Wonder Woman vs Gargantua - S1-E7
Visible crew/equipment: When the truck carrying the caged gorilla pulls into the alleyway, just as Hans and Carl exit the truck and walk away, the blue-sleeved arm of the cameraman/crew member is visible as it moves upward, at the right side of the screen.
Wonder Woman Meets Baroness Von Gunther - S1-E2
Visible crew/equipment: After Diana sees Tommy in trouble on the ladder she leaves Steve with the Baroness, and when she finds a private area by the lockers to transform into Wonder Woman, the reflections of four crew members are visible at the right side of the screen (widescreen version).
Wonder Woman Meets Baroness Von Gunther - S1-E2
Visible crew/equipment: When Arthur Deal shoots at Steve, just as Wonder Woman deflects the bullet, the remote that controls her bracelet sparks can be seen in her right hand at the bottom of the screen.
The New Original Wonder Woman - S1-E1
Visible crew/equipment: After Diana, who's wearing a nurses uniform, whispers to Steve that she'll be watching over him, when it cuts to Ashley Norman telling Wonder Woman about the booking and front page story, the shadow of the boom mic is moving on the wall at the right side of the screen.
Wonder Woman in Hollywood - S1-E14
Visible crew/equipment: When Wonder Woman and Wonder Girl find Bremer's hold on stage 12, just as they walk inside Bremer's fake stateroom their two T-marks are visible on the floor, under the table.
Wonder Woman in Hollywood - S1-E14
Visible crew/equipment: When Drusilla spins into Wonder Girl at the coffee shop, in the next shot as she says, "Excuse me," the actor's T-mark is visible on the floor where she stands.
Visible crew/equipment: After Lampkin tells his buddies to deal him into the poker game and how they'll clean out Diamond H cattle, when it cuts to the Maria and Charlie doing dishes, there is something at the left side of the screen that moves with the camera, which should not be seen onscreen (widescreen version).
Visible crew/equipment: After Wonder Woman cautions JP about Lampkin, when JP tells the kids about Maria's apple pie note the open cabinet door over JP's shoulder, presumably to prevent reflections. After Jeff admits to being Lampkin's informer, when JP walks over to Jeff that cabinet door is closed and now we can see the reflections of array lighting/equipment (then when WW walks over both doors are ajar).
Visible crew/equipment: After the children rescue Wonder Woman it cuts to her telling JP and Jeff about it, and when JP tells the kids about Maria's hot apple pie, the actor's tape mark is visible on the rug where Charlie had been standing.
Visible crew/equipment: After Steve finds out the truth about Lampkin, while the Deputy chases Steve in the jeep we can see a bit of the back end of the filming vehicle in one of the shots facing Steve, at the bottom left side of the screen (widescreen version).
Visible crew/equipment: When Wonder Woman is in the kitchen with the children telling them they should take care of themselves, a crew member's back is visible at the left side of the screen.
Visible crew/equipment: After Steve climbs out of the hole he was trapped in he thanks Charlie, and just as Steve asks Wonder Woman about being in Texas we can see the boom arm (not the mic) moving around at the top left corner of the screen (fullscreen version).
Visible crew/equipment: When Wonder Woman arrives at the Diamond H ranch and is introduced to Charlie, just as she kneels down in front of the young boy, the shadow of the boom mic is moving at the top left corner of the screen (widescreen version).
Visible crew/equipment: When Wonder Woman arrives at the Diamond H ranch, the housekeeper opens the front door and the reflection of lighting/equipment is visible on the glass. Additionally, there's a prominent flagpole at the front of the house with the Flag of Texas flying high, but the problem is it's being flown upside-down with the red stripe at the top, when it should be the white stripe at the top. Proud Texan JP Hadley would know better.
Visible crew/equipment: While JP checks the kids before their breakfast he tells them they could all use more elbow grease behind their ears, and as the camera pulls back the shadow of the boom mic is moving on the wall, at the right side of the screen (widescreen version).
Formula 407 - S1-E12
Visible crew/equipment: While Lydia is being held at the shack, when Steve is with Professor Moreno he looks out the window at three Nazis on the street down below, and in the overhead shot of those three walking away from the car, their three T-marks are visible on the ground.
Judgment from Outer Space: Part 1 - S1-E10
Visible crew/equipment: When Wonder Woman shows up at the Library of Congress, in the overhead shot of her leaping over the bookcase, an unfinished part of the set is visible at the right side of the screen. Then after Andros has been taken from the Library of Congress, in the following shot at General Blankenship's office, we can see the end of the set wall at the right side of the screen (widescreen version).
Judgment from Outer Space: Part 1 - S1-E10
Visible crew/equipment: When Steve is telling Diana about the full scale search for Andros while they're in Steve's office, just as Steve sits down the camera pans to the left and we can see the shadow of the boom mic moving at the top left corner of the screen, as well as the end of the set wall at the left side of the screen.
Visible crew/equipment: After Wotan arrives on the beach Wonder Woman sees the other Nazi with a gun, so when she leaps into the air and lands in front of Steve we can see crew/equipment at the left side of the screen (widescreen version).
Visible crew/equipment: When Hank kicks Steve down the basement stairs, in the following shots the shadow of the boom pole/mic is moving around on the wall, at the left side of the screen. Then after Steve picks the lock on the chain he opens the back door, and the shadow of the boom mic is moving at the top of the screen.
Answer: There is no logical reason. Any normal person would notice these type of absences. The show employs a "suspension of disbelief," which is a literary device where the movie audience or a book reader accepts that certain things are unreal for the sake of the story to be told. It is similar to no-one noticing that Clark Kent looks exactly like Superman because he wears glasses.
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