Christiane Kubrick, Stanley's wife, has a cameo as the woman sitting behind Dr. Harford at Café Sonata. See more...
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Visible crew/equipment: In a scene not too long after Tom Cruise attempts to revive a hooker who has OD'd, he is speaking with an older gentleman. The three are in a bathroom and the hooker is passed out on a chair. One of the shower or light fixtures toward the left of the screen is shiny, and in a shot during which the camera briefly tracks in reverse, you can see the camera, cameraman and the focus puller reflected. It's pretty clear and not all that fast.
Continuity: As Tom Cruise walks down a street he is being followed by a bald man. He sees the man and runs across the street and hails a cab from a street that is supposedly at a right angle to the street he was just on. However this street is actually the same street he just ran away from. You can tell because there is a small bodega in the background with a green awning. In the first scene it's lit. In the second the lights are out. But it's clearly visible, as are the other shop fronts.
Continuity: In the scene in the orgy house, when women start walking to other people one by one: the woman which will approach Tom Cruise at one point has no neighbours in the circle (because two women at her sides already left), but later she is kneeling next to another woman with big mask, who was three 'seats' to her left earlier.
Continuity: Just after being followed on the curiously empty streets of Manhattan, Tom Cruise makes his way to a coffee shop. The last shot from the street before he turns to enter the shop shows not a person on the sidewalk, but the next shot of him from inside the cafe opening the door, shows about three people passing in the background.
Continuity: In the scene in which Alice tells Bill about her fantasies regarding the military man, the right shoulder strap on the camisole she's wearing is up, then down, then up, then down - obviously the scene was culled from multiple takes. In addition, the stack of CDs on the window sill just over her right shoulder seems to be balanced precariously (particularly the top one) in some shots, and stacked normally in others.
Revealing: Just after Bill consoles the lady for her father's death, he strolls about a New York street late in the evening. One shot has the camera dollying backwards as it follows Bill down the sidewalk, and as it does the camera's own shadow is cast on the sidewalk, just to the left of actor Tom Cruise. But just as interestingly, the angle of the shadow is such that Cruise ought to be casting his own shadow, but there is none. Cruise has been photographed against a process screen, then added to the background in post-production.