JC Fernandez

Corrected entry: When Marcus Brody arrives in Iskenderun, many men are seen wearing fezzes. However, wearing a fez was outlawed in Turkey in 1925.

Correction: The film is set in 1938, during which Iskenderun was part of the Republic of Hatay. Hatay did not join Turkey until the following year. Regardless, the existence of laws doesn't mean that people don't break them.

JC Fernandez

Corrected entry: There is a problem with the following scene: The Nazi plane crashes into the tunnel, slides past Harrison Ford and Sean Connery and explodes when exiting the tunnel. The problem is that the plane shouldn't explode since its wings (filled with gas) were torn off. It couldn't have been a bomb attached to the plane either, since, as it is seen only seconds afterwards, a bomb would leave a big crater in the street and make it impossible for the car to go on. Yet, Harrison Ford has no problems at all driving through what's left of the plane.

Correction: The engine and hosing that delivers the gas to it is attached to the fuselage.

JC Fernandez

Could someone elaborate on the proposed correction please?

Spiny Norman

The engine can still explode and there could hypothetically still be fuel in the hosing connected to the engine.

lionhead

But there's not a LOT of fuel left there, when the tanks fell off half a minute earlier. It's not a terribly entertaining mistake, granted, because some movies really do need explosions. But it might be technically valid in a boring way.

Spiny Norman

Corrected entry: After the motorcycle chase, Indiana drives past the road sign, which points to Venice and Berlin. He then talks to his dad before looking straight ahead at a sign which is behind him.

Correction: He's not looking at the sign, he's making a decision. The shot of the sign was for the audience's benefit.

JC Fernandez

The combination of the two shots is conventional movie language for him looking ahead at the sign (which, I agree, signifies his decision). But he drove PAST the sign.

Spiny Norman

If it's not in the same shot, he is not looking at the sign but towards the road ahead. The mistake is an assumption and has been corrected appropriately.

lionhead

Indiana Jones is not some experimental, challenging movie, like Fellini Satyricon. It follows standard montage conventions for understandable viewing. Person looks ahead, followed up with a "subjective" shot. It's textbook stuff - it's called the Kuleshov effect ("a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots"). Also, since they drove past the post, they should then be visible in the second shot.

Spiny Norman

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