Continuity: When Susannah comes to the ranch she takes a photograph of the three brothers. Alfred is holding a glass and has both legs up. At the end of the movie Tristan looks at the picture, and Alfred's glass is missing, and one leg is stretched out. (Time) Submitted by Nancy<>Felix

Continuity: When Tristan pushes one of his bootlegger opponents into a pitchfork the spikes are coming out of his chest. The way they were wrestling chest to chest Tristan should have been seriously injured too. (Time) Submitted by Nancy<>Felix

Continuity: When Susannah and Alfred talk at Samuel's grave the way Susannah's hair is blown back, forward, or not moving at all changes from shot to shot. (Time) Submitted by Nancy<>Felix

Continuity: When Tristan and Samuel talk about premarital sex, some strands on Tristan's right temple hang down or are tucked behind his ear alternatingly. (Time) Submitted by Nancy<>Felix

Continuity: When the second German cavalryman attacks Tristan he is aiming his rifle at him. When he gets shot down he is holding on to the reins, and the rifle is gone. (Time) Submitted by Nancy<>Felix

Continuity: In the scene where Tristan returns to see Suzanne at her new home with Alfred, her hair is down. But on every shot her hair is either pulled behind her ear, then both sides in her face, then one side pulled back, and so on. (Time)

Plot hole: During the war sequence, when Samuel dies, how necessary was it for the two Germans to go through the trouble of setting up a machine gun to shoot him? I find it hard to believe they had no other weapon but that. It seems to have been done only to build suspense.

Visible crew/equipment: When Tristan pulls the third German cavalryman from his horse you see the face of Brad Pitt's double who, with his mustache, bears a strange resemblance with Adolf Hitler, something that can not at all be said about Brad Pitt. (Time) Submitted by Nancy<>Felix