Other: When the killer and Segal are fighting in the last scene, and the killer is thrown out the window, you can clearly see the black shards on the window bend.

Continuity: When Cole and Campbell are in the car, if you look out Cole's window there is a blue car there, but when Campbell turns on the siren and turns right, the blue car has gone, and there is now a jeep there instead. (Time)

Visible crew/equipment: At the end of the film, when Cole saves Campbell from falling, they then proceed to swing down the rope, and if you look closely, you can see a crewmember's arm sticking out of a window holding a piece of equipment attached to the rope, making sure that they don't swing out too much. (Time)

Other: In a fight scene between Segal and the killer, when he and Segal are fighting you can clearly see the stand in for the killer doing the martial arts is obviously shorter than the actor he's meant to be a double for.

Continuity: When Cole and Campbell are at the motel crime scene looking at the bodies on the wall, in one shot the woman's face is looking away from the male, but in the next shot she is now looking towards the male. (Time)

Continuity: In the middle of the film when Jack Cole is in the church with Christopher Maynard, in one shot Christopher holds his gun with two hands, and in the following shot he his holding it with one, and then back to two hands. (Time)

Continuity: In the scene where Keenan is watching Casablanca, Segal shows him a yellow slip and is weaing gloves. When they show his full body he has no gloves on.

Continuity: Near the beginning of the movie Steven Seagal and Keenan Ivory Wayans are driving to a hostage taking in a car that's seen as a Chevrolet Caprice from the front and as a Ford Crown Victoria from the rear.

Continuity: When Campbell and Cole are inside the Chinese herbal-like shop, the woman behind the counter offers Campbell a drink. When he goes to drink it he holds the cup with two hands but in the following shot he's holding it with only his right hand. (Time)

Other: When Segal is about to climb down the front of the hotel near the end of the movie, the camera shows a brown rope being thrown over the sign for him to use, yet when he starts to come down the side of the building, he is using a black rope, and a harness.

Continuity: The number of bullet holes in the side of the oven that Seagall is hiding behind goes from many to few in two shots. Submitted by William Bergquist

Continuity: In the scene where Segal meets the CIA boss at the Asian restaurant, he takes a napkin laying under some bread on the middle of the table. In the next scene, the napkin is back under the bread. Submitted by Andreas Winnberg

Continuity: When Jack is strangling Donald at the end of the film, take a look at the blood that is on Donald's head. It disappears for a while and then it's there again. (Time)

Continuity: Close to the end of the movie when Jack Cole is riding in the car with the two Russian mafia guys, one of the guys says "Coldest winter I can remember in L.A., the wettest too." The guy puts his hand up to adjust the rear view mirror, and then puts his hand down; in the following shot, you can see he puts his hand down again. (Time)

Visible crew/equipment: During a scene where Steven Seagal dives over a wall to escape an exploding vehicle, the view changes to overhead and you can see the spotter there to make sure that Steven Seagal hits his mark.

Deliberate "mistake": Just before Donald has a fight with Jack at the end of the film, we see Donald jogging down a flight of stairs to escape the building. Then after a bit of a punch up with Jack, we see Donald running back up the same staircase to escape Jack, but when he reaches the top it turns into a dead end. There is nowhere that Donald could have came from when we see him coming down the stairs. (Time)

Continuity: When Cole and Campbell stop a couple of guys from breaking into a car, the guy with the gray hair, who is talking to Cole, is pointing his gun at the side in one shot, yet in the following shot he is pointing it straight at Cole. (Time)

Continuity: When Jim and Jack are in the morgue, and Jack says, "Is there anything else you like to comment on?" the doctor is standing next to Jim writing something down on a pad or piece of paper (you can see the pencil), but in the following shot he is not writing on anything and his hands are behind his back. (Time)

Continuity: When Cole and Campbell get a call over their radio about a suicide, Cole picks the receiver up with his left hand, but in the next shot it is in his right hand. (Time)

Continuity: When Jack Cole goes home to see his children, he talks to his new girlfriend/wife, if you notice from the back, the wife's/girlfriend's hair is different when the shot goes to the front. (Time)