Question: Why does Christine unmask the phantom at the end of singing "Past the Point of No Return"?
Sereenie
23rd Sep 2011
The Phantom of the Opera (2004)
19th Jan 2010
The Phantom of the Opera (2004)
Question: This question might sound odd, but how has La Carlotta become so successful if a lot of people don't like her voice very much (as seen when she sings "Think of Me" before Christine tries)?
Answer: The fact that the "in the know" people don't like her doesn't mean that she doesn't have a huge public and make a killing at the box office. On top of that, she was their "Diva." She may not have necessarily had many fans (in some versions they comment that there were no refunds, with Christine singing). Therefore, it can be assumed that given that she was the Diva if she didn't get her way, things would be bad on their end. Likely why her husband (who also did not sing well, due to his deep accent) was another main role in all the operas. They may have also thought there was nobody else who could handle the main roles. It takes a strong person to take on so many lines. And you need to project your voice, which heaven knows she had a loud one.
9th Oct 2009
The Phantom of the Opera (2004)
Question: The Phantom refers to himself as Christine's "angel of music" in the song called "The Mirror". How did he know that Christine thought her father would send her an angel? Did he know her father?
Answer: As shown in the movie, Christine has spent time praying in the chapel as a child. It would not be unexpected for a child of such a young age to literally speak to her dead father in such situations, mentioning his promise in the process, thus allowing the Phantom to hear about it. In the book, though, it is understood that Mr. Daaé and the Phantom knew each other. By sending his daughter to the Opéra populaire after his death, he might have wanted the Phantom to look over her.
8th Sep 2009
The Phantom of the Opera (2004)
Question: What does the Phantom mean when he refers to Raoul as a "slave of fashion" (in the scene before the "Phantom of the Opera" song)?
31st Aug 2009
The Phantom of the Opera (2004)
Question: Madame Giry has history with the Phantom but she still seems to be frightened by him and wont let Meg go to his lair. Would the Phantom actually harm either of them?
Chosen answer: Mme Giry is afraid of him because while she is his friend and his willing means of communication with the outside world, she knows full well of what he's capable. But unless she betrayed him, it's unlikely he'd harm her as she's the only friend he's ever known. And he would have no more reason to hurt Meg than he would anyone else: if she doesn't get in the way of his plans, she's safe. If her mother prevents her from going to the lair, it only because of the violence that will take place there momentarily.
Answer: I have always thought it was because he has set many automatic traps along the passageway, which only he knows fully how to avoid. The "hand at the level of your eyes" warning was to prevent automated nooses from capturing you.
31st Jul 2009
The Phantom of the Opera (2004)
Question: Why did the Phantom always ask for Box 5 to be open for him? I know he wanted to watch the play from it, but if someone wanted to find him (after the trouble he causes to make Christine the star of the plays), they would know exactly where to look for him during any play.
Answer: In Gaston Leroux's novel, box 5 has in its wall a secret passageway with special acoustic properties that allows him to watch shows without being seen while remaining hidden. That is why he picked that box and no one ever sees him in it. Legend even has it that a column in box 5 of the actual Opéra Garnier rings hollow when you knock on it.
14th Jun 2009
The Phantom of the Opera (2004)
Question: How does the Phantom get his salary? I know he tells Firmin, "Send it care of the Ghost by return of post," but what exactly does this mean? And also, what does he do with his salary?
Answer: Mme Giry acts as the intermediary. She brings the notes, so sending the money by return of post means the money should be given to her to pass it on. As for what he does with it, the luxury of his clothing and lair bears witness that he doesn't pile it. He spends it on anything that will bring beauty around him, whether it's a wig, a mask, clothes, furniture or anything else. And it wouldn't be surprising if a few bribes weren't given here and there.
18th Nov 2006
The Phantom of the Opera (2004)
14th Jun 2006
The Phantom of the Opera (2004)
11th May 2006
The Phantom of the Opera (2004)
Question: In the extras DVD of the deluxe boxset, there are a few videos of Michael Crawford and Sarah Brightman performing the opera (and from what I can tell the video looks from around the time or the original stage show). But it looks to be very much done for the camera (rather than just a recording of the show being performed live). Was the whole opera done in this way, using the original cast? And was it released? I can't find any reference to it at all on IMDB. If it has been released, where can I find it?
Chosen answer: In 1986-1987, before the show actually premiered, a few songs featuring Sarah Brightman were released to promote it, including the signature theme, featuring both her and Steve Harley (and not, as is often assumed, Michael Crawford). Although the song is from the stage musical, the lyrics used were not the definitive ones and the accompanying video was specially recorded for promotion purposes and was not from the actual show.
4th Apr 2006
The Phantom of the Opera (2004)
20th Mar 2006
The Phantom of the Opera (2004)
Question: I just wanted to know, in the prima dona song the lyrics say something like "a chorus girl who's gone and slept with her patron". Are they just making an assumption that they slept together or did they actually do it because in this point of the film she had only just come back from the phantom's lair and had only been in the same room as him in one scene.
20th Mar 2006
The Phantom of the Opera (2004)
Question: Is it me or is there a reason why madame Giry has a french accent whereas her daughter Meg has an English one? Considering they live in France shouldn't Meg's accent have been french too?
Answer: Mme Giry's accent is not meant to be "French" per se. The various accents used in the movie can be thought of as reflecting of the various accents one would encounter in such a cosmopolitan place as a late-1800s Paris Opera house, with people coming from all over France (yes, there are various French accents like there are various English ones) and Europe. Mme Giry and Meg's accents being different only shows that Mme Giry didn't grown up in the same place where she raised Meg. The same thing happens nowadays with immigrants' families, where parents speak with a different accent than their children's.
2nd Feb 2006
The Phantom of the Opera (2004)
22nd Nov 2005
The Phantom of the Opera (2004)
Question: Why does the Phantom leave Christine's ring on her grave? It is the only personal possession of hers that he has and therefor very important to him.
23rd Nov 2005
The Phantom of the Opera (2004)
29th Jun 2005
The Phantom of the Opera (2004)
Question: At the beginning of the movie, during the auction, when the chandelier rises, the seats in the opera house are dusty. At the end of the movie, it is seen that the seats burn when the chandelier falls. Is this a mistake, or did they rebuild the opera house after the accident?
Answer: Considering the fact that nearly 50 years have passed between both sets of events, it is conceivable that the Opera House could have been rebuilt, at least partially, at some point before being abandoned for good.
13th Jun 2005
The Phantom of the Opera (2004)
13th Jun 2005
The Phantom of the Opera (2004)
18th May 2005
The Phantom of the Opera (2004)
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Chosen answer: Because at that point, as unlikely as it seems, pretty much everybody else thought that was still Piangi (whom the Phantom killed just before replacing him). Since Christine has been used as a lure, she had to show the others that he was there.
Sereenie