Seinfeld

Seinfeld (1990)

12 mistakes in The Baby Shower

(14 votes)

The Baby Shower - S2-E10

Continuity mistake: Reminiscing about the incident with the performance artist, George says that she was aiming at him with the chocolate syrup "like she was putting out a fire." Notice Jerry has nothing in hand. Next shot and he's clenching a paper tissue. (00:02:40)

Sammo

The Baby Shower - S2-E10

Other mistake: The previous episode "The Deal", was supposed to be the season (and possibly series) finale, however it was aired out of order. Therefore in this episode and the next without explanation Jerry and Elaine are not romantically involved anymore, and Kramer pitches cable to Jerry as if he never had it before, mentioning "The naked channel" that was sorta the triggering factor of "The Deal" 's plot.

Sammo

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: As you said, the episodes were aired out of order. That doesn't make it a mistake because if you watch the episode in the order they were produced, there would be no mistake.

Bishop73

The Baby Shower - S2-E10

Other mistake: When George is taking off his sweater revealing the chocolate-smeared shirt, a woman in the background hilariously stares, looks down at the shirt and then eyerolls. She is behind him, though, and can't possibly have seen the stain. The shirt looks fine from the other angles. (00:16:30)

Sammo

The Baby Shower - S2-E10

Continuity mistake: Kramer tries to stop Jerry from running towards the door. "Agent Stone" in the following shot has his badge in the left hand (was in the right earlier) and reaches with the right for his gun under The Jacket. But there's another shot, with cornflakes and other things being blown up by bullets, when Stone is still showing his ID in the right hand. (00:09:00)

Sammo

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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