The man playing Joel Glicker's father is Barry Sonnenfeld, the film's director. See more...
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Directed by Barry Sonnenfeld, starring Anjelica Huston, Christina Ricci, Christopher Lloyd, Joan Cusack, Raul Julia (add more)
Continuity: When Wednesday and Pugsley are playing with the guillotine, Wednesday has a scroll in her hands, which she then rolls up. The shot changes and you can still see the rolled up scroll in her hands. However, the shot then changes again and you can now see Wednesday rolling up the already rolled up scroll.
Plot hole: It seems unlikely that Debbie would have managed to take the photographs of her husbands' murders she shows the Addams family at the end, especially considering the angle of the shot of the surgeon. He's not looking at the cam so she wasn't holding it.
Continuity: The scarf that Debbie wears while she is driving disappears and reappears throughout the scene.
Continuity: When Wednesday and Pugsley won't join the group hug, Becky walks over to them, says, "Oh, they're just shy", and places her arm around Wednesday's shoulders. When the shot cuts to just Wednesday and Pugsley, Becky's hand is resting on just Wednesday's left shoulder, but when the shot cuts back to the four people, Becky's arm is once again around both of Wednesday's shoulders.
Plot hole: When Debbie is showing the Addamses the slides before she was going to kill them, she only shows two rich husbands and her parents. Yet earlier, Wednesday's friend shows her and Pugsley some trading cards, and he mentions that Debbie had three rich "husbands," all dead. Yes, there's Fester, but the cards aren't that up to date and he's not dead yet.
Plot hole: At the beginning of the film we learn who Debbie is, but the newscaster mentions that she had a different name and disguise each marriage. Yet at the end when the Addamses are in electric chairs, she says that her husbands said, "Sorry, Debbie."
Continuity: When Carol Kane is putting the skull into Joan Cusack's hand, the skull is facing towards Joan, but in the next shot it is facing away from her.
Continuity: In the guillotine scene, right after they cut the watermelon, it stays with its inside pointing up, but in the next shot is put horizontal again.
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