SteveQ

Open Casket - S1-E2

Other mistake: When Theo says that she thought Luke was in rehab, Shirley says that he was "until this morning" and that he "flew the coop." In reality, Luke left rehab the previous day.

SteveQ

1st Oct 2014

Scream 2 (1997)

Question: At one point in the film, Gale and Dewey make the observation that the killer is killing people in a duplication of Woodsboro, going so far as to choose victims with the same names. What happened to that plot point? It certainly doesn't explain the order or the selection of the rest of the victims in the movie. Yes, Randy's murder by Mrs. Loomis and its motive was obvious, but what about the others? Were the first 3 murders set up in a tantalizing pattern in order to lure in Gale, Dewey, and Co.? How did Mickey know they'd catch on to that pattern anyways? Why would he abandon it? Mickey's motive was more theatrical than personal, so one would think he'd stick to patterns, details, and general copycatting.

SteveQ

Chosen answer: In the scene before Randy's death, Randy and the gang discussed how the copycat theory didn't explain why the killer attacked Sidney in the fraternity house, as Sidney was not killed in the original murder spree. This may be why the copycat plot point was dropped since the characters believed it led nowhere. Randy's murder by Mrs. Loomis also screwed up the kill order from the original movie, which may have caused Mickey to abandon the copycat plan. Randy's death further convinced Gale and Dewey that the killer wasn't just attempting to duplicate the Woodsboro murders. Regardless of who the first three victims were, the murders would have attracted the attention of the Woodsboro survivors anyways. Mrs. Loomis was the mastermind of the two killers, so it did not seem likely that Mickey knew that the Woodsboro survivors would have caught on to the pattern of the first three murders.

1st Oct 2014

Scream 3 (2000)

Question: Similar to how the "killer is duplicating Woodsboro" plot point in Scream 2 was left dangling, why exactly did Roman feel it necessary to kill people in the order that they die in "Stab 3"? We know he's out to make "his movie" (he's very theatrical and artistic like Mickey was), but the "movie" he's referring to is his process of orchestrating real-life events to make his half-sister Sidney into a perpetrator, and he into the innocent victim. Sure, he may have been upset about Sidney's public portrayal as a hero in the first two "Stab" movies, but he wasn't out to set the record straight in "Stab 3" (Jennifer was to be the killer in that movie had they continued production). His "movie" was about turning the tables on Sidney in real life, not through some actual film. It's metaphorical: he's a director, and he's manipulating events out of self-pity and revenge. In the end, Roman's revenge fantasy doesn't really have much to do with the actual "Stab 3" movie at all (other than the fact that it happens to be being filmed in the same area Sidney's mother knew and involves some of the same people, so it presented a perfect backdrop for Roman's confrontation with Sidney), so I don't really see the significance of the systematic order of the murders in relation to the film. Did Roman think that the pattern would draw Sidney out of hiding? Wouldn't the photos of her mother (or the fact that the victims were actors in a film concerning her past) have been enough to get her attention? What is the significance of the order? And why was this plot point also left to dangle like in Scream 2? (We don't know if Roman kept following the order because we don't know how the script goes past a certain point).

SteveQ

Chosen answer: In the fax scene, Tom Prinze, the actor playing Stab 3 Dewey, realizes that the killer is literally rewriting the Stab 3 movie, which obsoletes the "script kill order" plot point. This means that Roman is not bothering to kill the actors in the order they die in Stab 3. This is further proven when Roman attempts to kill Gale after Tom's death.

23rd Sep 2013

The Sixth Sense (1999)

Question: If Cole truly knows that Malcolm is a ghost throughout the film, then how do you explain the advice Malcolm gives Cole to "listen to them [the ghosts.]"? Isn't Cole already doing that by listening to Malcolm? How did Malcolm really help Cole deal with his ghosts and fears if the key advice he gave him was something Cole already did the moment he met Malcolm? If Cole already knew to listen to ghosts (e.g. Malcolm), then how did Malcolm really help Cole in reality? (Or was the point of the film more that of Cole helping Malcolm instead?)

SteveQ

Chosen answer: First, be clear that Cole was afraid of Malcolm at first. He is tense when Malcolm first walks into the church. He relaxes with him over time. Remember too that we learn that Cole's grandmother visits him sometimes, and he indicates no fear of her (though I'd guess he was scared at first). More than once in the movie he indicates or infers that not ALL the ghosts he sees are scary. Keeping in mind this is fiction, and not every possibility can be addressed, the flow of events shows that the "solution" is to help the ghosts through listening to their problem(s). The ghosts are lingering due to some issues they wish to see resolved in some manner. It seems Kyra wanted her father to know the truth of her death - indications are this was to protect her little sister who was already being targeted by the step-mother. Things are slightly more complex for Malcolm because his anchor to this life is coincident with helping Cole find the solution to these ghosts. So Malcolm is both persistent and has the training to pierce Cole's resistance and fear; while Cole possibly talks to some ghosts, the ones who aren't scary, he doesn't necessarily "listen" to them in the sense that Malcolm advises later in the movie. Thus, that key conversation leads Cole to the confidence to deal with the ghosts without fear, and also resolves Malcolm's guilt over Vincent.

In a way, it's like Malcolm is getting a do-over, a second chance, with Cole, to do what he failed to do with Vincent, which is to help him deal with having the "gift" of the sixth sense, being able to see, hear, and interact with ghosts, in order to help them to realise the fact of their death and move on.

Uncle Moose

Answer: At the beginning of the money, as Malcolm reviews his notes, Vincent's name is on top, however, on the next shot when the paper is shown up close, it now has Cole's name. There is a direct connection. Because of this scene, I thought Malcolm was trying to keep his promise to help Vincent. Both Vincent and Cole have the same gray streak in their hair. There is a direct connection.

Continuity mistake: In the scene where the Mayor is talking to Dr. LaRue, there is a rack of test tubes on the counter top. The position of the test tubes changes multiple times during this scene. This can be especially noticed after the Mayor spills the chemical and it eats away a big hole in the counter top, if you compare the position of the test tubes with the hole between different shots.

SteveQ

Trivia: In the scene where the Who's finally discover that Horton is real, the Mayor begins introducing random townspeople to Horton. When he introduces Bert, watch closely: Bert is drinking from a mug that has the Blue Sky Productions logo on it, one of the companies that produced Horton Hears a Who.

SteveQ

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