????

7th Mar 2007

The Shining (1980)

Corrected entry: When Jack walks into The Gold Room the second time there's a party going on which is obviously set around the 1920s. As he sits down at the bar even the cash register has been changed from the modern style we saw when he first met Lloyd to a vintage early 20th century model. What should have been changed also but wasn't are the liquor bottles behind the bar which are the same ones as before, only shuffled around slightly. (01:04:35 - 01:23:00)

????

Correction: Both of these could be caused by the gradually stronger supernatural qualities of the hotel. The first time in the bar, the hotel is not strong enough to project images of earlier days, so what Jack then sees is what's really there (except for Lloyd and the bottles). Later, as the hotel awakens more and more, the images and ghosts become bigger, stronger and more focused, thus being able to project an entire party with 1920's settings. There are numerous other instances where this is shown. As for the bottles, they might be a part of Lloyd's ghost, thus looking the same, but as a good bartender he occasionally uses or replaces them.

Twotall

4th Mar 2007

The Shining (1980)

Corrected entry: Dick Hallorann approaches The Overlook in his Snow cat and as he first spots the hotel there are tracks where there should be none, in the snow ahead of him. No other vehicles have been up there, so they must be from a previous take. (02:04:40)

????

Correction: He is on the mountain road that "leads" to the Overlook, but there is no reason other places are along this same access road wouldn't exist. It seems perfectly reasonable that anyone else living in that area would have to have a means of transportation as well, or else they would be stranded for months at a time.

Jazetopher

21st Feb 2007

The Shining (1980)

Corrected entry: When Jack, Danny and Wendy are living in The Overlook, (and even in Dick Halloran's house in Florida where the TV and lamps have no wires coming from them) Stanley Kubrick takes great care so that no appliance (coffee makers, radios, etc.) is seen plugged into a wall socket and that no TVs (the sets Wendy watches in the kitchen and with Danny in the lobby) have visible wires. This may be a deliberate choice to show that people (or places) that "Shine" emit enough psychic energy to power appliances. This is brilliant, but the problem is, certain wires were overlooked by the crew and can be seen coming from the lamps in Room 237 and in Wendy and Jack's apartment. If you look closely at the TV set in the kitchen where Wendy hears the forecast about the snowstorm, a tiny bit of that very well-hidden power wire can be seen under the table above the seat on the chair in the middle. (01:11:50 - 01:59:20)

????

Correction: How does "this may be a deliberate choice" turn into a fact? Unless Kubrick has stated he did this, I find it a gross assumption, and therefore the claimed mistake isn't any kind of mistake, either. Beyond this, wouldn't the characters notice the cords missing and wonder how the appliances were powered?

Bob Blumenfeld

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