Scott215

The Night of the Assassin - S3-E3

Continuity mistake: When the senorita enters the room, she is a long distance away from the bandito hiding in the barrel. The next shot she is immediately in front of the barrel.

Scott215

The Night of the Assassin - S3-E3

Continuity mistake: During the time the Lieutenant is discussing Halvorsen's fate with Colonel Barbossa, his left side is facing the Colonel. An instant later when he salutes the Colonel, the lieutenant is now facing the Colonel directly.

Scott215

The Night of the Assassin - S3-E3

Continuity mistake: Halvorsen's scars on his face change positions during the episode.

Scott215

The Night of the Assassin - S3-E3

Continuity mistake: A shelf holding pottery and plates gets cleaned out when Artie and Jim fight Lupita's men, but after the fight, there is now more pottery on the shelves than were knocked off during the fight.

Scott215

The Night of the Samurai - S3-E6

Continuity mistake: The weapons and equipment the Samurai leave on the ground after the fight with Jim and Artie disappear when they mount their horses to leave.

Scott215

The Night of the Samurai - S3-E6

Continuity mistake: West hitches his horse to a post outside the Academy of Kenjitsu, but later the horse is gone when West chases Aki out of the academy.

Scott215

The Night of the Samurai - S3-E6

Continuity mistake: West chases Aki into a warehouse, the front shot shows a flat facade, but when the shot changes to West entering, a wall with a poster on it suddenly appears behind him.

Scott215

Continuity mistake: Before Nancy is at the door, Fielding makes a mess on his kitchen floor with the frozen food. Immediately after Nancy enter his apartment, the view from his living room shows no mess on the floor.

Scott215

Continuity mistake: The camera pans over the porno mags Fielding will be perusing, but when he actually starts to look them over, the magazines have changed positions from the original shot of them.

Scott215

Steve Austin, Fugitive - S2-E22

Continuity mistake: The background behind Hopper while he is in the man lift changes from shot to shot. In the close ups of him in the man lift's basket, there is a striped wooden wall, but the long shot of the man lift in the raised position shows an open wooden railing behind it.

Scott215

A Hanging Offense - S1-E11

Continuity mistake: Blue's arms at the jail cell window instantly switch back and forth from being together to apart to together.

Scott215

The Tyrant - S1-E11

Continuity mistake: After being knocked unconscious by the gorilla soldier, Janor's arms move from being at his side in the close ups to outstretched in the long shots.

Scott215

Mad City: Better to Reign in Hell - S3-E1

Continuity mistake: While speaking with Lucius Fox, Bullock turns his head to the left twice.

Scott215

Mad City: Better to Reign in Hell - S3-E1

Continuity mistake: When Gordon is talking to Bullock, Bullock raises his coffee cup to his mouth. The next shot when Gordon turns, Bullock's cup is lower and he raises it again.

Scott215

The Omega Glory - S2-E23

Continuity mistake: The hilt of the blade Kirk holds against Tracy's throat is close to Tracy's jawbone in the close ups and further away in the long shots.

Scott215

Continuity mistake: When Phil and Claire are in bed, Phil applies his nasal strips twice.

Scott215

And the Children Shall Lead - S3-E4

Continuity mistake: When Gorgon the Angel is on the bridge with the children, the positions of the children are different depending if the shot is from the rear of the children or the front.

Scott215

Continuity mistake: Pinkley waits outside the chateau by the kubelwagen with his hands behind his back, approaches the driver's side and places his right hand on the door. The long shot shows him repeat the movement.

Scott215

Two Graves - S3-E10

Continuity mistake: Before getting on the helicopter, Sophia and Leila are abreast of each other at the chopper's door, but the next instant cut shows Leila getting ready to board first, and Sophia behind her.

Scott215

Continuity mistake: On his horse, Teddy Roosevelt greets Larry and extends his hand as Larry enters the scene and extends his. A quick cut to Teddy's point of view and Larry walks up and extends his hand again.

Scott215