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Quotes

Ray Embrey: People don't like you, Hancock.

Hancock: Do I look like I care what people think?

Trivia

Producers Akiva Goldsman and Michael Mann cameo as executives in the boardroom during the first Allheart proposal. See more...

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Movie Mistakes blog

Hancock (2008) - 22 mistakes

Directed by Peter Berg, starring Will Smith, Jason Bateman, Charlize Theron (add more)

Genres: Action, Comedy, Crime, Drama, Fantasy, Thriller

Mistakes

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Continuity: When Hancock puts the woman on the hospital bed near the end of the movie when he walks out he walks into the metal bar holding the window in place and as a result it bends. In the next shot where you see the frame it doesn't even have a scratch let alone being bent.

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Visible crew/equipment: When Hancock returns Embrey and his car back to his house just after saving him and then picks up and moves the car onto the drive, you can see the blue crane used in the reflection of the car windscreen.

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Continuity: When Hancock is being shown the YouTube videos, on the computer the watermark is on the left. but when it's shown on the whole screen, it's on the right.

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Continuity: When Mary visits Hancock in prison with her son, she says it is time to leave. As she reaches down for the boy, his toy dinosaur in in his left hand away from the camera, but as she picks him up it suddenly appears in his right hand facing the camera.

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Continuity: In the scene when Mary visits Hancock for the first time at his house, she arrives from the air and crashes down on the ground, after a discussion inside they both walk outside together and Mary is shown getting into a car. In the next shot shown from above the house the car has disappeared and they both fly into the air.

Edit Submitted by mayhem

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Revealing: During the scene when Mary is in the hospital and she flatlines, if you look closely at the screen of the monitor the reading says "leads off" meaning that the cardiac monitoring wires are unhooked from her body.

Edit Submitted by skoobi73

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Continuity: Near the end of the movie, Hancock is in bed without shoes on. Then when the attack starts, he goes outside to defeat the enemies wearing shoes.

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Continuity: At the start of the movie, when Hancock rips the roof off the car and points to the baddie on his right, watch his right hand finger. First, he points to the man on his right and then to his left. In the next shot he is still pointing to the man on the right and then to his left.

Edit Submitted by lvsavj

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Continuity: At the very end of the movie, just before the credits, there is a scene where a criminal (Mike Epps, uncredited) is running from the New York Police. In the first shot of him, he has a gun in his hand. Then he runs out in the street and stops as he is surrounded by the police. At that point, he does not have a gun. Then, as he grabs a hostage, he suddenly has a gun again right before Hancock lands to help apprehend him.

Edit Submitted by lifegazer

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Continuity: When Ray is running to City Hall he interrupts an animal rights rally, then gets his right foot stuck inside a cello, and when he finally gets it out you can see that his shoe came off, but as he's escaping up the waterfalls his shoe is back on.

Edit Submitted by tattooduck

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Continuity: When Hancock finds out on the TV that he is going to jail, one second he is not eating a banana but the next he is.

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Continuity: During the battle between John and Mary, a huge storm brews up above and around them. Shots of Ray having a meeting show this storm outside the window. But just before the office is torn open, a momentary close-up of Ray in the office shows a normal, late-day sunny sky, then the wall is ripped open and the gray/blue storm is there again.

Edit Submitted by John W Rosa

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Revealing: When Mary and Hancock are fighting throughout the city, they hit buildings, pavement, etc., doing massive damage, but their clothes are almost completely unaffected and are barely dirty.

Edit Submitted by wizard_of_gore

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Continuity: When Hancock gets inside the van with the first group of baddies, bullets impact on his face and glasses, yet make no damage. Angle focuses on the baddies and when back to Hancock his glasses are suddenly totally messed up.

Edit Submitted by Sacha

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Visible crew/equipment: White squared screens used for lighting are reflected on Hancock's glasses most of the time throughout the movie.

Edit Submitted by Sacha

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Continuity: When Hancock tries to hit Mary Embrey with the pans, she turns around, and there is a shot, showing what Mr. Embrey is doing, and Hancock and Mary in the background. Between these shots, Hancock is holding the pans up and then he's holding them down.

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Continuity: (Spoiler Alert) the day after Hancock finds out that Mary also has powers, he stabs her with a large fork with two pointy ends. As expected, they do not puncture her skin. The pointy ends bend toward each other, making a triangle shape. But in the next shot, when Mary snatches it from his hand, the tips are no longer in a triangle shape, just bent the wrong way a little. Mary snatches it away by the handle, so we know that she could not have taken it by the points and bent it.

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Factual error: In the opening chase, Hancock arrives, promptly destroying highway signage that breaks up and collapses. At left on the screen, a large portion of this debris lands on the trunk of a police car, which then defies physics by having its front end (the heavier end) simply rise up off the ground. The car reaches a 45-degree angle, then the rear end leaves the ground as well as the nose lowers again, and the car is momentarily airborne. Nothing falls in front of the car to form a ramp that would send the car upward. The debris would have merely crushed the back of the car and perhaps brought it to an abrupt halt. No lever/fulcrum action would occur as the suspension would collapse first. Nothing like what we see is remotely possible.

Edit Submitted by John W Rosa Time

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Factual error: When the police are cowering behind their bullet riddled cars, the metal on the bullet holes is bent inwards as if the shots had come from the other direction.

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Continuity: As Hancock enters Ray's house through the hole in the wall, you can see Hancock is not wearing anything around his neck. As this scene progresses, his gold eagle chain is visible at times.

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