Collateral

Continuity mistake: When leaving the club Fever (I think) the taxi driver is so shaken he drives off and hits two cars parked to the left, leaving them badly damaged. Later, just before he flips the taxi, you can see that both sides are unmarked, which seems unlikely.

Continuity mistake: At the beginning of the film, when Vincent first approaches Max's cab, Max reaches up to the visa in his taxi with his left hand. When the shot goes to Vincent, it's now Max's right hand, not his left. (00:13:35)

The-Immortal

Continuity mistake: When Max and Vincent pull up in the alley on the second contract, on the overhead view there is nothing on the alley, but when it goes to a shot of the back of the taxi, there are two large concrete objects, also if you look closely there is only one person in the cab. (00:29:20)

The-Immortal

Continuity mistake: After they leave El Rodeo there is noticeably more blood on the roof of the cab and in the cracked glass of the windshield, so much so that it is running down toward the hood.

Kristal

Continuity mistake: In the middle of the movie at the jazz club, Max and Vincent are talking, at one point you see Max look at Vincent and raise his drink, in the following shot you see that his face is down looking at his drink, then he looks at Vincent. (00:39:05)

The-Immortal

Continuity mistake: When the 2 detectives are talking outside the apartment where the first contract was carried out, in one shot of the detective with the long raincoat like jacket he is facing the other detective on the scene, in the following shot, he is talking with his back towards him. (00:37:45)

The-Immortal

Continuity mistake: When Vincent shoots the two guys in the alley who stole his briefcase, there is no damage on their bodies whatsoever from the gunshots. Despite shooting both numerous times you can see there are no holes or blood on either of them.

Continuity mistake: In the scene where Annie hands Max her business card, you initially see the car window lowering and then stopping halfway down. In the next shot the window is still moving; a moment later the window is still in its halfway-down position and stopped again. (00:12:45)

Continuity mistake: In the scene after Max visits Felix - when they drive away - the tape holding the taxi sign on the top of the taxi changes. The top piece of tape is gone in one of the shots, and then it comes back.

Jacob La Cour

Continuity mistake: When the police are examining the place on the ground where the first victim fell, there is lots of glass from the broken window - and it's close together. That glass is not there in previous shots - for example when they look down from the window.

Jacob La Cour

Continuity mistake: After this dialog "You might make it through the night, come out 700 bucks ahead". Notice there are fewer cars behind them, next shot more cars behind, then again fewer. The scenery behind the car changes in seconds.

Continuity mistake: When Max gets off the train, he has his glasses on. However, in the next shot of him getting off, his glasses are gone.

Continuity mistake: When we first see Vincent in Annie's building, he is in an office to the left side of the building. You can tell this because there were offices down and to the right. However, when Max is telling Annie "now" there is an office below her on the right side of the building. (01:39:00)

Cynthia Gurski

Continuity mistake: Near the beginning of the film when we see Max pull up to the first hit location and Vincent is talking to him in the back; watch closely and in one shot we see that Vincent has his hands below (probably on his knees), but in the following shot we can see his left arm is now up and grabbing onto the glass that separates the driver from the passenger inside a taxi. (00:16:25)

The-Immortal

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Trivia: The film was almost entirely shot in high definition. Director Michael Mann states he did this to capture the night scenes more vividly.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The number of movies shot in less-than-HD could be counted on one hand.

I believe it refers to the fact that Collateral is considered to be the first major movie to use a digital camera, not the traditional film support.

Sammo

More trivia for Collateral

Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.

Kirill Ostapenko

Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.

J I Cohen

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