Revealing mistake: During the bedroom scene with Felicity and Fat Bastard you can clearly see the air hose that fills his suit when he rolls over in the bed. (00:49:10)
Other mistake: There is something drastically wrong with the design of the spherical 'Aries' moon shuttle. Some seats and many fixtures are 'upside down' relative to the up-down orientation of the shuttle itself, and we see loose food trays and equipment about the place as if this is routine. But - the shuttle is designed to land on the moon. What happens then? The moon has gravity, remember? There are going to be quite a few very disgruntled people dangling upside down like spiders, and there will be loose gear (and perhaps a stewardess or two) bouncing about all over the place. It is not a matter of stowing loose gear or lying flat on landing - some parts of the shuttle are upside down relative to others, which is why the stewardess has to do that famous 180 degree upside down walk. Whichever way you look at it the shuttle is going to encounter serious problems when it reaches a gravity well, which will occur whenever the engines are fired up, never mind landing on the moon.
Continuity mistake: On Utapau, when Obi-Wan faces off with Grievous, Grievous sends 4 MagnaGuards against Obi-Wan. Obi-Wan Force-pulls something from the ceiling to crush the droids. But in the ensuing fight between Obi-Wan and Grievous, the ceiling thing and crushed droids are gone.
Revealing mistake: When Lara Croft goes into the water near the end to try to save her male rival, Alex West, after he is stabbed and ground between the gears, when Lara stands up, you can see the make-up coming off her arm that covers Angelina Jolie's "Billy Bob" tattoo.
Visible crew/equipment: When Neo is going to open the door to enter the Oracle's house, you can clearly see a camera on the doorknob. There's a sheet over it painted to look like the wall behind it, with a representation of Morpheus' tie too, because he's blocked by the camera. (01:07:40)
Continuity mistake: When Del comes out of the passenger side of the dairy truck, he is with a black eye, for no reason. The next scene, it is not there. It is there again when he admits to being homeless. (Steve Martin punched Del in a deleted scene.)
Plot hole: The huge guns are set high up on a cliff face facing out to sea and it is obvious that they cannot be depressed to fire at a downward angle - the massive gun carriages set on rails would prevent that happening. They cannot be elevated to fire at an upward angle, too, because they fit pretty snugly in the hole cut into the cliff face to accommodate them. This means that their maximum and minimum ranges would be quite close together, covering a strip of maybe a few hundred metres either side. Given that the sea is completely open on the side of the island they are protecting, why don't the ships targeted by the guns while passing the island simply sail inside or outside of the narrow stretch of sea the guns can hit?
Suggested correction: The guns are firing across a strait. A strait is a "narrow passage." Since the targets must appear at a limited range, the guns only need a limited elevation angle.
Watch the film again. The guns are facing the open sea. There is no land visible anywhere behind the ships. If that's a strait, it's a very, very wide one.
Other summaries explain that the strait is only deep enough for the ships at the place which matches the guns' range. So ships could not take advantage of further away or closer in.
Suggested correction: That the gun carriages are supposedly set on rails is not correct. In the novel template, as well as in the film, it is shown that the guns were installed on turntables. And as for their variable angles of fire - it could be due to (fictional) modifications.
Factual error: Towards the end of the film, Solomon is trapped in a small Plexiglas box and fires his gun into the bulletproof sides numerous times, but the bullets don't ricochet or get embedded in the glass.
Continuity mistake: When Indy tries to grab the antidote vial from the table, in the closeup just as the vial falls off the table the camera follows the vial as it lands in the empty area to the left of Lao Che's chair where Kao Kan's chair should be, but it's not, and the rug's edge with wood floor beside Lao Che's chair though it shouldn't be. Then Indy hits Kao Kan who is again seated closely to Lao Che's left, as he should be, and when Kao Kan falls backward we see the rug edge is nowhere near Lao Che's chair, also as it should be. (00:08:20)
Suggested correction: Actually it appears the vial falls to the left of Kao Ken's chair, not Lao Che's. It appears after Indy pierces the other guy with the shishkebab, Kao Ken, off camera, takes the vial and puts on his left side. Indy jumps on the table and after missing the vial he slides further and then elbows Kao Ken who is on the right side now. The vial is still on the left side of Kao Ken's chair when it's kicked onto the wooden floor.
You're very much mistaken. Lao Che is wearing an embroidered dinner jacket and has a pinky ring on his left pinky, and Kao Kan's left hand is bandaged in gauze. After Indy skewers Chen, in the closeup of Indy's hand just as it knocks the vial off the table, it's Lao Che's hand (note the pinky ring, etc) that we see on the table next to Nurhachi's urn, the stack of money, and the vial. That is not Kao Kan's hand/arm, remember his left hand is bandaged. And as this closeup continues to pan down it follows the vial as it lands on the floor in the empty space where Kao Kan's chair should be, but it isn't.
Yep, you're right I see it. There are 2 shots of Indy trying to grab the vial off the table and the second one is followed through with the vial falling off it and that one is wrong. Alright.
Other mistake: In the slaughterhouse scene, after Harrigan has injured the Predator with his shotgun and Keyes reappears, the Predator throws its disc, and severs Keyes in half at the waist. We see his legs flop to the ground, and blood pour from above, but his upper half (torso, backpack and weaponry) mysteriously remain hovering out of sight. (According to the director, the MPAA made him cut the footage of the top half of his body hitting the ground because it was too gory, creating this odd error). (01:21:50)
Suggested correction: We don't actually know if the disc completely cuts Keyes in half (or just passes through him and leaves a gaping hole). You see the blood, but the movie is edited so that it cuts back to Harrigan looking on in horror for a split-second, then back to Keyes' body on the floor (mostly obscured by a cement pillar).
