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Play It Again, Seymour - April 14, 1953 - S1-E9

Continuity mistake: The cut on Sam's face from the bullet is larger than the one on his counterpart's face.

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Prime Minister - S2-E7

Continuity mistake: The woman that asks Jemaine out on a date backstage repeats an action twice. Before the scene cuts she looks to the right toward Jemaine. In the next shot from a different angle she does this again.

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Familia Supra Gallegorious Omnia! - S6-E12

Continuity mistake: The baby has feces on its backside which the doctor talks to Deb about. It disappears during the scene and never reappears. No diaper was changed.

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Familia Supra Gallegorious Omnia! - S6-E12

Continuity mistake: Frank's bruise on his left eye (a black eye) grows larger when he tries to get the man on the forklift's attention. Earlier in the episode the bruise is smaller. Later in the episode the bruise returns to the same size it was before.

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Love Is a Weapon of Choice - S2-E6

Continuity mistake: Bret and Jemaine begin fighting in the studio, knocking over a microphone stand. When Murray comes in the studio the microphone is standing up.

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Be a Good Boy. Come for Grandma - S6-E8

Continuity mistake: The sign on the door "Carl's Crib" gets bumped and is off kilter near the beginning of the episode. When Carl's friend shows up, the sign rights itself.

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Continuity mistake: When Jamie Lee Curtis and Tia Carrere are fighting in the limo, their hands can be seen wrestling for the gun on the roof in one quick shot before that action actually happens.

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Syzygy - S3-E13

Continuity mistake: The glass in the picture of Ryan Reynolds cracks as the casket is starting to catch fire. In one shot, which is wider, the glass has fixed itself. Cut to a closeup, the glass is broken again.

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I Only Miss Her When I'm Breathing - S6-E1

Continuity mistake: The amount of eggs on Carl's plate changes when he leaves. It changes again when Kevin picks up the plate.

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Crazy Love - S5-E6

Continuity mistake: Ian is changing the baby's diaper on the hood of his car. In one shot he takes the diaper off. In the next shot the diaper is back on the baby and stays on.

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I'm the Liver - S5-E2

Continuity mistake: The ice cream mess on Debbie's face changes during the scene at the pool. When she attempts to hit on the boy, there is more ice cream on her cheek than in the previous shots.

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Guts - S1-E2

Continuity mistake: After they steal the car with the alarm blaring, there is a shot of the white van turning left down a road. It has just rained but the road is bone dry. A shot later there is water on the road.

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Iron City - S4-E6

Continuity mistake: Near the end of the episode, Sheila leaves to go to the reservation. She gets in the car and her hair is in her mouth. We see the driver and it goes back to her. Her hair is no longer in her mouth.

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Like Father, Like Daughter - S4-E3

Continuity mistake: Liam notices the dog tied up and says "doggy." In a closer shot he reaches his arms up. Cut to a wide shot and his arms are down.

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Like Father, Like Daughter - S4-E3

Continuity mistake: Frank and Carl are scoping out his supposed eldest daughter. In the initial shot it is raining but in both angles of the close up shots, it is snowing. The scene ends with a wide shot and it's raining.

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My Oldest Daughter - S4-E2

Continuity mistake: When the angry driver is smashing Fiona's windshield, she is desperately trying to roll her window up. In one shot she is rolling it up but it cuts to outside and the window is completely down.

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Simple Pleasures - S4-E1

Continuity mistake: At the bar, Mickey has something in his hand. It disappears and reappears in the space of three shots.

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Continuity mistake: During the end chase with Martin Lawrence on the truck, the background changes considerably. It goes from being mountainous to flat in one shot.

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A Great Cause - S2-E10

Continuity mistake: When Frank and Monica start arguing over the drugs, a train is approaching. It passes, however in one shot of Frank there is no train when we should see it.

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I'll Light a Candle for You Every Day - S2-E3

Continuity mistake: At the bar, Lenny is in a brief shot standing with his back to the camera. His shirt moves down between cuts when Frank walks in.

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