Night Gallery

Night Gallery (1970)

9 mistakes in season 1

(1 vote)

The Cemetery - S1-E1

Continuity mistake: From the inside view of the window the Hendricks gravestone and the family name is visible on it. From the outside view of the window the gravestone and the Hendricks are facing away from the window.

Scott215

Lone Survivor - S1-E14

Continuity mistake: When the ship's captain is questioning the survivor, the man is sitting up with the iron bedstead behind him. When the shot cuts, he's suddenly lying flat with his head on the pillow.

Jean G

The House - S1-E9

Continuity mistake: After she leaves the sanitarium, Elaine's long blonde hair is blowing wildly in the wind as she drives. In the next shot, with no time for her to have combed it, her hair is neatly coiffed again. (00:10:00)

Jean G

The House - S1-E9

Visible crew/equipment: When the Chrysler 300 convertible pulls up in front of the haunted house, the camera crew and several light panels are reflected in the car's door and side. (00:03:00)

Jean G

Night Gallery mistake picture

They're Tearing Down Tim Riley's Bar - S1-E17

Continuity mistake: When William Windom comes into his office, we see a stone wall in the background, with a wall clock, a painting and a credenza, but when Bert Convy comes in through the same door later, the background is completely different. And again, when William Windom leaves his office after he's been fired, the background has changed again. (00:03:30 - 00:07:10)

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

More quotes from Night Gallery

Camera Obscura - S2-E36

Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.

Jean G

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