Easter egg: In the "20th Anniversary Edition" (the same one that is part of "The Alien Legacy Collection"), go to the "Extra Features" submenu, on the first screen keep moving the cursor downward until you go past "Main Menu" and highlight an acid hole on the bottom and press the confirmation button to select it. You'll be brought to a menu meant to look like a message science officer Ash is sending to the company detailing the life cycle stages of the alien creature.
Alien (1979)
1 easter egg
Directed by: Ridley Scott
Starring: Sigourney Weaver, John Hurt, Ian Holm, Tom Skerritt, Harry Dean Stanton, Yaphet Kotto, Veronica Cartwright
Character mistake: When Ripley interfaces with Mother for the first time and sees the special order, an instruction reads as "Insure return of organism" rather than "Ensure return."
More quotes from Alien
Trivia: Ripley abruptly yelling at Parker to "Shut up!" is not in the script. Fans and industry gossip have long speculated that this was Sigourney Weaver breaking character in frustration and she was in fact telling Yaphet Kotto to "shut up" so she can finish her lines. The sequels 'Aliens' and 'Alien 3' both feature scenes where one of the normally cooler-headed protagonists suddenly snaps at a ranting character to "shut up!" in apparent reference to this moment. (01:16:50)
Question: A bit puzzled as to why Ash tried to kill Ripley by stuffing a rolled up magazine in her mouth when he could have strangled her in seconds.
Answer: This is just one possibility among many, but Ridley Scott suggested Ash may have been developing latent sexuality that he was not equipped to handle through his programming, and perhaps not physically either; his use of a rolled-up magazine may have come about because he was not constructed with a penis (I had to stop myself from making a pun about "hardware").
I always wondered about this. It always struck me as a little Freudian. Also, notice the picture of the topless lady on the wall - an interesting detail when combined with the phallic paper.
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Answer: I believe this was another subtle way for the film to depict that Ash was malfunctioning or at least not fully processing correctly and having problems. It was showing a brutal savagery to his motions as well as an artistic choice for the moment.
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