They blatantly show his legs hitting the ground without the top half! I can only assume you watched an edited-for-TV version or something. It's VERY clear in the movie that he was cut in half. (In actuality, the scene was the victim of the MPAA according to the director... they had to cut the bit where the top half of his body hit the ground because it was too gory... creating this odd movie mistake).
Factual error: Listening to a radio broadcast, live, since no other indication is given, Joe Louis is completing the 12th round of a fight. This is December 6, 1941. Joe's last fight of 1941 occurred in September, his next fight was January 1942. (00:00:10)
Factual error: When the bus is shown entering Washington, DC for the competition, the shot shows the bus traveling over the Arlington Memorial Bridge with the Lincoln Memorial in the background. That bridge is on the southwest side of the city. Since NYC is to the northeast of DC, this means that to get to that bridge and enter DC that way, the bus had to drive all the way around the city and then come back in from the opposite direction. Even if the bus driver made a mistake and missed the most direct route into the city from the north, there are dozens of other ways to get to the heart of the city without adding a good 45 minutes to an hour to the trip.
Factual error: When Clark speaks to Jor-El for the first time in the Fortress, Jor-El says "I will have been dead for many thousands of your years..." Fine in theory - Baby Kal-El travelled to Earth at above light speed so time passed differently for him. However, as such, wouldn't Jor-El have seen Earth as it was thousands of years ago? Which also makes there a problem with all the things Kal-El was taught during his voyage to Earth, as Jor-El references Einstein by name, for instance, and he would not have existed at the point when Jor-El sent him to Earth.
Continuity mistake: In the scene where the witch gives Mika the dagger to kill herself with, the witch stabs it into the floor. When the witch leaves the dagger is lying on the floor. When Mika goes to grab the dagger it is stuck in the floor again. (01:15:20)
Character mistake: Characters refer to the Dallas and the Red October as "ships," but anyone stationed aboard a submarine would know to call it a "boat."
Continuity mistake: There is a scene where the Chipmunks and Chipettes are singing the song "Girls of Rock and Roll." In that scene, it shows the boys walking up the stairs together and from left to right the order is: Simon, Alvin & Theodore. The shot goes to the girls then back to the guys. The order of the guys has switched: (left to right) Theodore, Alvin & Simon.
Audio problem: When Commander Taggert (Tim Allen) and Lt. Madison (Sigourney Weaver) first see the hallway with the chompers, she says, "Oh, screw that!" but if you watch her lips she clearly uses the 'f' word instead of 'screw'.
Continuity mistake: There are two scenes during which Harry is shown having visions of the Dept of Mysteries while he is asleep. The first scene occurs after Harry's confrontation with Seamus in the Gryffindor common room. There are shots of Harry lying in bed wearing a short sleeve, crew neck tee shirt, but when he is startled awake by the vision of Voldemort, he sits up wearing a buttoned henley tee. The next day is the first day of Defence Against the Dark Arts class with Umbridge. That last shot of Harry in the henley tee shirt was cut from a later scene. Later in the film, when Harry has the vision of Arthur Weasley's attack, he is wearing the henley tee shirt. (00:34:00 - 01:09:35)
Continuity mistake: When Tim and Lex first arrive, Lex is wearing a purple tank top with a colorful design, and in the following scenes or even between consecutive shots her tank top changes to completely different designs, though it's the same style of tank top.
Continuity mistake: On the ferry, Rachel wears the purple/pink camouflage hoodie over her orange knit sweater with the colorful stripe sleeves, as usual. Now this is where things become strange. In the first shot as the trio come ashore, she is only wearing her orange sweater, she is not wearing the purple/pink hoodie - note the clear lack of fur hood. In the very next shot as they climb a bit more and then rest, Rachel is wearing the purple/pink hoodie - note the hood, but now it's on under her orange sweater. In the underwater shots she is also wearing it under the orange sweater. (This odd mistake has absolutely nothing to do with the very long wool cloak that Rachel wears in the next scene). (01:02:20 - 01:04:40)
Suggested correction: The shuttle lands "on its back" with legs extending beyond the engines. As in most traditional sci-fi, and ALL actual, space flights to date, the launch (and landing) orientation for humans is to be on one's back. This minimizes blood being sucked down to your feet if you were sitting upright at launch - you could pass out. So we see this when the shuttle lands on the moon - the cockpit (red window) faces up (pilots on their backs, facing out the window). When we presume that the passenger cabin was 180 degrees spun around from the cockpit seating, they're still on their backs. Any loose objects would have been stowed before landing - the airlines don't lock down your bags, newspapers and coffee cups, right? They're loose in the cabin during flight, but put away on takeoff and landing.
Airliners do not fly upside down. The Orion shuttle cannot possibly operate the way it does if it lands in a gravity environment - some rooms are upside down relative to others - why else would the stewardess do the 180 degree vertical walk? It is an idiotic design flaw, and the posting is 100% correct.
The Aries passengers sit and stand with their feet down towards the moon. The pilots sit with their back down to the moon, as conventional astronauts do on Earth. But the attendant's 180-degree walk is completely wrong to the orientation of the shuttle's interior: it should have been only 90° if you look at the Aries exterior. One assumes that Kubrick preferred a longer, more cinematic shot, over a technically accurate shot. But nobody was upside-down to the moon.