johnrosa

Continuity mistake: When Mike steps off the elevator, he is between the elevator doors and a dark statue in the middle of the hallway. The statue is seen behind him, slightly to our right. When the elevator doors close, Mike's location is different as he begins to walk down the hall. Relevant to the earlier shot, he is much further to our right and farther from the elevator doors, as now has to walk around and past the statue he was originally already past. (00:25:15)

johnrosa

Revealing mistake: The quick shot of the Bible landing in the drawer is reversed. (00:29:20)

johnrosa

Continuity mistake: When Mike goes to the window to call for help, his doppelganger across the street is mimicking Mike's every move. After waving their arms in mirror-image synchronicity, Mike leans to his right slowly, and so does the doppelganger, but it should have leaned to its own left to mirror Mike's movement. All its other movements are exact mirror images. (00:45:10)

johnrosa

Continuity mistake: As Mike is checking his mail in the diner, a lick of hair hangs down above his right eye until he comes across an envelope he finds interesting. As he opens it, the lick is gone, his hair is suddenly near-perfect. (00:10:25)

johnrosa

Continuity mistake: When Mike is speaking with Olin the first time, Olin has a handkerchief in his chest pocket, and two 'points' stick out. But after Olin tells Mike that he thought the "father was a bastard", there are three points sticking out for the rest of the conversation, even through the elevator ride. (00:16:30 - 00:22:30)

johnrosa

Continuity mistake: As Mike scrolls through the microfilm, we see his view as the pages scroll from right to left. The shot then reverses to show his face through the scrolling film, but while the film is now properly reversed, it's still moving right to left in our view. But this reversed angle should show it moving left to right. (00:12:05)

johnrosa