The One With The Blind Dates - S9-E14
Continuity mistake: At the end of the blind date, in shots of Rachel, her date Steve is holding her hand with both of his, but from the reverse angle he's only using one. (00:18:45)
1st Feb 2004
The One With The Blind Dates - S9-E14
Continuity mistake: At the end of the blind date, in shots of Rachel, her date Steve is holding her hand with both of his, but from the reverse angle he's only using one. (00:18:45)
1st Feb 2004
Audio problem: Any scenes outside Central Perk always sound as if they're on a set (which let's be honest, they are) - the sound is often muted and footsteps on the pavement have a very slight echo to them.
31st Jan 2004
The One With Chandler's Dad - S7-E22
Revealing mistake: When we first see the Porsche, there are smear marks on the bonnet from previous takes of Ross diving across it. (00:04:35)
29th Jan 2004
The One With All The Resolutions - S5-E11
Continuity mistake: When Joey and Rachel are trying to work out if the other knows about Monica and Chandler, they sit at the table in silence. In a side shot of Joey they look at each other sneakily, and Joey has his arms by his sides. It then cuts to a head-on shot of Joey, and he's got his right arm over the back of the chair. (00:19:00)
29th Jan 2004
The One Where Ross Moves In - S5-E7
Continuity mistake: At the very start of the episode, when Joey's showing Chandler National Geographic, Chandler has his left hand up by his face in one shot, then when the angle changes they're both clasped in his lap. (00:00:05)
29th Jan 2004
The One With Ross's Wedding, part 2 - S4-E24
Continuity mistake: As Ross says, "This is our wedding day," in a close-up, Elliott Gould is holding a bit of paper in his left hand (glasses in his other hand, out of shot). In the wide shot, the paper is in his right hand, then jumps back to his left when the angle changes. (00:36:25)
28th Jan 2004
Continuity mistake: After they crash the mustang, a gunfight breaks out. Harrison Ford opens his door and fires one or two rounds - after that the slide of his gun locks back, showing it's empty. The angle then changes, and he carries on shooting with no problems. No time for him to reload. (01:28:25)
23rd Jan 2004
The One Where No One's Ready - S3-E2
Continuity mistake: When Ross asks Chandler "you took his underwear?", the angle changes halfway through the line. Chandler's hands go from in front of him to being in his pockets. (00:10:50)
22nd Jan 2004
Continuity mistake: When Antonio Banderas is finally proficient at swordsmanship, he knocks Anthony Hopkins' sword out of his hand and catches it. He then laughs and throws it back pointing downwards, but when Anthony Hopkins catches it, it's pointing upwards. (00:41:00)
20th Jan 2004
Continuity mistake: When Jeff Goldblum is trapped in the car with the raptor outside, the raptor bumps into the window, cracking it. There's no hole in the centre of the crack in the shot of the raptor, but when we see a shot of Jeff Goldblum a second later, there's suddenly a hole in the window. (01:30:05)
15th Jan 2004
Trivia: The first time we see Riggs in his trailer, there's an advert for some new aftershave called "Hero" on the TV. During the attack on his trailer later, there's a close-up shot of a bottle of aftershave being destroyed - freeze-frame it and you'll see the brand: "Hero" again.
14th Jan 2004
Continuity mistake: When the bathroom explodes, from one angle we see the toilet come sailing out over the roof of a police truck parked at the front of the house. While the angles make it a bit tricky to judge, there's a definite leftward trajectory. We then cut to a closeup of Murtaugh's car, and the toilet lands on it as if it was flying to the right. Even if the angles are misleading, in the first shot the police truck and other cars are parked to the right of the exploding window. In the shot of Roger's car he's also parked to the right, but without all the cars visible around it which there should be. (00:57:15)
Suggested correction: The toilet is flying straight out and straight towards the car - you can see this from the perspective of the interior of the car prior to the toilet becoming visible. Next the toilet is flying towards the area in front of the police van, not over it. And the car is parked in front of the van. When we see the car again, the van and other police cars are out of frame, so they can't be seen.
The mistake is valid. When we see the toilet flying, it's moving to the viewer's left, but when it hits the car, it's moving to the viewer's right now. Even if in the first shot, with the angle of the camera, the toilet is flying straight, it doesn't hit the car straight on. And he's not saying the toilet sails over the roof, but that you can see the toilet in the background is above the roof of the van in the foreground and that's moving over it (from right to left).
14th Jan 2004
Question: After the car crash near the start, Riggs finds that the driver has disappeared, and says "This guy's Mandrake." What does that mean?
Chosen answer: 'Mandrake the Magician' was a comic strip that was popular (at least in Australia) in the 1970s. It featured the title character that was able to perform very elaborate magic tricks (including disappearing acts).
14th Jan 2004
Revealing mistake: Movie physics occasionally dictate random explosions, but this is too bizarre. Near the start, a cop car smashes through a caravan, and the caravan blows up. Fair enough, may have hit a gas cylinder or whatever. We see the cop car, practically undamaged, skid to a halt. Cut to a few reaction shots, then suddenly the cop car just blows up for absolutely no reason whatsoever. (00:02:25)
14th Jan 2004
Trivia: Two random similarities to "Edward Scissorhands" in this movie. At the start, Nightcrawler looks almost identical to Edward when he's robbing the house - pale, marks on his face, blue baseball cap. Also when Edwards emerges from the house, he's holding his scissors out towards the police, who think they're weapons he's using to threaten them - exactly the same thing happens in this with Wolverine. Deliberate, or just coincidence?
14th Jan 2004
Question: In Roger Ebert's review, he says "...Mathayus intones, 'As long as one of us still breathes, the sorcerer will die.' See if you can spot the logical loophole." I can't - what's the problem with that line?
Chosen answer: By the way Mathayus is saying it, it sounds like he is saying as long as him or the sorcerer still breathes, either he or the sorcerer will die, but he is trying to say as long as one of the Akkadians are breathing, they will not stop trying to kill the sorcerer until he is dead.
12th Jan 2004
Question: Does anyone know why this is the only Tim Burton film for which Danny Elfman hasn't written the score? All I can think is that time-wise it might have clashed with Black Beauty, but I'd like to know a definite reason.
Chosen answer: According to Tim Burton in an interview at the time, they were "taking a little vacation from each other", - he also said that he was not sure what the situation between them was, which certainly implied a falling out. Danny Elfman is a bit more open, describing what happened as "a family feud" - he says that after working on six films together in ten years, they had a bit of a creative fallout, which led to Howard Shore doing the music for Ed Wood. Afterwards, according to Elfman, they realised that they missed working together and went back to collaborating happily.
12th Jan 2004
Trivia: Cinematic legend and Sam Raimi regular Bruce Campbell plays Darkman in the final shot.
12th Jan 2004
Trivia: Sam Raimi wanted Bruce Campbell to star, but was overruled. There are clear similarities between Liam Neeson's performance and Bruce Campbell's decomposed alter-ego in Army of Darkness (and as anyone with a brain knows NOW, Bruce Campbell is a genius who could have played the role perfectly).
12th Jan 2004
Continuity mistake: Near the start, Julie sits on a sofa when discussing the bribe. In the wide shot, as she says "I wish it were that simple", she rests her left hand on her knee. It then cuts to a closeup for her next line, and her left arm is suddenly along the back of the sofa. (00:13:40)
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