed him the gun and then purposely did not tell him that the safety was engaged. There would be no point in that.
Question: Who is Conrad? Harry Conick, Jr.'s character writes him a letter at the end, and there is a Conrad character listed in the credits, but I haven't been able to find him.
Answer: I thought that it was Peter Kurten (Foley) that broke in and left the book. However if it was Conrad, then he does not appear in the flesh in the film.
You are correct. I just rewatched this tonight on Tubi.
Answer: Conrad is the man that breaks into Helen's flat and leaves the book. Happens just over 1 hour into the film.
Answer: I don't think Conrad appears in the film. Earlier in the movie HC Jr says he has other "disciples"; Conrad seems to be the new recruit to replace the just-killed McNamara character.
Question: What song is being played when Dick is driving the Batmobile through Gotham?
Answer: It's called "Smash it up" by The Offspring.
Question: I have two questions: 1) At the beginning of the movie, when Buscemi tells the story about the mariachi in this one bar in Saragossa, Tavo (the one Mexican that is later in the movie killed on the street by the mariachi) says something in Spanish, and all start laughing - does anybody know what he says? 2)When the mariachi prepares to go to the Tarasco-Bar, in his bathroom, what song is played?
Answer: Tito Larriva as Tavo says (in reference to Steve Buscemi) that "This guy smells like shit." The name of the song being played is "Manifold de Amour" by Latin Playboys.
Question: When Simms tells the 3 thugs they are dead, he screams at them "This ain't no funeral home. It ain't the terra dome neither." What is the terra dome? When I look it up online I only find a mention of an underground home, but I don't see what that has to do with Satan and Hell.
Chosen answer: The word he says is "terror dome". He is just referencing a Public Enemy song, "Welcome to the Terrordome".
Question: While at the New Year party near the end, Mace tells Lenny that his clip of the Jerico One murder is the only one, and that there are no copies. Yet when Faith was explaining the situation earlier, we see Philo setting fire to a clip with the same content. Did I miss something?
Answer: The clip that Mace and Lenny have is a copy of the original that was made that Philo didn't know about. When he destroys the original by burning it, that leaves only the copy that was made and passed on to Lenny. He then has the only remaining copy, which is what Mace means.
Question: Why did the people want to kill the governor in the first place?
Answer: Her husband wanted her dead so that he could further his own political aims and step in as her replacement. She was unpopular enough that he was able to find plenty of co-conspirators to go along.
Question: I've heard this movie contains subliminal images and messages. Is this true and if it is, what are they?
Answer: It is true. The director spliced in a few frames of later scenes in the film throughout the film to "help" the viewer figure out the ending. These frames went by so quickly, the viewers couldn't really see them, but the director thought that maybe the subconscious mind would pick up on these clues.
Question: Why did at the end of the movie did Rocco Klein let Strike leave town?
Answer: Because he found out Strike was innocent.
Question: Why is Kate Libby doing administrative work for the school, such as handling transfer forms?
Answer: When I was in Jr. High even (6th-8th grade) they had classes titled "Office Aid" and all you did was literally help out the secretary's when they need it, otherwise you just sit on your ass and talk to people as they come in and out of the office. Or if you had a superior who was awesome, like I did, (the vice principal for my last name was basically on a first name basis with me haha) they would let you pretty much just roam the halls and walk around all you want as long as you don't have any teachers get mad at you for anything. It was definitely a very sought after class when I was in school.
Answer: Kint/Soze ended up in the police station because he simply didn't get away in time.