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Pilot - S1-E1

Continuity mistake: The size of the laser aimed at Chuck during the rooftop standoff changes in every shot. (00:33:35)

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Pilot - S1-E1

Continuity mistake: During the car chase, the NSA's black SUV rams into Chuck's little car. The front license plate breaks off and is hanging on by one corner. When it's backing down the stairs, the plate has somehow reattached itself perfectly to the bumper. (00:29:20)

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6:02 AM EST - S3-E20

Continuity mistake: This is after Olivia has bumped into Walter in the hallway. She gets back into bed and tells Peter that his father is walking around the house naked. Peter laughs and says it's normal for a Tuesday. The sun is on Peter's left cheek in shots from behind Olivia. In the reverse shots from behind him, the sun is missing. (00:07:30)

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Continuity mistake: Kris' blood splatters onto Jesse's left sleeve just before her body drops down from the ceiling. The tiny splatters disappear from the sleeve when Jesse bends down to see if Kris is okay. (00:29:55)

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Continuity mistake: The amount of Kris' blood on Jesse's t-shirt changes constantly when he's running from Nancy's house. (00:32:30)

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Night of Desirable Objects - S2-E2

Continuity mistake: Just before Walter's hand goes numb, Jean the cow can be seen alone in her pen. Then in the next shot, as Peter walks behind his father, Astrid has instantly appeared in the pen with Jean, brushing her. (00:13:40)

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The Same Old Story - S1-E2

Continuity mistake: On the park bench, while talking to Peter, Olivia's hair moves back and forth over her right shoulder. (00:32:40)

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Pilot - S1-E1

Continuity mistake: The front license plate on John's SUV falls off during the chase with Olivia. It reappears seconds later. (01:15:30)

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Money for Nothing - S1-E5

Continuity mistake: Maura and Jane are having drinks at a bar and Maura comments that the red wine is a bit chalky. The amount of wine increases and decreases throughout their conversation. (00:30:25)

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Poison - S1-E8

Continuity mistake: Max's mom, without her glasses, runs out to call the nurse after Max starts seizing. Her glasses appear when she re-enters the room. (00:28:20)

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Continuity mistake: During the epilogue, Hermione hugs her daughter Rose. In the first shot, Rose's left hand rests on her mother's back just below the shoulder. Cut to the following shot and the same hand is on Hermione's arm instead. (01:56:00)

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In Custody - S6-E3

Continuity mistake: At the very end, as Brenda lays her head on Fritz's chest, Joel, the cat, is on Fritz's lap. Cut to the next shot and the cat is now sitting comfortably on the sofa next to him. (00:41:40)

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Continuity mistake: The left tail light of Sadie's car is broken when she picks up the unfortunate hitchhiker. The light works when she turns left off the road. (00:36:20 - 00:38:35)

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Continuity mistake: Jamie's hair moves back and forth over her right shoulder when she argues with Dylan on top of the building. (01:21:45)

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She Works Hard for the Money - S1-E4

Continuity mistake: Jane shows the photo of the victim Danielle to her old contact. She holds the photo differently, either above its left corner or below it. (00:22:15)

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Continuity mistake: On the train, Black Hat brings a plate of food to Lucy and pours her a glass of wine. The amount of wine increases between shots.

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Continuity mistake: Priest goes to visit his injured brother. Owen's left hand is either resting on the blanket or above it on his top. (00:21:35)

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Pilot - S1-E1

Continuity mistake: Annie is called in from training and told that the CIA has called her in for a mission. The instructor is an African American in shots from the front and a lot paler in shots from behind. (00:04:50)

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Sympathy for the Devil - S1-E3

Continuity mistake: After Rizzoli and Dr. Isles questioned the priest, the two talk while walking to the car. Just before Rizzoli answers the phone, the doctor's hair keeps moving over her right shoulder between every shot. (00:13:45)

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Boston Strangler Redux - S1-E2

Continuity mistake: At the morgue, Dr. Isles is trying to help Frost overcome his fear of dead bodies by having him cut into a body. Rizzoli walks in and Frost turns away from the body. He hands the scalpel to the doctor, with the sharp end pointing down. Cut to the next shot and now the knife has turned around and its sharp end is sticking up. (00:20:45)

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