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It Happened One Night - S4-E3

Revealing mistake: When Hawkeye and Margaret turn toward the stove, and he says "Are you hungry?", watch the can. Though it is meant to look like it blew the top off, it is plain that the top was just set into the top, and a blast of air was used to blow it open. This is because of the sound, and a stream of vapor that often accompanies a blast from an air gun. A sealed can set on a heat source would have burst not only from the top, but also from the side at a seam, or the bottom. Also, they were about five feet away from the can, and the beans went up, not out at a ninety degree angle. So they wouldn't get beaned. Beans on the face were for comic effect.

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Revealing mistake: A number of times, during the night periods (for instance, during an OR scene) the windows are dark when the lights are on in the room. Then when the lights go out, the windows brighten up. They, and the interior lights seem to alternate lightening and darkening.

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Klink's Old Flame - S4-E20

Revealing mistake: When Schultz is on the way out after giving the guys the news about the inspections and roll calls, you can plainly see that the background behind him is a matte painting. This is easy to spot because the building in the distance is lighter in color, and there are ripples in the fabric used.

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House Arrest - S3-E18

Revealing mistake: In the swamp during the movie, Frank comes up and talks to Igor, who is running the projector. Although there is a film running, there is no film on either the supply or take-up reels.

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I Look Better in Basic Black - S1-E28

Revealing mistake: When Hogan, Newkirk and Lebeau are dressed as the three women captured by the Gestapo, demand the truck be stopped, the wide shot shows that the truck is already stopped, and shaken to simulate it stopping.

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The Sniper - S2-E10

Revealing mistake: Toward the end of the episode, Henry is talking to a general on the phone when the chopper is coming in. He's trying to tell the man that he can't hear him. As he continues trying to talk, he gives up, and hangs the receiver up on the skeleton's head. If you look, you can see the hook that was conveniently placed for the gag.

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The Defector - S5-E10

Revealing mistake: The bunk that is the entrance to the tunnels appears to be moving upward about a split second before Newkirk taps the hidden key to activate it.

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Revealing mistake: Whenever there is a shot of the outside of the barracks, where it can be seen that it is outside on the studio lot, look at the "snow" on the roofs. Most of the time, it appears to be just paint in the shape of snowdrifts.

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The Gypsy - S6-E13

Revealing mistake: When the guys are by the half-track keeping Shultz busy, if you look just above and to the left of Shultz's head, you see some tall fencing at the top of the hill in the distance. From the set up, if appears to be a baseball field outside of the studio property.

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The Gypsy - S6-E13

Revealing mistake: When the men are in the yard during their exercise period playing football, there is a wide shot of the yard. The half-track is to the left of the screen with Shultz next to it. If you look above the barracks, the Desilu water tower and a large metal building, possibly a studio building, can be seen.

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Revealing mistake: When Robin is trying to get the sub to surface using Bat Depth Charges, the sub is rocking violently. The rack that contains the vials with the Security Council's dust not only sways back and forth, but lies nearly flat several times, and always at impossible angles. This goes against physics, and gravity. The rack should have fallen off the table more than a few times.

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Revealing mistake: Whenever you see the underwater shots of the sub, and the torpedoes, you can see the sides of the pool where the filming was done.

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Revealing mistake: When the Batboat is approaching the buoy, you can see that the sky is painted background. You can see the ripples in the wall matte rial.

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The Softer They Fall - S5-E18

Revealing mistake: As the building is being prepared for the upcoming event, and men are going in and out, as Shultz goes to report to Klink, look past him and the roof behind him. You can see the studio water tower in the distance.

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Knight Rider [Pilot; a.k.a. Knight of the Phoenix] (1) - S1-E1

Revealing mistake: When the hoods are trying to take KITT one prepares to toss a brick at the window. If you slow it down, you can see a reflection of the crew member really close to the window. When the "brick" hits the window, you hear breaking glass, but no glass breaks. Also, the brick hits the other hood on the forehead, yet causes no injury, and no bleeding.

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How to Cook a German Goose by Radar - S1-E24

Revealing mistake: Toward the end of the episode, a guard is watching Helga posing in a one piece bikini for Lebeau. As you look past him, you see only blue screen, no view of the surrounding property. Same when Hogan climbs up, you don't see the tops of buildings; you can tell it's on a soundstage.

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Revealing mistake: The first time at the Cobalt Club, Wainwright gets a report of the Shadow, and plans a task force. Lamont's face goes dark, and he makes Wainwright forget about the Shadow. After the matter is forgotten, Lamont's face lightens, and you hear the chair he's in creak, giving away that he leaned back out of the light to make the illusion.

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How to Cook a German Goose by Radar - S1-E24

Revealing mistake: After Hogan and the boys decide to get rid of Tillman, they "accidentally" set fire to the trash can on the Kommandant's porch. To that end they load up a bunch of trash that's been soaked in gas. Then Hogan tosses a lit match in it. The fire starts at the bottom, but all of gas soaked stuff, and the match, were at the top.

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Revealing mistake: Every time they go to destroy a truck convoy, you can see that it is a miniature set with model trucks blown up, and it is a re-used shot every time. Same goes for the trains that get blown up.

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Revealing mistake: In the arrow contest, as Robin was about to be assassinated, Blinkin grabs the arrow. If you look closely, as his arm reaches out, you see that Blinkin already has the arrow in his hand.

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