Odd Man Out - S1-E12
Continuity mistake: The way Abruzzi's note is positioned on his bed changes from when it's dropped to when it's picked up. (00:12:00)
By the Skin and the Teeth - S1-E15
Continuity mistake: In the psych ward, the rubble over the manhole cover changes between the long and close shots. (00:29:20)
Riots, Drills and the Devil: Part 2 - S1-E7
Continuity mistake: When on his way to rescue Sarah, Michael hears a noise in the vent. When he stops he's completely in the dark but as the shot changes he's moved forward and is now illuminated. (00:08:30)
Riots, Drills and the Devil: Part 2 - S1-E7
Continuity mistake: When LJ's mum yells at him to go upstairs she is pointing with her right hand. When the shot changes she is no longer pointing. (00:18:25)
Riots, Drills and the Devil: Part 2 - S1-E7
Continuity mistake: The way Abruzzi holds Bob's ID after setting him free changes between shots. (00:38:10)
Continuity mistake: When Abruzzi is on the phone arranging a plane for that night, the train in the station that is seen leaving changes between shots. The number painted on the outside of the front door changes from 3434 to 3410 and the number in the passenger window changes from 418 to 425. These are metal numbers not an LCD display. The destination, Kimball, stays the same. (00:13:35)
Continuity mistake: In the 'previously on Prison Break' Segment, the way Nikola gives Michael Sara's keys is completely different from the previous episode. Michael is seen to open his hand in this episode but when he actually received the keys he never opened his hand. (00:00:15)
Odd Man Out - S1-E12
Continuity mistake: When the maintenance guy goes over to the bin there is no rubbish visible sticking out. Camera changes to a close up and now there is. (00:17:05)
And Then There Were 7 - S1-E11
Continuity mistake: Kellerman looks down at Quinn in the well. When he does, his foot is overhanging the edge of the well. From below however, his foot is not visible as it should be. (00:37:40)
Continuity mistake: C-Note puts some of the rubble on the table when talking to Michael. The rubble changes when Michael brushes it off the table. A particularly large rock appears that wasn't there before. (00:37:50)