Agatha Christie's Poirot
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The Double Clue - S3-E7

Factual error: Attention to detail in props is always extremely high in this series, and tubular flashlights have been in circulation since the beginning of the century. However the one that the supposed burglar is holding as they make their way through the top floor of the villa looks perfectly modern and unlike any model compatible with the 30s. (00:10:20)

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The Double Clue - S3-E7

Factual error: At the party, Marcus Hardman tells Bernard that the Countess recently arrived from Russia, and she describes herself as being in exile. Which made sense in the source material, set right after the Russian Revolution, but less sense in this adaptation, set in the mid 1930s. If she stayed in Russia that long, she would have spent 15-20 years with zero privileges from her rank at that point, and nothing from her old wealth, seized by the communist government.

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The Double Clue - S3-E7

Factual error: Poirot is visiting an art exhibition with the Countess, and expresses his admiration for a painting by Marc Chagall. Amazingly enough, that painting is "Les Plumes en Fleurs", something Chagall will create in 1943, years after the time when this pre-WW2 episode takes place. (00:24:50)

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The Double Clue - S3-E7

Factual error: Hastings and Miss Lemon decide to investigate on their own. In the outside view of the first suspect they go question, a large contrail is visible on the left of his building (contrails were not a complete impossibility in the 30s, but it's rather odd to randomly see one in an establishing shot for this timeframe). (00:22:40)

Sammo

The Dream - S1-E10

Plot hole: Nobody hears the sound of a gun being fired past a door they were waiting almost in front of, and the police cannot tell apart a shot fired point blank by one fired 20 feet away and probably at a very sharp angle. Moreover, the bleeding should be all over his face, since leaning the way it is shown in this adaptation is most likely to lead the victim to fall over, and even leave bloodstains out of the window and on the ground below, which someone would have noticed in the crowded factory.

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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