Factual error: In the scene where the Ranger trainees first meet Samuel L. Jackson, he's wearing the rank of a Specialist on his collars even though he's a Master Sergeant. Title 18, Chapter 33 of the US code prevents the unauthorized wear of a military uniform (among other things), however this does not automatically correct the mistake since a common misconception is that one slight alteration is sufficent to make the uniform legal. Having the wrong rank on is too obvious of an alteration, especially for anybody who has spent more than a day in or around the army and would still be punishible by law if he was dressed in an attempt to fool your average citizen outside of a movie.

Other: When Connie Nielsen is driving the Hummer (with John as the passenger), the steering wheel doesn't move, but her hands do.

Continuity: When John Travolta and Connie Nielson are arriving at the hospital to visit Giovanni Ribisi, John Travolta puts his jacket down on the seat, yet when they enter the hospital, he has his jacket on.

Factual error: In the scene after Capt. Osborne shoots Col Styles, a couple of Army personnel ask her three questions then she is allowed to leave. This would never happen. First, she would be interviewed for quite some time and this would be documented (i.e.She would have to complete a written statement). She would have to surrender her weapon for testing and evidence. Mental Health personnel from a military hospital would interview her. Lastly she would be relieved of duty for at least three days.

Revealing: In one of the flashback scenes at the "bunker", a number of the shots fired pierce the sheet metal roof. When they show these holes, you can see fairly bright light coming through. This scene was supposed to be in the jungle during the night. There shouldn't be light streaming in; moonlight is not that bright. It was obviously artificial light used to enhance the scene.

Continuity: When Hardy and Osborne argue about their beliefs and motives, at some point Osborne tells Hardy her phone number. Hardy's arms are hanging down, but when the camera angle changes he is holding on to a beam above his head.

Continuity: When John Travolta grabs Giovanni Ribisi's face in the hospital watch as the camera angle changes, so does his hand position on the face.

Continuity: In the flashback scene where Sgt. West enters the bunker and grabs Castro, Nunez, Kendall and the real (black) Dunbar aim at West. Castro then says something like: "Gun down, PIKE.". Though the real Pike stands besides not holding a gun. At this point of the movie, it's already revealed that Pike took Dunbar's dogtag.

Continuity: When Osborne shoots Col. Styles through the door window she aims upwards even though Styles is sitting at his desk.

Continuity: In the scene where the woman and John Travolta get into the hummer to go to the hospital, there is a car parked in front of them, but she pulls straight off and begins driving. She doesn't cut the wheel at all.

Continuity: In the scene where they're interviewing Levi for the last time (right before he dies) you see a close-up shot of his ear and blood spilling out of it. In the very next shot you see his entire face and neck, but the blood from his ear is gone.

Visible crew/equipment: In the scene with Hardy and the Colonel, in the Colonel's office where they share a drink and the Colonel gets shot, you can see a stage light outside the window as Hardy gets off the phone during the first shot. You can see the light and the gel-frame, looks to be a 5k HMI type light. (DVD)

Factual error: What's up with Nunez? A female soldier is not permitted to be a Ranger in the US Army, let alone take part in a combat FTX.

Continuity: After Ribisi dies and Nielson stops and looks at the confession written by the other Ranger. Travolta asks what and she holds up the note. Before the other Ranger wrote on a yellow paper with large print, but she holds up a note on white paper with really small print.

Continuity: When Hardy and Osborne are questioning Dr. Vilmer in the hospital, Osborne grabs a book with her left hand, but in the following shot, both hands are on the book.

Other: In John Travolta's scenes with the HUMVEE, all external shots are of a hard-door version, but the interior shots are of one with soft doors and zip down windows.

Continuity: After Hardy storms out of the interrogation room he goes outside. Osborne and Hardy begin to talk under a wooden shelter and Hardy lights up a cigarette then looks briefly at Osborne, but in the following shot his back is to Hardy and is facing the camera.

Other: When John Travolta is questioning Dunbar, Dunbar jumps across the table and knocks down Travolta, but the chair is standing, you see this when Connie Nielsen walks by it. Minutes later when they go back to Dunbar, they pick the chair up off the floor.

Continuity: After Col. Styles has been shot and Osborne has been interrogated while she is already sitting in the Humvee Hardy comes over and talks to her. When the camera is on him the rain maker does a pretty bad job by either pouring a lot of water over him or hardly anything at all, alternately.

Continuity: At the beginning of the film when Osborne is interviewing Dunbar, the first shot of the interview room shows a pen and pad on the metal table. The pen on the pad moves from being along the width of the pad to being along the length of the pad.