Jon Sandys

Continuity mistake: When Cameron Diaz points the gun at Ewan McGregor in the bank, in some shots it's pressed against his forehead, and in others it's a few inches away.

Jon Sandys ★

Continuity mistake: The book Sean Bean takes is quite narrow when it's in his pocket, but when we see him reading it later (definitely meant to be the same book), it's about 50% thicker. It was also originally a hardback, but when he's reading it he's bending the cover like a paperback. After he drops it, it becomes a hardback again. (00:07:50 - 00:15:55)

Jon Sandys ★

Continuity mistake: After the final battle, Christian Bale has blood on his collar, dribbling down it in three or four places. In a few close-up shots though, the collar only has a very small amount of blood, right on the edge. (01:38:30)

Jon Sandys ★

Continuity mistake: When the bed with Peter Sellers on it starts lowering, from one angle the bed's dropped below the level of the ground around it, but then in a closer shot of Peter Sellers, we can see behind him that it's not moved. The next, wider, shot shows that we should have seen the hole's walls behind him. (00:49:50)

Jon Sandys ★

The One With the Sharks - S9-E4

Continuity mistake: In "The One With the Sharks", Phoebe talks to Joey about how he's never been in a long term relationship. He has been, though - Angela Delveccio, who he went out with for three years. (00:21:40)

Jon Sandys ★

Continuity mistake: When Inspector Pazzi introduces 'Dr. Fell' to his wife, in a wider shot she has her hand on her husband's shoulder, just sliding off as the shot cuts. In the closer shot we cut to, however, her hand's back on his shoulder. (01:04:53)

Jon Sandys ★

Continuity mistake: When Bourne is escaping from the Embassy, he drops the bag, which hits some metal thing on the way down, making it wobble to and fro. The camera cuts away while it's still moving and we see the marines coming upstairs. When Bourne climbs under the fire escape, we can see down to the ground and the metal thing's stopped moving. All well and good, except after the marines leave Bourne looks down, and in that shot the metal thing is moving again, then stops - obviously the rest of the shot we saw before. (00:23:46)

Jon Sandys ★

Continuity mistake: When the guy holding the mayor hostage gets thrown out of the window, we see the only two TV cameras near the location follow his fall down to the ground. A few seconds later on the news though, the footage is the same shot we saw in the film, staying focused on the window. (00:39:55)

Jon Sandys ★

Continuity mistake: Just after George Clooney's friend has been killed, he roars off in his car, banging the BMWs. A bit of plastic each side of the bumper falls open, nearly coming off. A few shots later the car's driving towards the camera and they're both back in place. (00:46:50)

Jon Sandys ★

Continuity mistake: When Bond's fighting in the lift, Tiffany comes out of her flat - she has her arms by her side as she sees the battle going on. After a cut, she's suddenly tucked against the door frame with her arms tucked in against her chest.

Jon Sandys ★

Continuity mistake: When Robocop's car gets hit by the rocket at the start, it spins to a halt with all the doors closed. When we cut to the guy with the launcher, the car's in the background but the driver's door is now open.

Jon Sandys ★

Continuity mistake: When John Travolta's daughter slams her bedroom door in his face, from one shot it nearly closes, but in another shot he blocks it when it's still got a long way to go. (00:54:35)

Jon Sandys ★

Continuity mistake: When Troy (as Archer) arrives home for the first time, he's walking around his wife. When he says her name, his right hand is held up. From a different angle as he moves to her right, his hands are by his side. (00:52:50)

Jon Sandys ★

Continuity mistake: When Robocop's about to be run down by the van towards the end, he fires his traditional three-round burst at the windscreen, somehow producing nine bullet holes. (01:25:40)

Jon Sandys ★

Continuity mistake: When Jet Li arrives home after checking himself out of hospital, on his way up the stairs there's no light visible through the curtains. Just after he reaches the top, we can see them again behind Carla Gugino, and there's daylight pouring through them. (00:24:25)

Jon Sandys ★

Continuity mistake: When Sarah runs into the corridor to smack the guy with a broom handle, we see a close-up of him having just emerged from a store-room and turned round, standing right next to the door. There's then a very brief shot of Sarah swinging towards him, then a white flash. When we cut out to a wider shot, he's suddenly in the middle of the corridor, with no time to have moved there. (00:52:40)

Jon Sandys ★

Continuity mistake: When Sarah Connor hits the guy with the broom handle in a bid to escape, after the first hit, we see a close-up shot of him on the ground clutching his face. In the background we see her swing back and start bringing it down again. We then cut to a wider shot, and she repeats the motion. (00:52:40)

Jon Sandys ★

The One With All The Kissing - S5-E2

Continuity mistake: In The One With All The Kissing, Phoebe grabs a photo of the other 5 by the Tower of London. When we see a shot of her a few seconds later drawing herself into the photo, it's a different photograph. (00:07:25)

Jon Sandys ★

Continuity mistake: When Winston gets hired, Venkman and Stantz have just come back from a job. They're covered in slime and Venkman's smoking. Ray gives Winston an armful of traps. We then cut to Venkman chatting to Dana after a rehearsal, so we assume it's later, maybe even a different day. After that scene though, we then cut back to Stantz showing Winston (wearing the same shirt) what to do with the traps, and Venkman talking to the guy from the EPA. Venkman's got the same slime pattern on his shoulder, and is still smoking. Looks like the Dana/Venkman scene was in the wrong place. (00:42:00)

Jon Sandys ★

2:00 A.M.-3:00 A.M. - S1-E3

Continuity mistake: At about 2:15am, when Jack's talking to Nina about the passenger list on the plane, we see a shot of Jack in the top left, and Nina in the top right. Because it's real time they're both meant to match up - we're watching them both at the same time. In each shot we can see the back of the other's head, but while Jack is looking down and around in the left-hand shot, in the right-hand shot his head is staying perfectly still. (00:15:51)

Jon Sandys ★