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When Bond is chased by agent Barsov, you see a clip where Bond has gone through quite deep, new snow - leaving two tracks in the fresh snow. In the next clip, when Bond turns to fire his ski pole missile, he is riding on a prepared piste with a lot of other tracks. See more...

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Due to his failing eyesight, cinematographer Claude Renoir was unable to see to the end of the supertanker set, forcing Production Designer Ken Adam to ask friend Stanley Kubrick to supervise lighting for the set. Kubrick agreed on condition of complete secrecy of his involvement. See more...

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The Spy Who Loved Me

Continuity: In the scene where Stromberg is thanking Dr Bechman and Professor Marcovitz he he has a towel in his hand. When the camera changes to another angle that shows the back of his chair his hands are totally empty and resting on an arm of the chair. Then it changes back to the original camera angle and he now has a towel in his hands again.

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