Factual error: When Jess meets her father and Martin on the embankment it is twenty to five in the afternoon, however this is between New Years Day and Valentines Day - it would be dark at this time of day in these months.
Factual error: The film makes use of a real Broadway theater, the St. James, which is on West 44th St. When they leave the stage door, the actors are next to the Edison Hotel, which is on 47th St.
Continuity mistake: When they come over the mountain, Moses looks out at the Red Sea and sees nothing on the horizon. When they get across, they can see the mountains where they crossed very easily - the area on other side has mountains similar to the ones they crossed, which should have been visible when first approaching.
Character mistake: When the supply convoy is ambushed, Soto is instructed to get on the .50 caliber. However, the weapon on the gun ring is a .30 caliber M1919 machine gun, not a "Ma Deuce" .50 caliber.
Character mistake: Nikki lost her insulin kit and needs insulin. Her mother suggests getting her a fruit juice, something sweet. Fruit juice contains a large amount of sugar which raises blood sugar levels very quickly. Therefore, people with diabetes are usually best to avoid drinking fruit juice. Her suggestion is absurd.
Audio problem: When Dawson and Amanda are at the Vandemere House, there is a nighttime scene where they are in the living room. Dawson is by the fire, and Amanda is on the couch. You can see Amanda's profile, and you hear her say something about turning on the radio last time they were there, and how she knew a song would come on. And you hear her laughing, but her lips and chin do not move. (01:18:00)
Continuity mistake: When Anna Kendrick visits Jennifer Aniston in the hospital it shows a cake from different views. When the views change the candles light and relight. (01:14:30 - 01:15:25)
Suggested correction: The candles on the cake never light and relight. They are always lit from the point when Anna Kendrick (Nina) lights them. In one shot they look unlit due to the pillow behind them but if you look closely they are always lit.
Character mistake: At the hospital, Alice's husband says, "Here we are, in a major hospital, and they only have one elevator." In fact, there are two elevators, right beside each other. He actually looks at the other one before making the comment.
Suggested correction: He meant one elevator bank that actually worked. During the time they waited, none came.
Exactly. He says "they only have one elevator running", which is different than saying they only had one elevator.
Factual error: When the Doctor visits William Turner in Chelsea, he claims to be leaving by train from Charing Cross. That station did not open until 1864 - 13 years after the death of Turner.
Continuity mistake: During the scene of the first meeting between Gus and Ruby, Krysten Ritter's hair moves back and forth (behind or in front of her left shoulder) between shots multiple times (most obvious example: when he offers her a drink). (00:12:45 - 00:14:35)
Continuity mistake: When Elizabeth Banks is getting out of Amos' car, when they get back from Bible study, from Banks' angle, you can see that his hand is on the knob on the steering wheel, whereas when the camera changes to Amos' angle, he isn't touching the knob. When the camera changes back to Banks, you can see his hand back on the knob. (00:48:10)
Continuity mistake: Jay is mopping the floor after promising on the phone to his dad that he'll bring his non-existent fiancee to the wedding. He tries to talk one of the nurses into joining him. While doing so, he stands before her leaning on his mop with his left hand on top, which switches to the right hand between shots. (00:06:40)
Other mistake: Prince Shing and the King have a conversation that lasts not less than 5 minutes of movie (which compresses the time somewhat; groups of people get in and out of the large hall, which wouldn't be instantaneous and happens at least 3 times). The conversation happens while the other members of the royal family are running away through a secret passage. With such a considerable head start and wasting no time (they keep moving even when they put mantles on), they are reached by heavily-armored guards, through the same secret passage, within seconds. (00:12:10 - 00:17:10)
Factual error: Narration refers to Hitler's Germany research into nuclear fusion - it was nuclear fission they were looking into, the same as what fueled the WWII-ending bombs in Japan, and every nuclear bomb and missile since. No nation has been able to generate nuclear fusion until very recently, and it doesn't produce an explosion - which is what Hitler wanted. (00:08:35)
Continuity mistake: Carrie's height changes constantly.
Revealing mistake: Late on in the film; Arnie and the female officer kick in the door to one of his teams house. Unfortunately Arnie is in his 70s now and not as agile as he used to be, the door was open and simply pushed hard. Look at the door, it has no damage and neither does the frame. Also, the door barely opens past a hard push. As tactically trained operatives they would not have pushed the door if it was ajar either, they would have opened it slowly to avoid startling anyone inside and warning them.
Factual error: In a classroom scene, Mia takes her phone out and checks Instagram. It can be seen that she is on the network "Koodo" - a Canadian mobile operator. The movie takes place in Portland, but is filmed in Vancouver. (01:00:10)
Continuity mistake: In the beginning, Schapelle checks the boogie bag in in the check-in counter. Then she's seen carrying it over her shoulder. Then a baggage handler takes it away from the check-in counter.
Continuity mistake: When the guy is protecting his home and clearing the window with his shotgun you can see him breaking the glass on the bottom left window pane. In next shot it has the piece there again. (01:43:55)
Revealing mistake: Neville pushed Jim's back against a metal garage door/gate in the alley. Front views of Jim show him with his back (and head) against the door, but rear views show him out in the open (away from the door/walls/buildings). (01:01:42)